Jonathan Harris is Senior Lecturer in the School of Architecture at Liverpool University. He is the author of Federal Art and National Culture (Cambridge University Press 1995), co-author of Modernism in Dispute: Art Since the Forties (Yale University Press 1993), and co-editor of Art in Modern Culture (Phaidon 1992).

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• Acknowlegements Dedication Illustrations Introduction 1. Radical Art History: Back to its Future? 2. Capitalist Modernity, the Nation-State and Visual Representation 3. Feminism, Art and Art History 4. Subjects, Identities and Visual Ideology 5. Structures and Meanings in Art and Society 6. Searching, After Certainties 7. Sexualities Represented Conclusion: The Means and Ends of Radical Art History

Jonathan Harris is Senior Lecturer in the School of Architecture at Liverpool University. He is the author of Federal Art and National Culture (Cambridge University Press 1995), co-author of Modernism in Dispute: Art Since the Forties (Yale University Press 1993), and co-editor of Art in Modern Culture (Phaidon 1992).

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• Acknowlegements Dedication Illustrations Introduction 1. Radical Art History: Back to its Future? 2. Capitalist Modernity, the Nation-State and Visual Representation 3. Feminism, Art and Art History 4. Subjects, Identities and Visual Ideology 5. Structures and Meanings in Art and Society 6. Searching, After Certainties 7. Sexualities Represented Conclusion: The Means and Ends of Radical Art History

Jonathan Harris is Senior Lecturer in the School of Architecture at Liverpool University. He is the author of Federal Art and National Culture (Cambridge University Press 1995), co-author of Modernism in Dispute: Art Since the Forties (Yale University Press 1993), and co-editor of Art in Modern Culture (Phaidon 1992).

Select Guide Rating

• Acknowlegements Dedication Illustrations Introduction 1. Radical Art History: Back to its Future? 2. Capitalist Modernity, the Nation-State and Visual Representation 3. Feminism, Art and Art History 4. Subjects, Identities and Visual Ideology 5. Structures and Meanings in Art and Society 6. Searching, After Certainties 7. Sexualities Represented Conclusion: The Means and Ends of Radical Art History