Keith J. Hayward is Senior Lecturer in Criminology and Sociology and the Director of undergraduate criminology at the University of Kent. The late Mike Presdee was Senior Lecturer in Criminology at the School of Social Policy, Sociology and Social Research at the University of Kent.

• 1. Opening the Lens: Cultural Criminology and the Image Keith Hayward 2. Crime, Punishment and the Force of Photographic Spectacle Phil Carney 3. The Decisive Moment: Documentary Photography and Cultural Criminology Jeff Ferrell and Cécile Van de Voorde 4. Hindley’s Ghost: The Visual Deconstruction of Maxine Carr Phil J. Jones and Claire Wardle 5. Screening Crime: Cultural Criminology goes to the Movies Majid Yar 6. The Scene of the Crime: Is there Such a Thing as ‘Just Looking’? Alison Young 7. Imagining the ‘War on Terror’: Fiction, Film, and Framing Alexandra Campbell 8. Framing the Crimes of Colonialism: Critical Images of Aboriginal Art and Law Chris Cuneen 9. ‘Drive it Like you Stole It’: Cultural Criminology, Images and Automobiles in Advertisements Stephen L. Muzzati 10. Staging an Execution: The Media at McVeigh, Bruce Hoffman and Michelle Brown 11. Fighting with Images: The Production and Consumption of Violence among Online Football Supporters Damián Zaitch and Tom de Leeuw 12. A Reflected Gaze of Humanity: Cultural Criminology and Images of Genocide, Wayne Morrison

Keith J. Hayward is Senior Lecturer in Criminology and Sociology and the Director of undergraduate criminology at the University of Kent. The late Mike Presdee was Senior Lecturer in Criminology at the School of Social Policy, Sociology and Social Research at the University of Kent.

• 1. Opening the Lens: Cultural Criminology and the Image Keith Hayward 2. Crime, Punishment and the Force of Photographic Spectacle Phil Carney 3. The Decisive Moment: Documentary Photography and Cultural Criminology Jeff Ferrell and Cécile Van de Voorde 4. Hindley’s Ghost: The Visual Deconstruction of Maxine Carr Phil J. Jones and Claire Wardle 5. Screening Crime: Cultural Criminology goes to the Movies Majid Yar 6. The Scene of the Crime: Is there Such a Thing as ‘Just Looking’? Alison Young 7. Imagining the ‘War on Terror’: Fiction, Film, and Framing Alexandra Campbell 8. Framing the Crimes of Colonialism: Critical Images of Aboriginal Art and Law Chris Cuneen 9. ‘Drive it Like you Stole It’: Cultural Criminology, Images and Automobiles in Advertisements Stephen L. Muzzati 10. Staging an Execution: The Media at McVeigh, Bruce Hoffman and Michelle Brown 11. Fighting with Images: The Production and Consumption of Violence among Online Football Supporters Damián Zaitch and Tom de Leeuw 12. A Reflected Gaze of Humanity: Cultural Criminology and Images of Genocide, Wayne Morrison

Keith J. Hayward is Senior Lecturer in Criminology and Sociology and the Director of undergraduate criminology at the University of Kent. The late Mike Presdee was Senior Lecturer in Criminology at the School of Social Policy, Sociology and Social Research at the University of Kent.

• 1. Opening the Lens: Cultural Criminology and the Image Keith Hayward 2. Crime, Punishment and the Force of Photographic Spectacle Phil Carney 3. The Decisive Moment: Documentary Photography and Cultural Criminology Jeff Ferrell and Cécile Van de Voorde 4. Hindley’s Ghost: The Visual Deconstruction of Maxine Carr Phil J. Jones and Claire Wardle 5. Screening Crime: Cultural Criminology goes to the Movies Majid Yar 6. The Scene of the Crime: Is there Such a Thing as ‘Just Looking’? Alison Young 7. Imagining the ‘War on Terror’: Fiction, Film, and Framing Alexandra Campbell 8. Framing the Crimes of Colonialism: Critical Images of Aboriginal Art and Law Chris Cuneen 9. ‘Drive it Like you Stole It’: Cultural Criminology, Images and Automobiles in Advertisements Stephen L. Muzzati 10. Staging an Execution: The Media at McVeigh, Bruce Hoffman and Michelle Brown 11. Fighting with Images: The Production and Consumption of Violence among Online Football Supporters Damián Zaitch and Tom de Leeuw 12. A Reflected Gaze of Humanity: Cultural Criminology and Images of Genocide, Wayne Morrison