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Timothy Havens, Anikó Imre, Katalin Lustyik - Popular Television in Eastern Europe During and Since Socialism, Inbunden

Inbunden, Engelska, 2012

Popular Television in Eastern Europe During and Since Socialism

Av Timothy Havens, Anikó Imre, Katalin Lustyik

Del i serien Routledge Advances in Internationalizing Media Studies

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Beskrivning
This collection of essays responds to the recent surge of interest in popular television in Eastern Europe. This is a region where television's transformation has been especially spectacular, shifting from a state-controlled broadcast system delivering national, regional, and heavily filtered Western programming to a deregulated, multi-platform, transnational system delivering predominantly American and Western European entertainment programming. Consequently, the nations of Eastern Europe provide opportunities to examine the complex interactions among economic and funding systems, regulatory policies, globalization, imperialism, popular culture, and cultural identity.This collection will be the first volume to gather the best writing, by scholars across and outside the region, on socialist and postsocialist entertainment television as a medium, technology, and institution.
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Timothy Havens is an Associate Professor of Television and Media Studies in the Department of Communication Studies and the Program in African American Studies at the University of Iowa.Aniko Imre is an Assistant Professor of Critical Studies at the School of Cinematic Arts of the University of Southern California.Katalin Lustyik is an Assistant Professor of Media Studies at the School of Communication of Ithaca College, and a Regional Visiting Fellow at the Institute of European Studies at Cornell University.

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'...recommended as a highly exciting and wide-ranging reference for current TV productions from Eastern Europe.' Nicole Kandioler, rezens.tfm e-journal'Popular Television in Eastern Europe During and Since Socialism greatly contributes to a better understanding of cultural Eastern European specificity. To achieve this goal, the volume does not keep its reflection to established geopolitical boundaries, instead, it proves how productive a more problematic approach can be. It questions assumed historical paradigms, includes Eastern European popular TV in the broader international history of the medium, promotes further reflection on national, regional and transnational media identities, and includes gender and ethnic varieties into a broader scope.' Francesco Pitassio, Cinema&Cie

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