Kristi McKim is Associate Professor of English and Chair of the Film Studies Program at Hendrix College, US.

‘Kristi McKim’s Cinema as Weather is an insightful and original contribution to the growing field of environmental film studies. McKim takes up the notion that insofar as the production and screening of cinematic weather mimics actual weatherly phenomena, cinema is weather. McKim’s bold assertions about the nature of cinema are wonderfully nuanced by her critical perspectives on film theory and actual atmospheric conditions.’ – Stephen Rust, University of Oregon, USA

• Introduction  1. Revealing Skies and Screens: The Confluence of Weather and Cinema 2. The Cinematic History of Weather, and the History of Cinematic Weather  3. Interiority and Exteriority: Cinematic Weather as Plot and Effect  4. Cinematic Rain 5. Cinematic Snow 6. Cinematic Sunlight and Seasons  7. Conclusion

Kristi McKim is Associate Professor of English and Chair of the Film Studies Program at Hendrix College, US.

‘Kristi McKim’s Cinema as Weather is an insightful and original contribution to the growing field of environmental film studies. McKim takes up the notion that insofar as the production and screening of cinematic weather mimics actual weatherly phenomena, cinema is weather. McKim’s bold assertions about the nature of cinema are wonderfully nuanced by her critical perspectives on film theory and actual atmospheric conditions.’ – Stephen Rust, University of Oregon, USA

• Introduction  1. Revealing Skies and Screens: The Confluence of Weather and Cinema 2. The Cinematic History of Weather, and the History of Cinematic Weather  3. Interiority and Exteriority: Cinematic Weather as Plot and Effect  4. Cinematic Rain 5. Cinematic Snow 6. Cinematic Sunlight and Seasons  7. Conclusion

Kristi McKim is Associate Professor of English and Chair of the Film Studies Program at Hendrix College, US.

‘Kristi McKim’s Cinema as Weather is an insightful and original contribution to the growing field of environmental film studies. McKim takes up the notion that insofar as the production and screening of cinematic weather mimics actual weatherly phenomena, cinema is weather. McKim’s bold assertions about the nature of cinema are wonderfully nuanced by her critical perspectives on film theory and actual atmospheric conditions.’ – Stephen Rust, University of Oregon, USA

• Introduction  1. Revealing Skies and Screens: The Confluence of Weather and Cinema 2. The Cinematic History of Weather, and the History of Cinematic Weather  3. Interiority and Exteriority: Cinematic Weather as Plot and Effect  4. Cinematic Rain 5. Cinematic Snow 6. Cinematic Sunlight and Seasons  7. Conclusion