Tama Leaver is a lecturer in the Internet Studies department at Curtin University of Technology.

"Leaver’s Artificial Culture is a positive step in our greater understanding of contemporary culture, and I applaud his attempts at grappling with literary and film media in a single volume. […] Libraries are encouraged to purchase a copy because its breadth of research topics and theoretical approaches will appeal to a broad base of scholars." - Jason W. Ellis, CUNY"Artificial Culture is a wide-ranging and well-researched analysis of some important cultural sites that share crucial features of ‘artificiality’, specifically technologically driven artificiality... Leaver is careful to foreground the specificities of cultural media, especially of film...[it would] be an appropriate text to include in graduate courses." - Veronica Hollinger, Trent University"Leaver probes productively at the destabilised boundary between technologies and humans, using the notion of the artificial and the site of the body to map some of the ways contemporary identities and subjectivities are being influenced by both technologies and the rhetoric of the artificial more broadly." - Tully Barnett, Flinders University

• An Artificial Introduction Part1: Artificial Intelligence 1. Early Artificial Intelligence Films: ‘When are you going to let me out of this box? 2. "I am a machine!": Artificial Intelligences in Contemporary Cinema Part 2: Artificial Life 3. From Digital Genesis to the Artificial Other 4. Diasporic Subjectivities: Not Quite ‘Beyond the Infinite’ Part 3: Artificial Space 5. The Fortification of Place in the Digital Age 6. Resistance is Spatial 7. The Infinite Plasticity of the Digital? Part 4: Artificial Culture 8. Matrices of Embodiment 9. The Symbiosis of Special Effects Part 5: Artificial Culture 10. Before the Mourning 11. Artificial Mourning: Spider-Man, Special Effects and September 11 Artificial Conclusions

Tama Leaver is a lecturer in the Internet Studies department at Curtin University of Technology.

"Leaver’s Artificial Culture is a positive step in our greater understanding of contemporary culture, and I applaud his attempts at grappling with literary and film media in a single volume. […] Libraries are encouraged to purchase a copy because its breadth of research topics and theoretical approaches will appeal to a broad base of scholars." - Jason W. Ellis, CUNY"Artificial Culture is a wide-ranging and well-researched analysis of some important cultural sites that share crucial features of ‘artificiality’, specifically technologically driven artificiality... Leaver is careful to foreground the specificities of cultural media, especially of film...[it would] be an appropriate text to include in graduate courses." - Veronica Hollinger, Trent University"Leaver probes productively at the destabilised boundary between technologies and humans, using the notion of the artificial and the site of the body to map some of the ways contemporary identities and subjectivities are being influenced by both technologies and the rhetoric of the artificial more broadly." - Tully Barnett, Flinders University

• An Artificial Introduction Part1: Artificial Intelligence 1. Early Artificial Intelligence Films: ‘When are you going to let me out of this box? 2. "I am a machine!": Artificial Intelligences in Contemporary Cinema Part 2: Artificial Life 3. From Digital Genesis to the Artificial Other 4. Diasporic Subjectivities: Not Quite ‘Beyond the Infinite’ Part 3: Artificial Space 5. The Fortification of Place in the Digital Age 6. Resistance is Spatial 7. The Infinite Plasticity of the Digital? Part 4: Artificial Culture 8. Matrices of Embodiment 9. The Symbiosis of Special Effects Part 5: Artificial Culture 10. Before the Mourning 11. Artificial Mourning: Spider-Man, Special Effects and September 11 Artificial Conclusions

Tama Leaver is a lecturer in the Internet Studies department at Curtin University of Technology.

"Leaver’s Artificial Culture is a positive step in our greater understanding of contemporary culture, and I applaud his attempts at grappling with literary and film media in a single volume. […] Libraries are encouraged to purchase a copy because its breadth of research topics and theoretical approaches will appeal to a broad base of scholars." - Jason W. Ellis, CUNY"Artificial Culture is a wide-ranging and well-researched analysis of some important cultural sites that share crucial features of ‘artificiality’, specifically technologically driven artificiality... Leaver is careful to foreground the specificities of cultural media, especially of film...[it would] be an appropriate text to include in graduate courses." - Veronica Hollinger, Trent University"Leaver probes productively at the destabilised boundary between technologies and humans, using the notion of the artificial and the site of the body to map some of the ways contemporary identities and subjectivities are being influenced by both technologies and the rhetoric of the artificial more broadly." - Tully Barnett, Flinders University

• An Artificial Introduction Part1: Artificial Intelligence 1. Early Artificial Intelligence Films: ‘When are you going to let me out of this box? 2. "I am a machine!": Artificial Intelligences in Contemporary Cinema Part 2: Artificial Life 3. From Digital Genesis to the Artificial Other 4. Diasporic Subjectivities: Not Quite ‘Beyond the Infinite’ Part 3: Artificial Space 5. The Fortification of Place in the Digital Age 6. Resistance is Spatial 7. The Infinite Plasticity of the Digital? Part 4: Artificial Culture 8. Matrices of Embodiment 9. The Symbiosis of Special Effects Part 5: Artificial Culture 10. Before the Mourning 11. Artificial Mourning: Spider-Man, Special Effects and September 11 Artificial Conclusions