An updated edition of the pioneering study in the acclaimed World of Art series, this classic book surveys a full century of performance art, from the Futurist manifesto of 1909 through the second decade of the new millennium. Performance Art is a pioneering history of one of the most important art forms to emerge in modern times. Now in its fourth edition, it has been completely updated to reflect on performance in an age where digital technologies are increasingly dominant, and where live art stands out as an antidote to the overwhelming effects of our media world. Renowned art historian and curator RoseLee Goldberg explains the worldwide phenomenon of performance art, and outlines developments in the medium up to and within the second decade of the twenty-first century. The astonishing increase in the number of works testifies to the significance of the medium for new generations of artists entering the global conversation of art and culture and for articulating ‘difference’. Matthew Barney, Tania Bruguera, Nikhil Chopra, Nicholas Hlobo, Zhang Huan, Anne Imhof and Rashid Johnson are among the many artists whose work can now be seen in the context of innovators in the field, from the Futurists and Dadaists to Yves Klein, Marina Abramovic and Laurie Anderson.

An updated edition of the pioneering study in the acclaimed World of Art series, this classic book surveys a full century of performance art, from the Futurist manifesto of 1909 through the second decade of the new millennium. Performance Art is a pioneering history of one of the most important art forms to emerge in modern times. Now in its fourth edition, it has been completely updated to reflect on performance in an age where digital technologies are increasingly dominant, and where live art stands out as an antidote to the overwhelming effects of our media world. Renowned art historian and curator RoseLee Goldberg explains the worldwide phenomenon of performance art, and outlines developments in the medium up to and within the second decade of the twenty-first century. The astonishing increase in the number of works testifies to the significance of the medium for new generations of artists entering the global conversation of art and culture and for articulating ‘difference’. Matthew Barney, Tania Bruguera, Nikhil Chopra, Nicholas Hlobo, Zhang Huan, Anne Imhof and Rashid Johnson are among the many artists whose work can now be seen in the context of innovators in the field, from the Futurists and Dadaists to Yves Klein, Marina Abramovic and Laurie Anderson.