World of Art – serie

The story of graphic design is one of the most exciting and important in the history of twentieth century visual culture. From its roots in the development of printing, graphic design has evolved as a means of identification, information and promotion to become a profession and discipline in its own right. This authoritative documentary history begins with the poster and goes on to chart the development of graphics in brochures, magazines, advertising, corporate identity, television and electronic media. It also discusses technical innovations such as the use of photography, and the revolutionary impact of digital technologies. Preserving the author’s own original layout, now a typographic and print design classic, and with over 800 illustrations fully integrated with the text, this indispensable account is clear, comprehensive and absorbing.With over 800 illustrations

This book distils a lifetime’s study of Viking art. Written by a leading authority, it introduces all the intricate and beautiful art styles of the Viking age. It ranges in time from the first major Viking expeditions overseas around AD 800 to the general establishment of Christianity in Scandinavia some 300 years later. The opening chapter introduces the geographical and historical background to Viking culture; thematic chapters then describe and illustrate the six main Viking art styles, showing how they emerged from and interacted with one another. Delicate metalwork, elaborate wood-carvings and the famous Gotland picture-stones are all discussed. Viking art ranges in scale from ship burials to decorated weapons and finely crafted jewelry; all feature here, alongside Viking architecture and archaeological traces left by Vikings across continental Europe and beyond. The final chapter examines Viking art in relation to pagan mythology, the conversion to Christianity, and the Viking legacy for later artistic movements. First published in 2013 and now revised and updated throughout, this volume is a modern classic that serves as a definitive guide for all those interested in the vibrant artistic culture of this fascinating period in European history.With 224 illustrations

An updated edition of the pioneering study in the acclaimed World of Art series, this classic book surveys a full century of performance art, from the Futurist manifesto of 1909 through the second decade of the new millennium. Performance Art is a pioneering history of one of the most important art forms to emerge in modern times. Now in its fourth edition, it has been completely updated to reflect on performance in an age where digital technologies are increasingly dominant, and where live art stands out as an antidote to the overwhelming effects of our media world. Renowned art historian and curator RoseLee Goldberg explains the worldwide phenomenon of performance art, and outlines developments in the medium up to and within the second decade of the twenty-first century. The astonishing increase in the number of works testifies to the significance of the medium for new generations of artists entering the global conversation of art and culture and for articulating ‘difference’. Matthew Barney, Tania Bruguera, Nikhil Chopra, Nicholas Hlobo, Zhang Huan, Anne Imhof and Rashid Johnson are among the many artists whose work can now be seen in the context of innovators in the field, from the Futurists and Dadaists to Yves Klein, Marina Abramovic and Laurie Anderson.

This highly acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980, and has helped to shape architectural practice and discourse worldwide. For this extensively revised and updated fifth edition, Kenneth Frampton has added a new section that explores in detail the modernist tradition in architecture across the globe in the late twentieth and early twenty-first centuries. He examines the varied ways in which architects are not only responding to the geographical, climatic, material and cultural contexts of their buildings, but also pursuing distinct lines of approach that emphasize topography, morphology, sustainability, materiality habitat and civic form. It remains an essential book for all students of architecture and architectural history.

Whitney Chadwick’s acclaimed study challenges the assumption that great women artists are exceptions to the rule, who ‘transcended’ their sex to produce major works of art. While acknowledging the many women whose contribution to visual culture since the Middle Ages have often been neglected, Chadwick’s survey amounts to much more than an alternative canon of women artists: it re-examines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her disussion of feminism and its influence on such a reappraisal, the author also addresses the closely related issues of ethnicity, class and sexuality. With a new preface and epilogue from an exciting new authority on the history of women artists, this revised edition continues the project of charting the evolution of feminist art history and pedagogy in recent years, revealing how artists have responded to new strategies of feminism for the current moment.

A thorough international survey of the body's role in contemporary art, fully revised and updated. The Body in Contemporary Art presents an international survey of art made since 2000 that takes the body as its focus. Examining such areas as nature and technology, identity politics and the grotesque, writer and critic Sally O'Reilly traces the body's movement from a subject to a live medium of art, and highlights how socio-political and cultural developments, from contemporary scientific breakthroughs to the Russian-Ukranian war, have all had a profound influence on representations of the human form. From painting and sculpture to installation, video art and performance, O'Reilly reveals the myriad ways in which the body has inspired a generation of artists. Featuring the work of both renowned and up-and-coming figures, including Marina Abramovic, Hew Locke, Jenkin van Zyl, Shirin Neshat, Sarah Lucas and Shawanda Corbett, The Body in Contemporary Art shows how the human form continues to be pivotal to our understanding and expression of our place in the universe. International in scope with colour illustrations throughout, this edition has been comprehensively revised, with an updated selection of artists and five new chapters covering topics such as: clothing, work and economics, the nude and illness.

From the 19th-century Arts and Crafts movement to the present day, and from Art Nouveau and Bauhaus to hi-tech and green design, every style of interior design since 1900 is charted in this wide-ranging survey. Design in the 20th century saw an extraordinary evolution, with the emergence of professional interior designers and the growing appetite to redesign homes at frequent intervals. In recent decades the focus has been on sustainable design in public spaces such as offices, factories and ships. Anne Massey explores these developments in social, political, economic and cultural contexts. More than 200 illustrations of interiors from around the world, from William Morris’s drawing room to a 21st-century aircraft, reveal the fundamental changes in taste and style from Art Deco to Pop and from the Streamline Moderne to Post-Modernism.

This accessible overview is invaluable for the way in which it makes coherent sense of the often-bewildering diversity of styles, forms, media, techniques, and agendas that proliferate in contemporary art. Extensively revised and expanded since it was first published, Michael Archer’s acclaimed book is brought fully up to date in this new edition through the addition of a new chapter on developments in contemporary art since 2000. Art Since 1960 remains an indispensable source of information on the evolution of art over the past five-and-a-half decades.

An in-depth overview of Ukrainian art from the dawn of Modernism in the late nineteenth century to the start of the Russian invasion in Spring 2022. Ukraine is at a historic crossroads, with the nation’s complex cultural identity at stake. Curator Alisa Lozhkina provides an authoritative overview of the country’s art, artists and movements from the dawn of Modernism to the Soviet period, to post-Soviet times and Russia’s invasion of Ukraine in 2022. She discusses Ukrainian art and artists within historical and political contexts as well as showing how they have contributed to, and interacted with, Ukrainian culture and identity as the nation transformed from provincial status on the periphery of the Russian Empire, to a constituent republic of the Soviet Union, through to independence and the challenges of its most recent history. Arranged broadly chronologically and fully illustrated throughout, The Art of Ukraine offers a powerful opportunity to explore the rich and complex Ukrainian artistic tradition.

Prophet, poet, painter, engraver – William Blake (1757–1827) was an artist of uniquely powerful imagination and far-reaching creative gifts. His work expresses the spiritual drama of the English national being, integrating poetry and visual art in a sustained work of visionary creativity unparalleled in English art history. Revealing Blake to be far more than a revolutionary social radical, this classic study reshapes our understanding of the artist’s achievement. Kathleen Raine details the enriching effect of mystical, alchemical and gnostic philosophy on Blake’s art. She unravels the complex, deeply felt symbolism expressed in his paintings and prints, and describes the powerful impact of his reading of Dante, Milton and the Bible. Raine’s compelling text guides the reader through the life and thought of this extraordinary artist. Fully alive to the uniqueness of Blake’s art – which has ‘a reality, a coherence, a climate’ all its own – she introduces famous work such as Jerusalem, Songs of Innocence and of Experience, The Four Zoas and The Book of Job, relating them to Blake’s world view and explaining their prophetic qualities, their fierce energy, and their central place in British Romantic art.With 185 illustrations in colour

An updated and substantially revised edition of this comprehensive introduction to outsider art, distinguished by its wider international scope and inclusion of global developments since 2000. Outsider Art is the work produced outside the mainstream of modern art by self-taught, untrained visionaries, spiritualists, recluses, folk artists, psychiatric patients, prisoners and others beyond the imposed margins of society and the art market. Coined by Roger Cardinal in 1972, the term in English derived from Jean Dubuffet’s ‘Art Brut’ – literally ‘raw art’, ‘uncooked’ by culture, unaffected by fashion, unmoved by artistic standards. In this comprehensive and indispensable guide, Colin Rhodes surveys the history and reception of Outsider Art – first championed by Dubuffet and the Surrealists, now appreciated by a wider public – while providing fresh insights into the achievements of both major figures and newly discovered artists as well as the emergence of specialized studios, as the relationship between outsider art and the contemporary mainstream art world has developed and become more intertwined. From spirit-guided Madge Gill to schizophrenic Adolf Wolfli, Rosemarie Koczÿ’s expressions of trauma to Nek Chand’s outdoor creations, these individuals passionately and obsessively pursue the pictorial expression of their vision. Now illustrated in full colour, with the exception of some archival photographs, this new edition has been substantially revised with a greater focus on global Outsider art as well as including more recent talents to the field.

From the momentus invention of the needle some 40,000 years ago to the development of blue denim, from Neolithic weavers to the biggest names in the fashion industry today – this classic guide covers the landmarks of costume history, the forms and materials used through the ages, the underlying motives of fashion and the ways in which clothes have been used to protect, to express identity, and to attract or to influence others. This sixth edition features a new foreword and concluding chapter by Amy de la Haye. The book is brought right up to date with a discussion about the major political shifts within the fashion industry, highlighting how it has responded to issues surrounding racism and sexism; LGBTQI rights; mental health awareness; body and age diversity and global sustainability.

A richly illustrated survey of Matisse's impact on modern art that also examines his career, techniques, aesthetics and stages of artistic development. The work of Henri Matisse has been both a profound inspiration to his successors and a source of infinite enjoyment to all who love art. Yet the apparent spontaneity of his colour and ease of imagery were the fruit of a lifetime’s arduous labour; the simplicity of his compositions the result of a formidable intelligence. In this richly illustrated study, Lawrence Gowing takes us through Matisse’s career, assessing his influence on the art that has followed him and looking closely at Matisse’s own achievements. The detailed discussion of individual works reveal the subtlety and complexity of one of the greatest masters of all time.

The story of the life and work of the visionary poet and artist, William Blake.

A biography of Rembrandt examines his most important drawings and paintings, describes his personal life, and assesses his contribution to art.

When the original edition of this book was published, John Russell hailed it as a ‘massive contribution to our knowledge of one of the most fascinating and mysterious episodes in the history of modern art.’ It still remains the most compact, accurate and reasonably priced survey of sixty years of creative dynamic activity that profoundly influenced the progress of Western art and architecture.

Les Fauves (the wild beasts) was the nickname given in 1905 to a group of painters led by Henri Matisse. Today, their paintings are among the most popular of all twentieth-century art. Yet when Matisse and his friends - Derain, Vlaminck, Marquet, Dufy and Braque among them - first exhibited their work, the reaction of public and critics was astonishment and often hostility. Using strong, even strident, colours, applied in a manner deriving from Cézanne, Gauguin and Van Gogh, the Fauves took painting back to its basic principles, inspired by primitive art, popular prints and children's paintings, and paved the way to Cubism. The artists, their work, their relationship, their achievements and the critical and commercial response to their work are all discussed in this absorbing book.