Linda Nochlin (1931–2017), described in the Guardian as ‘a trailblazer to the end’, was Lila Acheson Wallace Professor Emerita of Modern Art at the New York University Institute of the Fine Arts. She wrote extensively on issues of gender in art history and on 19th-century Realism. Her numerous publications include Why Have There Been No Great Women Artists?; Women, Art and Power; Representing Women; Courbet; and Misère. Maura Reilly is an art historian and curator. She was the founding curator of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, where she organized the critically acclaimed ‘Global Feminisms: New Directions in Contemporary Art’, co-curated with Linda Nochlin.

'Linda was a pioneer … her writing is vivid and persuasive' - The Artist

Linda Nochlin (1931–2017), described in the Guardian as ‘a trailblazer to the end’, was Lila Acheson Wallace Professor Emerita of Modern Art at the New York University Institute of the Fine Arts. She wrote extensively on issues of gender in art history and on 19th-century Realism. Her numerous publications include Why Have There Been No Great Women Artists?; Women, Art and Power; Representing Women; Courbet; and Misère. Maura Reilly is an art historian and curator. She was the founding curator of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, where she organized the critically acclaimed ‘Global Feminisms: New Directions in Contemporary Art’, co-curated with Linda Nochlin.

'Linda was a pioneer … her writing is vivid and persuasive' - The Artist

Linda Nochlin (1931–2017), described in the Guardian as ‘a trailblazer to the end’, was Lila Acheson Wallace Professor Emerita of Modern Art at the New York University Institute of the Fine Arts. She wrote extensively on issues of gender in art history and on 19th-century Realism. Her numerous publications include Why Have There Been No Great Women Artists?; Women, Art and Power; Representing Women; Courbet; and Misère. Maura Reilly is an art historian and curator. She was the founding curator of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, where she organized the critically acclaimed ‘Global Feminisms: New Directions in Contemporary Art’, co-curated with Linda Nochlin.

'Linda was a pioneer … her writing is vivid and persuasive' - The Artist