Charles Darwent is an art critic and reviewer. He contributes regularly to the Guardian, the Art Newspaper and Art Review and was the Independent on Sunday’s chief art critic from 1999 to 2013. He appeared in the Netflix series, Raiders of the Lost Art, from 2014 to 2016. Darwent’s publications include Mondrian in London and The Drawing Book: A Survey of Drawing. He spent five years researching Josef Albers at the Josef and Anni Albers Foundation, Connecticut.

'Lively, lucid, compelling and revealing, offering fascinating insights into Albers – as artist and teacher – while convincingly reframing his place at the heart of modernism on both sides of the Atlantic' - Frances Morris, Director of Tate Modern

• 1. Homages to the Square • 2. Am Anfang • 3. Berlin and Munich • 4. Weimar • 5. Dessau and Berlin • 6. Black Mountain College • 7. Yale • 8. Beginnings and Ends

Charles Darwent is an art critic and reviewer. He contributes regularly to the Guardian, the Art Newspaper and Art Review and was the Independent on Sunday’s chief art critic from 1999 to 2013. He appeared in the Netflix series, Raiders of the Lost Art, from 2014 to 2016. Darwent’s publications include Mondrian in London and The Drawing Book: A Survey of Drawing. He spent five years researching Josef Albers at the Josef and Anni Albers Foundation, Connecticut.

'Lively, lucid, compelling and revealing, offering fascinating insights into Albers – as artist and teacher – while convincingly reframing his place at the heart of modernism on both sides of the Atlantic' - Frances Morris, Director of Tate Modern

• 1. Homages to the Square • 2. Am Anfang • 3. Berlin and Munich • 4. Weimar • 5. Dessau and Berlin • 6. Black Mountain College • 7. Yale • 8. Beginnings and Ends

Charles Darwent is an art critic and reviewer. He contributes regularly to the Guardian, the Art Newspaper and Art Review and was the Independent on Sunday’s chief art critic from 1999 to 2013. He appeared in the Netflix series, Raiders of the Lost Art, from 2014 to 2016. Darwent’s publications include Mondrian in London and The Drawing Book: A Survey of Drawing. He spent five years researching Josef Albers at the Josef and Anni Albers Foundation, Connecticut.

'Lively, lucid, compelling and revealing, offering fascinating insights into Albers – as artist and teacher – while convincingly reframing his place at the heart of modernism on both sides of the Atlantic' - Frances Morris, Director of Tate Modern

• 1. Homages to the Square • 2. Am Anfang • 3. Berlin and Munich • 4. Weimar • 5. Dessau and Berlin • 6. Black Mountain College • 7. Yale • 8. Beginnings and Ends