Until his death in March, 1989, Carl Dahlhaus was Professor of Music at the Technische Universitat in Berlin and general editor of the complete edition of Wagner's works. He is the author of Nineteenth-Century Music (California, 1989).

• "Neo-romanticism" The Twofold Truth in Wagner's Aesthetics:Nietzsche's Fragment "On Music and Words" Issues in Composition(translated in collaboration with Arnold Whittall) 1. The musical idea 2. Real sequence and developing variation 3. "Musical prose" and "endless melody" 4. "Expanded" and "wandering" tonality 5. The "individualization" of harmony 6. Conclusion Nationalism and Music 1. The "Volksgeist" hypothesis 2. Nationalism and folk music 3. On the aesthetics of national expression in music AppendixFriedrich Nietzsche, "On Music and Words"translated by Walter Kaufmann 103Index

Until his death in March, 1989, Carl Dahlhaus was Professor of Music at the Technische Universitat in Berlin and general editor of the complete edition of Wagner's works. He is the author of Nineteenth-Century Music (California, 1989).

• "Neo-romanticism" The Twofold Truth in Wagner's Aesthetics:Nietzsche's Fragment "On Music and Words" Issues in Composition(translated in collaboration with Arnold Whittall) 1. The musical idea 2. Real sequence and developing variation 3. "Musical prose" and "endless melody" 4. "Expanded" and "wandering" tonality 5. The "individualization" of harmony 6. Conclusion Nationalism and Music 1. The "Volksgeist" hypothesis 2. Nationalism and folk music 3. On the aesthetics of national expression in music AppendixFriedrich Nietzsche, "On Music and Words"translated by Walter Kaufmann 103Index

Until his death in March, 1989, Carl Dahlhaus was Professor of Music at the Technische Universitat in Berlin and general editor of the complete edition of Wagner's works. He is the author of Nineteenth-Century Music (California, 1989).

• "Neo-romanticism" The Twofold Truth in Wagner's Aesthetics:Nietzsche's Fragment "On Music and Words" Issues in Composition(translated in collaboration with Arnold Whittall) 1. The musical idea 2. Real sequence and developing variation 3. "Musical prose" and "endless melody" 4. "Expanded" and "wandering" tonality 5. The "individualization" of harmony 6. Conclusion Nationalism and Music 1. The "Volksgeist" hypothesis 2. Nationalism and folk music 3. On the aesthetics of national expression in music AppendixFriedrich Nietzsche, "On Music and Words"translated by Walter Kaufmann 103Index