Between Romanticism and Modernism

Four Studies in the Music of the Later Nineteenth Century

AvCarl Dahlhaus

Häftad, Engelska, 1989

Del 1 i serien California Studies in 19th-Century Music

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Beskrivning

Carl Dahlhaus here treats Nietzsche's youthful analysis of the contradictions in Wagner's doctrine (and, more generally, in romantic musical aesthetics); the question of periodicization in romantic and neo-romantic music; the underlying kinship between Brahms' and Wagner's responses to the central musical problems of their time; and, the true significance of musical nationalism. Included in this volume is Walter Kauffman's translation of the previously unpublished fragment, "On Music and Words", by the young Nietzsche.

Produktinformation

Utgivningsdatum:1989-10-12
Mått:142 x 215 x 10 mm
Vikt:136 g
Format:Häftad
Språk:Engelska
Serie:California Studies in 19th-Century Music
Antal sidor:129
Förlag:University of California Press
ISBN:9780520067486
Översättare:Mary Whittall

Utforska kategorier

Klassisk musik, konstmusik och orkestermusik inom Kultur

Mer om författaren

Until his death in March, 1989, Carl Dahlhaus was Professor of Music at the Technische Universitat in Berlin and general editor of the complete edition of Wagner's works. He is the author of Nineteenth-Century Music (California, 1989).

Innehållsförteckning

"Neo-romanticism" The Twofold Truth in Wagner's Aesthetics:Nietzsche's Fragment "On Music and Words" Issues in Composition(translated in collaboration with Arnold Whittall) 1. The musical idea 2. Real sequence and developing variation 3. "Musical prose" and "endless melody" 4. "Expanded" and "wandering" tonality 5. The "individualization" of harmony 6. Conclusion Nationalism and Music 1. The "Volksgeist" hypothesis 2. Nationalism and folk music 3. On the aesthetics of national expression in music AppendixFriedrich Nietzsche, "On Music and Words"translated by Walter Kaufmann 103Index