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    1. Historia och arkeologi
    2. Historia
    3. Historia: särskilda händelser och ämnen
    4. Socialhistoria och kulturhistoria

    Stick to the Skin

    African American and Black British Art, 1965-2015

    AvCeleste-Marie Bernier

    Inbunden, Engelska, 2019

    720 kr

    Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

    Beskrivning

    The first comparative history of African American and Black British artists, artworks, and art movements, Stick to the Skin traces the lives and works of over fifty painters, photographers, sculptors, and mixed-media, assemblage, installation, video, and performance artists working in the United States and Britain from 1965 to 2015. The artists featured in this book cut to the heart of hidden histories, untold narratives, and missing memories to tell stories that "stick to the skin" and arrive at a new "Black lexicon of liberation."Informed by extensive research and invaluable oral testimonies, Celeste-Marie Bernier’s remarkable text forcibly asserts the originality and importance of Black artists’ work and emphasizes the need to understand Black art as a distinctive category of cultural production. She launches an important intervention into European histories of modern and contemporary art and visual culture as well as into debates within African American studies, African diasporic studies, and Black British studies.Artists featured:Larry AchiampongHurvin AndersonBenny AndrewsRasheed Araeen  Jean-Michel BasquiatZarina BhimjiSutapa BiswasFrank BowlingSonia BoyceVanley BurkeChila Kumari BurmanEddie ChambersThornton Dial Godfried DonkorKimathi DonkorSokari Douglas CampMelvin EdwardsMary EvansNicola FrimpongJoy GregoryBessiey HarveyMona HatoumLubaina HimidLonnie HolleyGavin JantjesClaudette Johnson Tam JosephRoshini KempadooJuginder LambaHew LockeSteve McQueenChris OfiliKeith PiperIngrid PollardThomas J. PriceNoah PurifoyFaith RinggoldDonald RodneyBetye SaarJoyce J. Scott Yinka ShonibareGurminder SikandMarlene Smith Maud SulterBarbara WalkerKara WalkerCarrie Mae WeemsDeborah WillisHank Willis ThomasLynette Yiadom-Boakye

    Produktinformation

    • Utgivningsdatum:2019-01-08
    • Mått:229 x 267 x 23 mm
    • Vikt:1 361 g
    • Format:Inbunden
    • Språk:Engelska
    • Antal sidor:344
    • Förlag:University of California Press
    • Medarbetare:Lubaina HimidCBE
    • ISBN:9780520286535

    Utforska kategorier

    • Socialhistoria och kulturhistoria inom Historia och arkeologi
    • Konsthistoria inom Kultur
    • Etnicitet inom Samhälle och politik

    Mer om författaren

    Celeste-Marie Bernier is Professor of US and Atlantic Studies at the University of Edinburgh. She is the author of African American Visual Arts; Characters of Blood: Black Heroism in the Transatlantic Imagination; Suffering and Sunset: World War I in the Art and Life of Horace Pippin; and (with Andrew Taylor) If I Survive: Frederick Douglass and Family in the Walter O. Evans Collection.

    Recensioner i media

    "...[A] welcome new volume . . . . [and] a Herculean effort of naming and contextualizing an array of vital and frequently overlooked practices and methods. Its power as an intellectual project and teaching resource is to work inductively, sidestepping theory and allowing artists’ words to elaborate the specificity of art making as a form of individual exploration and collective intervention."

    Innehållsförteckning

    • FOREWORD Lubaina HimidPREFACE “WE WILL BE / WHO WE WANT / WHERE WE WANT / WITH WHOM WE WANT”ACKNOWLEDGMENTSINTRODUCTION “Inside the Invisible”African American and Black British Artists and Art-Making Traditions1 “Do Something with It”The Search for a New Critical Language in African American and Black British Art2 “I’m Always Ready to Die”Memorializing Slavery and Narrativizing Freedom3 “Lifting, Hanging, Burning”Defiance, Dissidence, and to Destroy Is to Create4 “Branded, Raped, Beaten”Acts and Arts of Bearing Witness5 “How to Paint Suffering”Anti-Portraiture, Anti-Product, and Anti-Painting6 “Enter at Your Own Risk”Artist-as-Trickster-as-Prophet-as-Historianas- Witness-as-Freedom-Fighter-as-Artist7 “BURIED, HIDDEN, AND DISGUISED”“Storying” in a State of Shock8 “A FREAK IN THE BLIZZARD OF THE WHITE MAN’S GAZE”Black Absent Presences and Present Absences9 An “Indelible Mark”?Autobiographies, Archives, and Amnesia10 “I Was Branded”Spectacularized Histories, Serial Narratives, and Illicit Iconographies11 “Power to the Powerless”Tracing Black Lives in Protest Portraits, History Paintings, and Radical Installations12 “Hurting to Death”Struggle, Survival, and Storytelling in Salvaged Objects, Paint, Beads, and SteelCONCLUSION “Survivors of the Diasporic Journey”Past, Present, and Future Artists and Art-Making TraditionsNOTESBIBLIOGRAPHIC NOTELIST OF ILLUSTRATIONSINDEX