Jill D'Alessandro is curator of the Caroline and H. McCoy Jones Department of Textile Arts at the Fine Arts Museums of San Francisco. She is the author of Pulp Fashion: The Art of Isabelle de Borchgrave and contributed to Lines on the Horizon: Native American Art from the Weisel Family Collection. Colleen Terry is assistant curator of the Achenbach Foundation for Graphic Arts at the Fine Arts Museums of San Francisco. She is the author of Artful Animals and a contributor to Jewel City: Art from San Francisco's Panama-Pacific International Exposition and Ed Ruscha and the Great American West.

"Summer of Love: Art, Fashion, and Rock and Roll does a remarkable job conveying both the ideas and the content of an exhibition many of us will never see. Its precision focus on one moment in one city in American history is the book’s greatest strength."

• forewordmapessaysnot past at alldennis mcnallyselling san francisco’s soundcolleen terrystitching a new paradigmjill d ’alessandroif you’re going to san franciscojoel selvincatalogue and more(sittin’ on) the dock of the baya trip without a ticketthe gathering of the tribeslove and haightthe poster shopfeed your headthe music never stoppedwhat are we fighting for?san francisco psychedelicrock postersvictoria binderthe sixties in san franciscovan metertime lineselected bibliographychecklistindexacknowledgmentspicture creditscontributors

Jill D'Alessandro is curator of the Caroline and H. McCoy Jones Department of Textile Arts at the Fine Arts Museums of San Francisco. She is the author of Pulp Fashion: The Art of Isabelle de Borchgrave and contributed to Lines on the Horizon: Native American Art from the Weisel Family Collection. Colleen Terry is assistant curator of the Achenbach Foundation for Graphic Arts at the Fine Arts Museums of San Francisco. She is the author of Artful Animals and a contributor to Jewel City: Art from San Francisco's Panama-Pacific International Exposition and Ed Ruscha and the Great American West.

"Summer of Love: Art, Fashion, and Rock and Roll does a remarkable job conveying both the ideas and the content of an exhibition many of us will never see. Its precision focus on one moment in one city in American history is the book’s greatest strength."

• forewordmapessaysnot past at alldennis mcnallyselling san francisco’s soundcolleen terrystitching a new paradigmjill d ’alessandroif you’re going to san franciscojoel selvincatalogue and more(sittin’ on) the dock of the baya trip without a ticketthe gathering of the tribeslove and haightthe poster shopfeed your headthe music never stoppedwhat are we fighting for?san francisco psychedelicrock postersvictoria binderthe sixties in san franciscovan metertime lineselected bibliographychecklistindexacknowledgmentspicture creditscontributors

Jill D'Alessandro is curator of the Caroline and H. McCoy Jones Department of Textile Arts at the Fine Arts Museums of San Francisco. She is the author of Pulp Fashion: The Art of Isabelle de Borchgrave and contributed to Lines on the Horizon: Native American Art from the Weisel Family Collection. Colleen Terry is assistant curator of the Achenbach Foundation for Graphic Arts at the Fine Arts Museums of San Francisco. She is the author of Artful Animals and a contributor to Jewel City: Art from San Francisco's Panama-Pacific International Exposition and Ed Ruscha and the Great American West.

"Summer of Love: Art, Fashion, and Rock and Roll does a remarkable job conveying both the ideas and the content of an exhibition many of us will never see. Its precision focus on one moment in one city in American history is the book’s greatest strength."

• forewordmapessaysnot past at alldennis mcnallyselling san francisco’s soundcolleen terrystitching a new paradigmjill d ’alessandroif you’re going to san franciscojoel selvincatalogue and more(sittin’ on) the dock of the baya trip without a ticketthe gathering of the tribeslove and haightthe poster shopfeed your headthe music never stoppedwhat are we fighting for?san francisco psychedelicrock postersvictoria binderthe sixties in san franciscovan metertime lineselected bibliographychecklistindexacknowledgmentspicture creditscontributors