Charlene Villaseñor Black is Professor of Art History and Chicana/o Studies at the University of California, Los Angeles. She is the author of Creating the Cult of St. Joseph: Art and Gender in the Spanish Empire, editor of Tradition and Transformation: Chicana/o Art from the 1970s to the 1990s and Aztlán: A Journal of Chicano Studies, founding editor in chief of Latin American and Latinx Visual Culture, and coeditor of Arts, Crafts, and Materials in the Age of Global Encounter, 1492–1800, a special edition of the Journal of Interdisciplinary History.  Mari-Tere Álvarez is Project Specialist at the J. Paul Getty Museum and Associate Director of USC’s International Museum Institute. She has recently coedited Remix: Changing Conversations in Museums of the Americas; Beyond the Turnstile: Making the Case for Museums and Sustainable Values; and Arts, Crafts, and Materials in the Age of Global Encounter, 1492–1800, a special edition of the Journal of Interdisciplinary History.

Charlene Villaseñor Black is Professor of Art History and Chicana/o Studies at the University of California, Los Angeles. She is the author of Creating the Cult of St. Joseph: Art and Gender in the Spanish Empire, editor of Tradition and Transformation: Chicana/o Art from the 1970s to the 1990s and Aztlán: A Journal of Chicano Studies, founding editor in chief of Latin American and Latinx Visual Culture, and coeditor of Arts, Crafts, and Materials in the Age of Global Encounter, 1492–1800, a special edition of the Journal of Interdisciplinary History.  Mari-Tere Álvarez is Project Specialist at the J. Paul Getty Museum and Associate Director of USC’s International Museum Institute. She has recently coedited Remix: Changing Conversations in Museums of the Americas; Beyond the Turnstile: Making the Case for Museums and Sustainable Values; and Arts, Crafts, and Materials in the Age of Global Encounter, 1492–1800, a special edition of the Journal of Interdisciplinary History.

Charlene Villaseñor Black is Professor of Art History and Chicana/o Studies at the University of California, Los Angeles. She is the author of Creating the Cult of St. Joseph: Art and Gender in the Spanish Empire, editor of Tradition and Transformation: Chicana/o Art from the 1970s to the 1990s and Aztlán: A Journal of Chicano Studies, founding editor in chief of Latin American and Latinx Visual Culture, and coeditor of Arts, Crafts, and Materials in the Age of Global Encounter, 1492–1800, a special edition of the Journal of Interdisciplinary History.  Mari-Tere Álvarez is Project Specialist at the J. Paul Getty Museum and Associate Director of USC’s International Museum Institute. She has recently coedited Remix: Changing Conversations in Museums of the Americas; Beyond the Turnstile: Making the Case for Museums and Sustainable Values; and Arts, Crafts, and Materials in the Age of Global Encounter, 1492–1800, a special edition of the Journal of Interdisciplinary History.