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William N. West, Stephen Orgel, Anne Barton - Theatres and Encyclopedias in Early Modern Europe, Inbunden

Inbunden, Engelska, 2003

Theatres and Encyclopedias in Early Modern Europe

Av William N. West, Stephen Orgel, Anne Barton

Del 44 i serien Cambridge Studies in Renaissance Literature and Culture

1610 kr

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Beskrivning
In this 2003 book West explores what 'theatre' meant to medieval and Renaissance writers and places Renaissance drama within the influential context of the encyclopedic writings produced at the time. It was an encyclopedic culture, obsessed with sorting knowledge, and early encyclopedias presented themselves as textual theatres, in which everything knowable could be represented in concrete, visible form. Medieval and Renaissance plays, similarly, took encyclopedic themes as their topics: the mysteries of nature, universal history, the world of learning. But instead of transmitting authorized knowledge unambiguously, as it was supposed to be, the theatre created a situation in which ordinary experience could become a source of authority. West covers a wide range of works, from the encyclopedic texts of the Middle Ages and Renaissance to Marlowe's Dr Faustus, Jonson's The Alchemist, and Bacon's Novum Organum, to provide a fascinating picture of the cultural life of the period.
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William West has taught at the University of California at Berkeley, Stanford University, and the University of Nevada, Reno, and is currently assistant Professor of English at the University of Colorado at Boulder. He has published on encyclopedism, the arts of memory, symbolic economies, and the epistemology of early modern performance in journals such as English Literary Renaissance, Renaissance Drama, and Comparative Literature. He is currently at work on a book on the significance of confusion and misunderstanding in early modern drama.

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''… At the heart of every encyclopaedic effort is the desire to marvel,' West comments, and this sense of awe is mirrored in his own engaging explication of the processes of wonder construction. It comes out through the densely argued examples and the splendid illustrations of fantastic beasts and performances spaces. Curiositas, 'the lust of the eyes', which links passion for knowledge to the watching of 'shows', works its dangerous magic through the majority of this fascinating book.' Journal of New Theatre Quarterly

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