Simon Gilson is Senior Lecturer in Italian at the University of Warwick.

Review of the hardback: 'A book on Dante's reception which is both rich in detail and clear in direction … excellent … Simon Gilson's book is a major contribution to our understanding of the multiple ways in which Dante's works, and the figure of Dante, were understood in Florence.' The Times Literary Supplement

• List of illustrations; Acknowledgements; List of abbreviations; Introduction; Part I. Competing Cults: the Legacy of the Trecento and the Impact of Humanism, 1350–1430: 1. Boccaccio and Petrarch; 2. Florentine humanism and vernacular culture: perspectives on Dante, 1375–1430; Part II. New Directions and the Rise of the Vernacular, 1430–1481: 3. Dante as a civic and linguistic model, 1430–1441; 4. Dante and Florentine vernacular humanism: critical judgments and literary experiments; Part III. Cristoforo Landino and his Comento sopra la Comedia (1481): 5. Cristoforo Landino on Dante and Florence: the prologue to the Comento; 6. Tradition and innovation in Cristoforo Landino's Comento: platonism, natural science and classicism; Conclusion; Notes; Selected bibliography; Index.

Simon Gilson is Senior Lecturer in Italian at the University of Warwick.

Review of the hardback: 'A book on Dante's reception which is both rich in detail and clear in direction … excellent … Simon Gilson's book is a major contribution to our understanding of the multiple ways in which Dante's works, and the figure of Dante, were understood in Florence.' The Times Literary Supplement

• List of illustrations; Acknowledgements; List of abbreviations; Introduction; Part I. Competing Cults: the Legacy of the Trecento and the Impact of Humanism, 1350–1430: 1. Boccaccio and Petrarch; 2. Florentine humanism and vernacular culture: perspectives on Dante, 1375–1430; Part II. New Directions and the Rise of the Vernacular, 1430–1481: 3. Dante as a civic and linguistic model, 1430–1441; 4. Dante and Florentine vernacular humanism: critical judgments and literary experiments; Part III. Cristoforo Landino and his Comento sopra la Comedia (1481): 5. Cristoforo Landino on Dante and Florence: the prologue to the Comento; 6. Tradition and innovation in Cristoforo Landino's Comento: platonism, natural science and classicism; Conclusion; Notes; Selected bibliography; Index.

Simon Gilson is Senior Lecturer in Italian at the University of Warwick.

Review of the hardback: 'A book on Dante's reception which is both rich in detail and clear in direction … excellent … Simon Gilson's book is a major contribution to our understanding of the multiple ways in which Dante's works, and the figure of Dante, were understood in Florence.' The Times Literary Supplement

• List of illustrations; Acknowledgements; List of abbreviations; Introduction; Part I. Competing Cults: the Legacy of the Trecento and the Impact of Humanism, 1350–1430: 1. Boccaccio and Petrarch; 2. Florentine humanism and vernacular culture: perspectives on Dante, 1375–1430; Part II. New Directions and the Rise of the Vernacular, 1430–1481: 3. Dante as a civic and linguistic model, 1430–1441; 4. Dante and Florentine vernacular humanism: critical judgments and literary experiments; Part III. Cristoforo Landino and his Comento sopra la Comedia (1481): 5. Cristoforo Landino on Dante and Florence: the prologue to the Comento; 6. Tradition and innovation in Cristoforo Landino's Comento: platonism, natural science and classicism; Conclusion; Notes; Selected bibliography; Index.