Dante and Renaissance Florence

AvSimon A. Gilson,Alastair Minnis

Inbunden, Engelska, 2005

Del 56 i serien Cambridge Studies in Medieval Literature

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Beskrivning

Simon Gilson explores Dante's reception in his native Florence between 1350 and 1481. He traces the development of Florentine civic culture and the interconnections between Dante's principal 'Florentine' readers, from Giovanni Boccaccio to Cristoforo Landino, and explains how and why both supporters and opponents of Dante exploited his legacy for a variety of ideological, linguistic, cultural and political purposes. The book focuses on a variety of texts, both Latin and vernacular, in which reference was made to Dante, from commentaries to poetry, from literary lives to letters, from histories to dialogues. Gilson pays particular attention to Dante's influence on major authors such as Boccaccio and Petrarch, on Italian humanism, and on civic identity and popular culture in Florence. Ranging across literature, philosophy and art, across languages and across social groups, this study fully illuminates for the first time Dante's central place in Italian Renaissance culture and thought.

Produktinformation

Utgivningsdatum:2005-01-13
Mått:162 x 236 x 28 mm
Vikt:610 g
Format:Inbunden
Språk:Engelska
Serie:Cambridge Studies in Medieval Literature
Antal sidor:340
Förlag:Cambridge University Press
ISBN:9780521841658

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Mer om författaren

Simon Gilson is Senior Lecturer in Italian at the University of Warwick.

Recensioner i media

Review of the hardback: 'A book on Dante's reception which is both rich in detail and clear in direction … excellent … Simon Gilson's book is a major contribution to our understanding of the multiple ways in which Dante's works, and the figure of Dante, were understood in Florence.' The Times Literary Supplement

Innehållsförteckning

List of illustrations; Acknowledgements; List of abbreviations; Introduction; Part I. Competing Cults: the Legacy of the Trecento and the Impact of Humanism, 1350–1430: 1. Boccaccio and Petrarch; 2. Florentine humanism and vernacular culture: perspectives on Dante, 1375–1430; Part II. New Directions and the Rise of the Vernacular, 1430–1481: 3. Dante as a civic and linguistic model, 1430–1441; 4. Dante and Florentine vernacular humanism: critical judgments and literary experiments; Part III. Cristoforo Landino and his Comento sopra la Comedia (1481): 5. Cristoforo Landino on Dante and Florence: the prologue to the Comento; 6. Tradition and innovation in Cristoforo Landino's Comento: platonism, natural science and classicism; Conclusion; Notes; Selected bibliography; Index.