Cambridge Studies in Medieval Literature – serie

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Del 14 - Cambridge Studies in Medieval Literature
Dreaming in the Middle Ages
AvSteven F. Kruger,Alastair Minnis
Häftad, Engelska, 2005
805 kr
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This wide-ranging study examines the role of the dream in medieval culture with reference to philosophical, legal and theological writings as well as literary and autobiographical works. Stephen Kruger studies the development of theories of dreaming, from the Neoplatonic and patristic writers to late medieval re-interpretations, and shows how these theories relate to autobiographical accounts and to more popular treatments of dreaming. He considers previously neglected material including one important dream vision by Nicole Oresme, and arrives at a new understanding of this literary genre, and of medieval attitudes to dreaming in general.
Del 38 - Cambridge Studies in Medieval Literature
Chaucer's Legendary Good Women
AvFlorence Percival,Alastair Minnism. fl.
Häftad, Engelska, 2005
750 kr
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Chaucer's Legend of Good Women is a testament to the disparate views of women prevalent in the Middle Ages. Dr Percival contends that the complex medieval notion of Woman informs the structure of the poem: in the Prologue Chaucer praises conventional ideas of female virtue, while in the Legends he demonstrates a humorous scepticism, apparently influenced by a contemporary antifeminist tradition. The debate Chaucer thus promotes could be relied on to entertain many medieval readers, at the same time that it demonstrates the power of the vernacular translator/poet to handle language wittily and to do just as he pleases with the august texts of the past. This is a comprehensive account of the Legend's interpretative puzzles, which does not ignore the element of political writing, and adds to a close and nuanced reading of the text an examination of literary, historical, and social contexts.
Del 25 - Cambridge Studies in Medieval Literature
Sciences and the Self in Medieval Poetry
Alan of Lille's Anticlaudianus and John Gower's Confessio Amantis
AvJames Simpson,Alastair Minnism. fl.
Häftad, Engelska, 2005
824 kr
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In this 1995 study James Simpson examines two great poems of the later medieval period, the Latin philosophical epic, Alan of Lille's Anticlaudianus (1181-3), and John Gower's English poem, The Confessio Amantis (1390-3). Simpson locates these works in a cultural context dominated by two kinds of literary humanism: the absolutist, whose philosophical mentor is Plato, whose literary model is Virgil and whose concept of the self is centred in the intellect, and the constitutionalist, whose classical models are Aristotle and Ovid and whose concept of the self resides in the mediatory power of the imagination. Both poems are examples of the Bildungsroman, in which the self reaches its fullness only by traversing an educational cursus in the related sciences of ethics, politics and cosmology, but as this study shows, there are very different modes of thought behind their conceptions of selfhood and education.
Del 36 - Cambridge Studies in Medieval Literature
Arthurian Narrative in the Latin Tradition
AvSiân Echard,Alastair Minnis
Häftad, Engelska, 2005
750 kr
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Arthurian literature is a popular field, but most of the published work focuses on the vernacular tradition. This book, uniquely, looks at Latin Arthurian works. Geoffrey of Monmouth is treated at length and this is the first book to put him in a context which includes other Latin histories, monastic chronicles, saints' lives and other Latin prose Arthurian narratives. Like Geoffrey's works, most can be associated with the Angevin court of Henry II and by placing these works against the court background, this book both introduces a new set of texts into the Arthurian canon and suggests a way to understand their place in that tradition. The unfamiliar works are summarized for the reader, and there are extensive quotations, with translations, throughout. The result is a thorough exploration of Latin Arthurian narrative in the foundational period for the Arthurian tradition.
Del 22 - Cambridge Studies in Medieval Literature
Dante and the Mystical Tradition
Bernard of Clairvaux in the Commedia
AvSteven Botterill,Alastair Minnism. fl.
Häftad, Engelska, 2005
604 kr
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In this study, Steven Botterill explores the intellectual relationship between the greatest poet of the fourteenth century, Dante, and the greatest spiritual writer of the twelfth century, Bernard of Clairvaux. Botterill analyses the narrative episode involving Bernard as a character in the closing cantos of the Paradiso, against the background of his medieval reputation as a contemplative mystic, devotee of Mary, and, above all, a preacher of outstanding eloquence. Botterill draws on a wide range of materials to establish and illustrate the connections between Bernard's reputation and his portrayal in Dante's poem. Botterill's fresh approach to the analysis of the whole episode will provoke the reader to re-evaluate the significance and implications of Bernard's presence in the Commedia.
Del 31 - Cambridge Studies in Medieval Literature
Lies, Slander and Obscenity in Medieval English Literature
Pastoral Rhetoric and the Deviant Speaker
AvEdwin David Craun,Alastair Minnism. fl.
Häftad, Engelska, 2005
787 kr
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Drawing on manuscript sources, this book examines how the medieval clergy developed the authority and persuasive force to attempt to govern the day-to-day speech of Western Christians. It shows how attempts were made to portray some political, social and private speech as deviant and destructive, labelling it lying, slander, blasphemy and other Sins of the Tongue. It explores, for the first time, how Chaucer, Langland, Gower and the 'Patience' poet use the different strains of this pastoral discourse not only to expose the destructive power of speech in political and social life but also to judge clerical claims to authority and efficacy in formulating and applying codes of speech.
Del 39 - Cambridge Studies in Medieval Literature
The Making of Chaucer's English
A Study of Words
AvChristopher Cannon,Alastair Minnis
Häftad, Engelska, 2005
879 kr
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The Making of Chaucer's English undertakes a substantial reappraisal of the place Chaucer's English occupies in the history of the English language and the language of English literature. It attacks the widespread presumption that Chaucer invented literary English and argues instead that Chaucer's English is generally traditional. It shows that Chaucer's linguistic innovation was as much performance as fact, but it also traces the linguistic strategies that made (and make) the performance of 'originality' so believable. It also includes a valuable history of every word Chaucer uses. The book also interrogates the theory and methodology of historicising languages, so even as it explores how Chaucer's words matter, it also questions why these particular words have acquired such importance for poets and scholars alike for 600 years.
Del 44 - Cambridge Studies in Medieval Literature
Pedagogy, Intellectuals, and Dissent in the Later Middle Ages
Lollardy and Ideas of Learning
AvRita Copeland,Alastair Minnis
Häftad, Engelska, 2005
787 kr
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This book is about the place of pedagogy and the role of intellectuals in medieval dissent. Focusing on the medieval English heresy known as Lollardy, Rita Copeland places heretical and orthodox attitudes to learning in a long historical perspective that reaches back to antiquity. She shows how educational ideologies of ancient lineage left their imprint on the most sharply politicized categories of late medieval culture, and how radical teachers transformed inherited ideas about classrooms and pedagogy as they brought their teaching to adult learners. The pedagogical imperatives of Lollard dissent were also embodied in the work of certain public figures, intellectuals whose dissident careers transformed the social category of the medieval intellectual. Looking closely at the prison narratives of two Lollard preachers, Copeland shows how their writings could serve as examples for their fellow dissidents and forge a new rapport between academic and non-academic communities.
Del 37 - Cambridge Studies in Medieval Literature
Clerical Discourse and Lay Audience in Late Medieval England
AvFiona Somerset,Alastair Minnism. fl.
Häftad, Engelska, 2005
622 kr
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The translation of learned Latin materials into English between around 1370 and 1410 was a highly controversial activity. It was thought likely to make available to lay audiences the authoritative and intellectual information and methods of argument previously only accessible to an educated elite - and with that knowledge the power of information. Fiona Somerset's 1998 study examines what kinds of academic material were imported into English, what sorts of audience were projected for this kind of clerical discourse and how writers positioned themselves with respect to potential audience and opponents. The well-known concerns with clerical corruption and lay education of authors such as Langland, Trevisa, and Wyclif are linked to those of more obscure writers in both Latin and English, some only recently edited, or only extant in manuscript.
Del 18 - Cambridge Studies in Medieval Literature
Ideas and Forms of Tragedy from Aristotle to the Middle Ages
AvHenry Ansgar Kelly,Alastair Minnism. fl.
Häftad, Engelska, 2005
824 kr
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'Tragedy' has been understood in a variety of conflicting ways over the centuries, and the term has been applied to a wide range of literary works. In this book, H. A. Kelly explores the various meanings given to tragedy, from Aristotle's most basic notion (any serious story, even with a happy ending), via Roman ideas and practices, to the middle ages, when Averroes considered tragedy to be the praise of virtue but Albert the Great thought of it as the recitation of the foul deeds of degenerate men. Professor Kelly demonstrates the importance of finding out what writers like Horace, Ovid, Dante and Chaucer meant by the term, and how they used it as a tool of interpretation and composition. Referring to a wealth of texts, he shows that many modern analyses of ancient and medieval concepts and works are oversimplified and often result in serious misinterpretations. The book ends with surveys of works designated as tragedies in England, France, Italy and Spain.
Del 28 - Cambridge Studies in Medieval Literature
Editing Piers Plowman
The Evolution of the Text
AvCharlotte Brewer,Alastair Minnism. fl.
Häftad, Engelska, 2006
879 kr
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The fifty-plus extant manuscripts of Piers Plowman have always posed a puzzle to editors and readers. This 1996 book is an account of the editions of the poem which have appeared since 1550, when it was first published by the protestant reformer Robert Crowley. It examines the circumstances in which the editions were produced, the lives and intellectual motivations of the editors, and the relationship between one edition and the next. Brewer places the work of W. W. Skeat at the centre of Piers Plowman editing, showing how he towered above his predecessors and determined the path subsequently taken by editors of the poem, and presents much new biographical information about this extraordinary man. She uses a wide range of published and previously unpublished material to explain the difficulties of editing and to shed light on attempts to crack one of the major editorial conundrums in medieval studies.
Del 30 - Cambridge Studies in Medieval Literature
Texts and the Self in the Twelfth Century
AvSarah Spence,Alastair Minnism. fl.
Häftad, Engelska, 2006
640 kr
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Texts and the Self in the Twelfth Century analyses key twelfth-century Latin and vernacular texts which articulate a subjective, often autobiographical, stance. The contention is that the self forged in medieval literature could not have come into existence without both the gap between Latinity and the vernacular and a shift in perspective towards a visual and spatial orientation. This results in a self which is not an agent that will act on the outside world like the Renaissance self, but, rather, one which inhabits a potential, middle ground, or 'space of agency', explained here partly in terms of object-relations theory.
Del 46 - Cambridge Studies in Medieval Literature
Women, Reading, and Piety in Late Medieval England
AvMary C. Erler,Alastair Minnism. fl.
Häftad, Engelska, 2006
824 kr
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Women, Reading, and Piety in Late Medieval England traces networks of female book ownership and exchange which have so far been obscure, and shows how women were responsible for both owning and circulating devotional books. In seven narratives of individual women who lived between 1350 and 1550, Mary Erler illustrates the ways in which women read and the routes by which they passed books from hand to hand. These stories are prefaced by an overview of nuns' reading and their surviving books, and are followed by a survey of women who owned the first printed books in England. An appendix lists a number of books not previously attributed to religious women's ownership. Erler's narratives also provide studies of female friendship, since they situate women's reading in a network of family and social connections. The book uses bibliography to explore social and intellectual history.
Del 33 - Cambridge Studies in Medieval Literature
Literacy in Medieval Celtic Societies
AvHuw Pryce
Häftad, Engelska, 2006
897 kr
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This 1998 collection of studies examines the use of the written word in Celtic-speaking regions of Europe between c. 400 and c. 1500. Building on previous work as well as presenting the fruits of much new research, the book seeks to highlight the interest and importance of Celtic uses of literacy for the study of both medieval literacy generally and of the history and cultures of the Celtic countries in the Middle Ages. Among the topics discussed are the uses and significance of charter-writing, the interplay of oral and literate modes in the composition and transmission of medieval Irish and Welsh genealogies, prose narratives and poetry, the survival of Celtic culture in Brittany and of Gaelic literacy in eastern Scotland in the twelfth century, and pragmatic uses of literacy in later medieval Wales.
Del 35 - Cambridge Studies in Medieval Literature
The Evolution of Arthurian Romance
The Verse Tradition from Chrétien to Froissart
AvBeate Schmolke-Hasselmann,Alastair Minnis
Häftad, Engelska, 2006
622 kr
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This 1998 study serves as a contribution to both reception history, examining the medieval response to Chrétien's poetry, and genre history, suveying the evolution of Arthurian verse romance in French. It describes the evolutionary changes taking place between Chrétien's Eric et Enide and Froissart's Meliador, the first and last examples of the genre, and is unique in placing Chrétien's work, not as the unequalled masterpieces of the whole of Arthurian literature, but as the starting point for the history of the genre, which can subsequently be traced over a period of two centuries in the French-speaking world. Beate Schmolke-Hasselmann's study was first published in German in 1985, but her radical argument that we need urgently to redraw the lines on the literary and linguistic map of medieval Britain and France is only now being made available in English.
Del 43 - Cambridge Studies in Medieval Literature
Fictions of Identity in Medieval France
AvDonald Maddox,Alastair Minnism. fl.
Häftad, Engelska, 2006
732 kr
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In this study of vernacular French narrative from the twelfth century through the later Middle Ages, first published in 2000, Donald Maddox considers the construction of identity in a wide range of fictions. He focuses on crucial encounters, widespread in medieval literature, in which characters are informed about fundamental aspects of their own circumstances and selfhood. These always arresting and highly significant moments of 'specular' encounter are examined in numerous Old and Middle French romances, hagiographic texts, epics and brief narratives. Maddox discloses the key role of identity in an original reading of the Lais of Marie de France as a unified collection, as well as in Arthurian literature, fictions of the courtly tryst, genealogies and medieval family romance. The study offers many new perspectives on the poetic and cultural implications of identity as an imaginary construct during the long formative period of French literature.
Del 41 - Cambridge Studies in Medieval Literature
The Early History of Greed
The Sin of Avarice in Early Medieval Thought and Literature
AvRichard Newhauser,Alastair Minnism. fl.
Häftad, Engelska, 2006
750 kr
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The history of avarice as the deadliest vice in western Europe has been said to begin in earnest only with the rise of capitalism or, earlier, the rise of a money economy. In this first full-length study of the early history of greed, Richard Newhauser shows that avaritia, the sin of greed for possessions, has a much longer history, and is more important for an understanding of the Middle Ages, than has previously been allowed. His examination of theological and literary texts composed between the first century CE and the tenth century reveals new significance in the portrayal of various kinds of greed, to the extent that by the early Middle Ages avarice was available to head the list of vices for authors engaged in the task of converting others from pagan materialism to Christian spirituality.
Del 24 - Cambridge Studies in Medieval Literature
Virgil in Medieval England
Figuring The Aeneid from the Twelfth Century to Chaucer
AvChristopher Baswell,Alastair Minnism. fl.
Häftad, Engelska, 2006
915 kr
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What happens when a prestigious text of one period is read and reused in a different, much later world? What can we learn from the annotations accumulated by a single manuscript as it moved among different institutions and readerships? In this study Christopher Baswell takes as his model Virgil's ancient epic poem The Aeneid, which held many kinds of appeal for the culture of the Middle Ages. He examines a series of Latin manuscripts of the text which were copied in twelfth-century England but reused and reannotated for three centuries, and shows how their users approached the epic in very different ways. He then charts the progression from the Latin of the original to the vernaculars of the Roman d'Eneas and Chaucer's House of Fame and Legend of Good Women, to show how medieval vernacular poets used Virgil's prestige to lay their own claim to poetic and even political authority.
Del 32 - Cambridge Studies in Medieval Literature
'Floire and Blancheflor' and the European Romance
AvPatricia E. Grieve,Alastair Minnism. fl.
Häftad, Engelska, 2006
640 kr
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This comparative 1997 study examines a medieval love story, Floire and Blancheflor, and shows how writers from Spain, France, Italy, England and Scandinavia reworked the story from the twelfth to the sixteenth century to develop and emphasize social, political, religious and artistic goals, while maintaining its entertaining qualities. It shows the importance of a little-known medieval Spanish version to the development of the story throughout Europe, and especially as a precursor to Boccaccio's Il Filocolo, and examines important issues of the development of prose fiction in medieval and Renaissance Europe. This study is unique for its breadth of coverage of one story and for its inclusion of Spain as a significant participant in the development of medieval narrative.
Del 29 - Cambridge Studies in Medieval Literature
Vernacular Literary Theory in the Middle Ages
The German Tradition, 800-1300, in its European Context
AvWalter Haug,Alastair Minnism. fl.
Häftad, Engelska, 2006
860 kr
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The first edition of this book appeared in German in 1985, and set an agenda for the study of medieval literary theory. Rather than seeing vernacular writers' reflections on their art, as found in prologues, epilogues and interpolations in literary texts, as merely deriving from established Latin traditions, Walter Haug shows that they marked the gradual emancipation of an independent vernacular poetics that went hand in hand with changing narrative forms. While focusing primarily on medieval German writers, Haug also takes into account French literature of the same period, and the principles underlying his argument are equally relevant to medieval literature in English or any other European language.
Del 19 - Cambridge Studies in Medieval Literature
The Making of Textual Culture
'Grammatica' and Literary Theory 350-1100
AvMartin Irvine,Alastair Minnism. fl.
Häftad, Engelska, 2006
952 kr
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This is the a major study of the cultural work performed by grammatica, the central discipline concerned with literacy, language, interpretation and literature in medieval society. Grammatica was, with all aspects of Latin literary text, its language, meaning and value. Martin Irvine demonstrates that grammatica, though the first of the liberal arts, was not simply one discipline among many: it had an essentially constitutive function, defining language, meaning and texts for other medieval disciplines. Martin Irvine draws together several aspects of medieval culture - literary theory, the nature of literacy, education, biblical interpretation, the literary canon and linguistic thought - in order to disclose the more far-reaching social effect of grammatica, chief of which was the making of textual culture in the medieval West.
Del 21 - Cambridge Studies in Medieval Literature
Medieval Dutch Literature in its European Context
AvErik Kooper
Häftad, Engelska, 2006
860 kr
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This 1994 book offers insights into the rich and varied Dutch literature of the Middle Ages. Sixteen essays written by top scholars consider this literature in the context of the social, historical and cultural developments of the period in which it took shape. The collection includes studies of the most representative authors, genres, works and current fields of research interest, ranging from the court and the city, the world of chivalry, the literature of love, religious literature, drama and the artes texts. The essays draw on the idea of a common tradition in medieval literature, originating in France and shared by other literatures of western Europe. To facilitate the reader's understanding of the European context in which Dutch literature developed, a comparative chronological survey provides an overview of the main cultural, historical and literary events between 1150 and 1500. The bibliography includes details of published English translations of medieval Dutch texts discussed.
Del 13 - Cambridge Studies in Medieval Literature
Richard Rolle and the Invention of Authority
AvNicholas Watson,Alastair Minnism. fl.
Häftad, Engelska, 2007
879 kr
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This 1991 book is a literary study of the career of Richard Rolle (d.1349), a Yorkshire hermit and mystic who was one of the most widely read English writers of the late Middle Ages. Nicholas Watson proposes a chronology of Rolle's writings, and offers a literary analyses of a number of his works. He shows how Rolle's career, as a writer of passionate religious works in Latin and later in English, has as its principal focus the establishment of his own spiritual authority. The book also addresses wider issues, suggesting an alternative way of looking at mystical writing in general and challenging the prevailing view of the relationship between medieval and renaissance attitudes to authors and authority.
Del 8 - Cambridge Studies in Medieval Literature
Dante and the Medieval Other World
AvAlison Morgan
Häftad, Engelska, 2007
787 kr
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A major study of the Divine Comedy, this book offers an interesting perspective on Dante's representation of the afterlife. Alison Morgan departs from the conventional critical emphasis on Dante's place in relation to learned traditions by undertaking a thorough examination of the poem in the context of popular beliefs. Her principal sources are thus not the highly literary texts (such as Virgil's Aeneid or Thomas Aquinas's Summa Theologiae) which have become a familiar context for the poem, but rather visions of the Other World found in popular writings, painting and sculpture from the centuries leading up to its composition. The book will be of interest to non-specialists in addition to scholars of Dante, since it offers a clear preliminary account of the Other World tradition, a chronology of its principal representations and summaries of the major texts. Fully illustrated throughout, it integrates with the literary and theological aspects of Dante's heritage the important but often neglected dimension of art history.
Del 16 - Cambridge Studies in Medieval Literature
The Romance of the Rose and its Medieval Readers
Interpretation, Reception, Manuscript Transmission
AvSylvia Huot
Häftad, Engelska, 2007
860 kr
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The Romance of the Rose was one of the most important works of medieval vernacular literature. It was composed in the thirteenth century and exerted a profound influence on literature in France, England, the Netherlands and Italy for the next 200 years. In this book, Sylvia Huot investigates how medieval readers understood the text, assessing the evidence to be found in well over 200 surviving manuscripts: annotations, glosses, illuminations, marginal doodles, rewritings, expansions and abridgements. This allows a picture to emerge of the interests and concerns of its readers, including such important fourteenth-century figures as the monastic author Guillaume de Deguilleville and the court poet Guillaume de Machaut. The book contains analyses of individual versions of the poem. It offers an interesting perspective on the interpretative difficulties of this learned and complex poem.
Del 7 - Cambridge Studies in Medieval Literature
Reformist Apocalypticism and Piers Plowman
AvKathryn Kerby-Fulton
Häftad, Engelska, 2007
787 kr
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This book addresses the need for scholarly attention to the field of alternative, non-Augustinian apocalypticism and its implications for the study of Piers Plowman. Kathryn Kerby-Fulton discusses the major prophets and visionaries of such alternative traditions, who are characterised by their denunciation of clerical abuses, the urging of religious reform, and an ultimate historical optimism. Her book offers a proposal for the importance of such traditions, particularly as represented in the writings of Hildegard of Bingen, to the understanding of Langland's visionary mode and reformist ideology. Dr Kerby-Fulton also explores the relevance of the prophetic mentality fostered by Joachite thought, and the reactionary response which it triggered in antimendicant eschatology. Above all, this book provides a stimulating challenge to assumptions that Langland's views of the course and end of history are wholly conventional, or easily explained by Augustinian eschatology. The outcome of this study of contexts for Piers Plowman suggests that Langland's position in relation to different apocalyptic traditions was at once more sophisticated and more original than scholars have hitherto realised.
Del 20 - Cambridge Studies in Medieval Literature
Narrative, Authority and Power
The Medieval Exemplum and the Chaucerian Tradition
AvLarry Scanlon
Häftad, Engelska, 2007
915 kr
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Little attention has been paid to the political and ideological significance of the exemplum, a brief narrative form used to illustrate a moral. Through a study of four major works in the Chaucerian tradition (The Canterbury Tales, John Gower's Confessio Amantis, Thomas Hoccleve's Regement of Princes, and Lydgate's Fall of Princes), Scanlon redefines the exemplum as a 'narrative enactment of cultural authority'. He traces its development through the two strands of the medieval Latin tradition which the Chaucerians appropriate: the sermon exemplum, and the public exemplum of the Mirrors of Princes. In so doing, he reveals how Chaucer and his successors used these two forms of exemplum to explore the differences between clerical authority and lay power, and to establish the moral and cultural authority of their emergent vernacular tradition.
Del 4 - Cambridge Studies in Medieval Literature
Piers Plowman and the New Anticlericalism
AvWendy Scase
Häftad, Engelska, 2007
805 kr
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The medieval English poem Piers Plowman is noted for its attacks on the clergy. The later fourteenth century, when the poem was written, is often thought of as an anticlerical age. This book is an extended investigation of the anticlericalism of the poem. Dr Scase challenges the usual assumption that long-established anticlerical traditions continued unchanged in the conflicts of this period. She describes and analyses important but little-known medieval polemics and satires (many of them only available in manuscript), tracing the emergence of a distinctive 'new anticlericalism' which entailed nothing less than the making of a new anticlerical literature. With the writing of Piers Plowman, she argues, this literary challenge was accepted. Always referring closely to the contemporary controversies, and with constant attention to the detail of the text, she reveals the significance of the poem's anticlericalism. Informative and rigorously argued, this book is intended to convince literary critics and historians alike.
Del 2 - Cambridge Studies in Medieval Literature
Dante and Difference
Writing in the 'Commedia'
AvJeremy Tambling
Häftad, Engelska, 2007
750 kr
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This book presents an interesting approach to Dante's Divine Comedy, drawing on medieval theories of reading and understanding a text, and comparing them with modern critical theories of hermeneutics and approaches to the text associated with the work of Derrida. Dr Tambling rejects any attempt to identify a fundamental unity of thought in the poem and stresses the importance of opposition and divergence. This leads him to react against reductively 'allegorical' readings, and to ask in what way Christianity can be said to be articulated within the work. This important interpretation will be of value to all students and scholars of Dante, as well as to those whose work lies in the fields of general medieval literature, comparative literature and critical theory.
Del 47 - Cambridge Studies in Medieval Literature
The Beginnings of Medieval Romance
Fact and Fiction, 1150-1220
AvD. H. Green
Häftad, Engelska, 2007
750 kr
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Up to the twelfth century writing in the western vernaculars dealt almost exclusively with religious, historical and factual themes, all of which were held to convey the truth. The second half of the twelfth century saw the emergence of a new genre, the romance, which was consciously conceived as fictional and therefore allowed largely to break free from traditional presuppositions. Dennis Green explores how and why this happened, and examines this period of crucial importance for the birth of the romance and the genesis of medieval fiction in the vernacular. Although the crucial innovative role of writers in Germany is Green's main concern, he also takes literature in Latin, French and Anglo-Norman into account. This study offers a definition of medieval fictionality in its first formative period in the twelfth century, and underlines the difficulties encountered in finding a place for the fictional romance within earlier literary traditions.

Cambridge Studies in Medieval Literature – serie

Dreaming in the Middle Ages

Chaucer's Legendary Good Women

Sciences and the Self in Medieval Poetry

Arthurian Narrative in the Latin Tradition

Dante and the Mystical Tradition

Lies, Slander and Obscenity in Medieval English Literature

The Making of Chaucer's English

Pedagogy, Intellectuals, and Dissent in the Later Middle Ages

Clerical Discourse and Lay Audience in Late Medieval England

Ideas and Forms of Tragedy from Aristotle to the Middle Ages

Editing Piers Plowman

Texts and the Self in the Twelfth Century

Women, Reading, and Piety in Late Medieval England

Literacy in Medieval Celtic Societies

The Evolution of Arthurian Romance

Fictions of Identity in Medieval France

The Early History of Greed

Virgil in Medieval England

'Floire and Blancheflor' and the European Romance

Vernacular Literary Theory in the Middle Ages

The Making of Textual Culture

Medieval Dutch Literature in its European Context

Richard Rolle and the Invention of Authority

Dante and the Medieval Other World

The Romance of the Rose and its Medieval Readers

Reformist Apocalypticism and Piers Plowman

Narrative, Authority and Power

Piers Plowman and the New Anticlericalism

Dante and Difference

The Beginnings of Medieval Romance