Sviatoslav Richter

Notebooks and Conversations

AvBruno Monsaingeon

Häftad, Engelska, 2005

Del i serien Faber & Faber

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Beskrivning

'To Richter (no first name necessary), warm greetings to the best pianist in the Soviet Union - indeed in the whole world.' ProkofievThroughout a life dedicated to music, Richter maintained a stubborn silence about his own ideals and aspirations. Here at last he opens up his heart in these exceptional interviews with Bruno Monsaingeon, who became close to Richter not long before the pianist's death in 1995. These conversations take us on a journey which begins with Richter's childhood memories, follows his early career and his development into 'an artist of the people', and finally charts his rise to international acclaim.Richter's personal notebooks, kept for nearly thirty years, constitute an unparalleled witness to the music of our time. The pianist writes with precision, humour and clarity and is uninhibitedly himself. These are the private thoughts of a nonconformist, one of the greatest performers of the century, yet one whose life was inextricably bound to the history of the USSR.

Produktinformation

Utgivningsdatum:2005-03-03
Mått:135 x 215 x 35 mm
Vikt:460 g
Format:Häftad
Språk:Engelska
Serie:Faber & Faber
Antal sidor:464
Förlag:Faber & Faber
ISBN:9780571225118

Utforska kategorier

Musikinstrument inom Kultur
Klassisk musik, konstmusik och orkestermusik inom Kultur
Tonsättare och låtskrivare inom Kultur

Mer om författaren

Bruno Monsaingeon is a violinist, film-maker, and writer whose films about some of the greatest musicians of our day - among them Glenn Gould, Yehudi Menuhin, Dietrich Fischer-Dieskau and David Oistrakh - have been acclaimed throughout the world. His multi-award-winning film, Richter the Enigma, is one of several that reveal an intimate knowledge of Russian culture. He is the author of Mademoiselle, a series of interviews with Nadia Boulanger (also published in English by Amadeus Press), and of three books on Glenn Gould.

Recensioner i media

"'This book is almost impossible to put down.' Financial Times; 'For anybody interested in 20th-century musical life [the Notebooks and Conversations] make fascinating reading, because Richter met everybody from Britten to Karajan, and had an opinion (usually scathing) about them all. But you don't have to be an aficionado to enjoy this rant: a genius on the rampage is always great entertainment.' Richard Morrison, The Times; 'Though most of the [notebook] entries are brief, they are vivid in their immediacy, and Richter's remarks about opera productions, conductors (he despised von Karajan and thought that Carlos Kleiber was the greatest) and individual works are constantly engaging.' Economist"