John Jervis has taught extensively in the areas of Sociology, Social Anthropology, and Cultural Studies, at the University of Kent at Canterbury.

• Acknowledgements. Introduction.Part I: The Modern Self.1. The Theatrical Self: social drama and personal identity.2. Subjects and Citizens: the politics of everyday life.3. Street People: the city as experience, dream and nightmare.4. The Consolations of Consumerism.5.'We Are Born Naked - Everything Else is Drag': clothing the body, fashioning the self.6. The Seduction of Romance: fictions of love, narratives of selfhood.Part II: The Modern Age.7. Sacred, Secular, Sublime: modernity performs the death of God.8. Machines and Skyscrapers: technology as experience, hope and fear.9. From Enlightenment to Holocaust: modernity and the end of morality.10. Modernism, Art and Culture.11. The Image, the Spectral, and the Spectacle: technologies of the visual.12. Postmodern Times?.Key Terms.Biographical Notes.Guide to Further Reading.

John Jervis has taught extensively in the areas of Sociology, Social Anthropology, and Cultural Studies, at the University of Kent at Canterbury.

• Acknowledgements. Introduction.Part I: The Modern Self.1. The Theatrical Self: social drama and personal identity.2. Subjects and Citizens: the politics of everyday life.3. Street People: the city as experience, dream and nightmare.4. The Consolations of Consumerism.5.'We Are Born Naked - Everything Else is Drag': clothing the body, fashioning the self.6. The Seduction of Romance: fictions of love, narratives of selfhood.Part II: The Modern Age.7. Sacred, Secular, Sublime: modernity performs the death of God.8. Machines and Skyscrapers: technology as experience, hope and fear.9. From Enlightenment to Holocaust: modernity and the end of morality.10. Modernism, Art and Culture.11. The Image, the Spectral, and the Spectacle: technologies of the visual.12. Postmodern Times?.Key Terms.Biographical Notes.Guide to Further Reading.

John Jervis has taught extensively in the areas of Sociology, Social Anthropology, and Cultural Studies, at the University of Kent at Canterbury.

• Acknowledgements. Introduction.Part I: The Modern Self.1. The Theatrical Self: social drama and personal identity.2. Subjects and Citizens: the politics of everyday life.3. Street People: the city as experience, dream and nightmare.4. The Consolations of Consumerism.5.'We Are Born Naked - Everything Else is Drag': clothing the body, fashioning the self.6. The Seduction of Romance: fictions of love, narratives of selfhood.Part II: The Modern Age.7. Sacred, Secular, Sublime: modernity performs the death of God.8. Machines and Skyscrapers: technology as experience, hope and fear.9. From Enlightenment to Holocaust: modernity and the end of morality.10. Modernism, Art and Culture.11. The Image, the Spectral, and the Spectacle: technologies of the visual.12. Postmodern Times?.Key Terms.Biographical Notes.Guide to Further Reading.