Ian Buchanan is Professor of Cultural Studies and Critical Theory at the University of Wollongong, Australia. He is the founding editor of the journal Deleuze and Guattari Studies and the author of Assemblage Theory and Method (Bloomsbury, 2020). Marcel Swiboda is an Associate Lecturer in the School of Fine Art, History of Art & Cultural Studies at the University of Leeds. He is reviews editor of Parallax, a journal in philosophical Cultural Studies.

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• Contents; Introduction: Deleuze and Music; Ian Buchanan; 1 Studies in Applied Nomadology: Jazz Improvisation and Post-Capitalist Markets; Eugene Holland; 2 Is Pop Music?; Greg Hainge; 3 Deleuze, Adorno, and the Composition of Musical Multiplicity; Nick Nesbitt; 4 Affect and Individuation in Popular Electronic Music; Drew Hemment; 5 Violence in Three Shades of Metal: Death, Doom and Black; Ronald Bogue; 6 Becoming-Music: The Rhizomatic Moment of Improvisation; Jeremy Gilbert; 7 Rhythm: Assemblage and Event; Phil Turetsky; 8 What I Hear is Thinking Too: The Deleuze Tribute Recordings; Timothy S. Murphy; 9 Music and the Socio-Historical Real: Rhythm, Series and Critique in Deleuze and O. Revault D'Allonnes; Jean-Godefroy Bidima; 10 Cosmic Strategies: The Electric Experiments of Miles Davis; Marcel Swiboda; Notes on Contributors; Index.

Ian Buchanan is Professor of Cultural Studies and Critical Theory at the University of Wollongong, Australia. He is the founding editor of the journal Deleuze and Guattari Studies and the author of Assemblage Theory and Method (Bloomsbury, 2020). Marcel Swiboda is an Associate Lecturer in the School of Fine Art, History of Art & Cultural Studies at the University of Leeds. He is reviews editor of Parallax, a journal in philosophical Cultural Studies.

Select Guide Rating

• Contents; Introduction: Deleuze and Music; Ian Buchanan; 1 Studies in Applied Nomadology: Jazz Improvisation and Post-Capitalist Markets; Eugene Holland; 2 Is Pop Music?; Greg Hainge; 3 Deleuze, Adorno, and the Composition of Musical Multiplicity; Nick Nesbitt; 4 Affect and Individuation in Popular Electronic Music; Drew Hemment; 5 Violence in Three Shades of Metal: Death, Doom and Black; Ronald Bogue; 6 Becoming-Music: The Rhizomatic Moment of Improvisation; Jeremy Gilbert; 7 Rhythm: Assemblage and Event; Phil Turetsky; 8 What I Hear is Thinking Too: The Deleuze Tribute Recordings; Timothy S. Murphy; 9 Music and the Socio-Historical Real: Rhythm, Series and Critique in Deleuze and O. Revault D'Allonnes; Jean-Godefroy Bidima; 10 Cosmic Strategies: The Electric Experiments of Miles Davis; Marcel Swiboda; Notes on Contributors; Index.

Ian Buchanan is Professor of Cultural Studies and Critical Theory at the University of Wollongong, Australia. He is the founding editor of the journal Deleuze and Guattari Studies and the author of Assemblage Theory and Method (Bloomsbury, 2020). Marcel Swiboda is an Associate Lecturer in the School of Fine Art, History of Art & Cultural Studies at the University of Leeds. He is reviews editor of Parallax, a journal in philosophical Cultural Studies.

Select Guide Rating

• Contents; Introduction: Deleuze and Music; Ian Buchanan; 1 Studies in Applied Nomadology: Jazz Improvisation and Post-Capitalist Markets; Eugene Holland; 2 Is Pop Music?; Greg Hainge; 3 Deleuze, Adorno, and the Composition of Musical Multiplicity; Nick Nesbitt; 4 Affect and Individuation in Popular Electronic Music; Drew Hemment; 5 Violence in Three Shades of Metal: Death, Doom and Black; Ronald Bogue; 6 Becoming-Music: The Rhizomatic Moment of Improvisation; Jeremy Gilbert; 7 Rhythm: Assemblage and Event; Phil Turetsky; 8 What I Hear is Thinking Too: The Deleuze Tribute Recordings; Timothy S. Murphy; 9 Music and the Socio-Historical Real: Rhythm, Series and Critique in Deleuze and O. Revault D'Allonnes; Jean-Godefroy Bidima; 10 Cosmic Strategies: The Electric Experiments of Miles Davis; Marcel Swiboda; Notes on Contributors; Index.