Deleuze Connections – serie

Ever since Deleuze and Guattari provocatively declared that all 'becoming' must go by way of a 'becoming-woman' their work has been the subject of intense feminist interrogation. This volume highlights the key points of this ongoing inquiry, focusing particularly on the implications of Deleuze's work for a specifically feminist philosophy. Deleuze and Feminist Theory brings together the work of some of Deleuze's finest commentators and today's most important feminist thinkers. For Deleuze, reading a philosopher or thinker ought never to be a question of blind allegiance or assessing the correctness of methods. Engagement with a thinker is most productive when considered in terms of what a body of thought can do, how concepts create events and how thinking can mobilise desire. It is in this spirit that the essays in this book engage with the work of Deleuze, and Deleuze and Guattari. Deleuze is neither wholeheartedly embraced as an answer to feminist questions, nor rejected as yet one more masculinist error in the history of reason. Rather, Deleuze presents feminism with a challenge and a question: how to think? The work gathered here responds to this challenge with a series of further questions opened by the Deleuzean project. How might desire be thought positively? What can a body do? How might women become? And how might feminism be thought as an event? Including new work by Elizabeth Grosz, Rosi Braidotti and Dorothea Olkowski and essays on film, the colonial imaginary, desire and embodiment, Deleuze and Feminist Theory offers asustained consideration of the impact of Deleuze on feminist thought.Key Features*Provides an introduction to Deleuze for those working in feminist theory and philosophy*Includes new work by major feminist theorists*Provides a broad approach to several areas of Deleuze's work, including film, politics, literature and feminism*Relates Deleuze's work to its historical and philosophical context

This is the first book to use complexity theory to open up the ‘geophilosophy’ developed by Gilles Deleuze and Félix Guattari in A Thousand Plateaus, Anti-Oedipus and What is Philosophy?. Written by a philosopher and a geographer in a clear style, with a practical orientation and interdisciplinary focus, the Guide enables readers to grasp the basics of complexity theory (the study of self-organisation and emergence in material systems), while the Glossary eases the difficulty of applying this science to Deleuze and Guattari’s often perplexing terminology. Deleuze and Geophilosophy is thoroughly pragmatic: it asks not what the earth means, but how it works. It provides a common conceptual framework within which physical and human geographers can work together alongside other social scientists, cultural studies practitioners, and philosophers in interdisciplinary teams to explore the entangled flows, lines, grids, and spaces of our world. The book will be of interest to all those working in disciplines at the intersections of culture, nature, space, and history: anthropology, art and architecture theory, communication studies, geography, Marxism and historical materialism, philosophy, postcolonial theory, urban studies, and many other disciplines.Key Features:*Explores a new aspect of Deleuzian thought - 'geophilosophy' (geography & philosophy) *The first part of the book explains the basics of complexity theory*Half of the book is a Glossary which helps readers with Deleuze and Guattari's perplexing terminology*Emphasis on ‘bodies politic’ in geophilosophy and complexity theory which has never before been linked in such a way

What would a Deleuzian music philosophy be like? For Deleuze, music informed his work on several levels. He did not merely write about music, it formed part of his thinking. Deleuze and Music is the first volume to explore Deleuze's ideas from the perspective of music and sound. Music is central to Deleuze’s work from Difference and Repetition and the Logic of Sense to Kafka: Towards a Minor Literature and A Thousand Plateaus (both written with Félix Guattari), music and sound-based problems contribute a great deal to the originality and singularity of his thought.The essays in this volume explore a variety of these problems and their relevance to key debates in a number of areas including ethics, aesthetics, politics, epistemology and the history of ideas. They collectively demonstrate how music functions in Deleuze’s work, exploring how at key stages in his thought ideas of melody, rhythm, harmony, counterpoint and the refrain provide the frame of reference for his immanent ontology, his Spinozist ethology and his (and Guattari’s) politics of the ‘people yet to come’. Furthermore, they show how music proves the exemplary medium for further exploring and developing his ‘rhizomatic’ conception of thought. The volume provides a much-needed addition to the growing body of secondary work on Deleuze and will be of interest to students and researchers working across a diverse range of disiciplines, including philosophy and cultural and critical theory as well as art history, musicology and ethnomusicology.Features:*The first book on Deleuze in relation to music covering all of the key Deleuzian texts*Covers different types of music, jazz, pop music, electronic music, heavy metal and improvised music*Demonstrate how music functions in Deleuze’s work, exploring how ideas of melody, rhythm, harmony, counterpoint and the refrain shape his philosophical thinking.

Gilles Deleuze was arguably the twentieth century’s most spatial philosopher - not only did he contribute a plethora of new concepts to engage space, space was his very means of doing philosophy. He said everything takes place on a plane of immanence, envisaging a vast desert-like space populated by concepts moving about like nomads. Deleuze made philosophy spatial and gave us the concepts of smooth and striated, nomadic and sedentary, deterritorialization and reterritorialization, the fold, as well as many others to enable us to think spatially.This collection takes up the challenge of thinking spatially by exploring Deleuze’s spatial concepts in applied contexts: architecture, cinema, urban planning, political philosophy and metaphysics. In doing so, it brings together some of the most accomplished Deleuze scholars writing today - Réda Bensmaîa, Ian Buchanan, Claire Colebrook, Tom Conley, Manuel DeLanda, Gary Genosko, Gregg Lambert and Nigel Thrift.Key Features*The first book of critical commentary on the diverse intellectual, philosophical, artistic and architectural responses Deleuze's work on space has provoked in the past decade* Includes work from leading figures in the field of Deleuze studies and introduces authoritative new voices* Students and scholars in the fields of art, architecture, urban studies and philosophy will find this an invaluable guide to the work of an author whose impact is already substantial and is likely to grow in the years to come* Written in a lucid, introductory style that will appeal to non-specialists

Deleuze and the Social is the first book to focus on the implications of Gilles Deleuze and Félix Guattari's thinking on the social sciences and organisation.This book is concerned with the most basic notions of 'the social'. It seeks both to comprehend the 'multiplicity' of the social - in Deleuzian terms, the 'becoming' of the social itself; and it seeks to develop a new social analytical practice. Each of the newly commissioned chapters aims to show the strength of as well as practice the radicalism of a Deleuzian and Guattarian approach to social science and organisation studies. Deleuze and the Social is a book about order, subjectivity, art, capitalism and the construction of a social ontology. It avoids scholasticism by foregrounding its authors' shared concern for practical issues. How is social order constituted? How is resistance possible between the rush of capitalism and the overcoding of the State? How are thinking and living possible? Deleuze and the Social raises these questions and many more.The international team of authors includes Eric Alliez, Maurizio Lazzarato, Eugene Holland, Paul Patton, Manuel DeLanda and Ian Buchanan.

This volume joins the pragmatic philosophy of Deleuze to current affairs. The twelve new essays in this volume use a contemporary context to think through and with Deleuze. Engaging the here and now, the contributors use the Deleuzian theoretical apparatus to think about issues such as military activity in the Middle East, refugees, terrorism, information and communication, and the State. The book is aimed both at specialists of Deleuze and those who are unfamiliar with his work but who are interested in current affairs. Incorporating political theory and philosophy, culture studies, sociology, international studies, and Middle Eastern studies, the book is designed to appeal to a wide audience.Contributors include: Rosi Braidotti, Claire Colebrook, Verena Conley, Eugene Holland, John Marks, Paul Patton, Patricia Pisters, Laurence J. Silberstein, Kenneth Surin and Nicholas Thoburn.Deleuze and the Contemporary World represents - a fresh perspective on current affairs - a transdisciplinary response to the contemporary world - a book that puts the concepts of Deleuze to work

This volume joins the pragmatic philosophy of Deleuze to current affairs. The twelve new essays in this volume use a contemporary context to think through and with Deleuze. Engaging the here and now, the contributors use the Deleuzian theoretical apparatus to think about issues such as military activity in the Middle East, refugees, terrorism, information and communication, and the State. The book is aimed both at specialists of Deleuze and those who are unfamiliar with his work but who are interested in current affairs. Incorporating political theory and philosophy, culture studies, sociology, international studies, and Middle Eastern studies, the book is designed to appeal to a wide audience.Contributors include: Rosi Braidotti, Claire Colebrook, Verena Conley, Eugene Holland, John Marks, Paul Patton, Patricia Pisters, Laurence J. Silberstein, Kenneth Surin and Nicholas Thoburn.Deleuze and the Contemporary World represents - a fresh perspective on current affairs - a transdisciplinary response to the contemporary world - a book that puts the concepts of Deleuze to work

Deleuze and Philosophy provides an exploration of the continuing philosophical relevance of Gilles Deleuze. This collection of essays uses Deleuze to move between thinkers such as Plato, Aristotle, Husserl, Hume, Locke, Kant, Foucault, Badiou and Agamben. As such the reader is left with a comprehensive understanding not just of the philosophy of Deleuze but how he can be situated within a much broader philosophical trajectory.Constantin Boundas has gathered together recent scholarship on Deleuze's philosophy by an acclaimed line-up of international contributors, all of whom seek to provide new and previously unexplored theoretical terrains that will be of interest to both the Deleuze specialist and student alike. Three of the essays are by key French Deleuzians whose work is not widely available in translation.This enticing collection is essential reading for anyone interested not just in Deleuze but in the history of philosophical ideas.Contributors include: Zsuzsa Baross, Veronique Bergen, Ronald Bogue, Bruce Baugh, Rosi Braidotti, Claire Colebrook, Bela Egyed, Philippe Mengue, Dorothea Olkowski, Davide Panagia, Daniel W. Smith, Jeremie Valentin, Arnaud Villani.This volume * includes an extended introduction to the philosophy of Deleuze which can be used by students and lecturers alike * addresses problems and issues in Deleuze's philosophy that have not yet been discussed * presents for the first time to English readers works by leading French commentators including Veronique Bergen, Philippe Mengue and Arnaud Villani* includes contributions from first-rate Deleuze scholars

Deleuze was intensely aware of the need for philosophy to take an active part in shaping and critiquing the world. Philosophy, as Deleuze saw it, engages in politics by inventing new concepts and using them as weapons against opinion, the ultimate barrier to thought. He did not specify a particular political program, nor espouse a particular political dogma. Politics for Deleuze was always a matter of experiment and invention in the search for the revolutionary path that would finally deliver us from the baleful enchantments of capitalism. Deleuze and Politics brings together some of the most important Deleuze scholars in the field today to explore and explain Deleuze’s political philosophy.The essays in this volume focus on three key issues:*The ontology of Deleuze’s political philosophy*The philosophical debate between Deleuze and contemporary critical theory*The application of Deleuze’s political philosophy to real-world events Deleuze and Politics will be of interest to cultural studies, philosophy and politics students.Contributors include: Ian Buchanan, Claire Colebrook, Manuel DeLanda, Isabelle Garo, Eugene W. Holland, Ralf Krause, Gregg Lambert, Philippe Mengue, Paul Patton, Jason Read, Marc Rölli, Nicholas Thoburn and Janell Watson

Deleuze was intensely aware of the need for philosophy to take an active part in shaping and critiquing the world. Philosophy, as Deleuze saw it, engages in politics by inventing new concepts and using them as weapons against opinion, the ultimate barrier to thought. He did not specify a particular political program, nor espouse a particular political dogma. Politics for Deleuze was always a matter of experiment and invention in the search for the revolutionary path that would finally deliver us from the baleful enchantments of capitalism. Deleuze and Politics brings together some of the most important Deleuze scholars in the field today to explore and explain Deleuze’s political philosophy.The essays in this volume focus on three key issues:*The ontology of Deleuze’s political philosophy*The philosophical debate between Deleuze and contemporary critical theory*The application of Deleuze’s political philosophy to real-world events Deleuze and Politics will be of interest to cultural studies, philosophy and politics students.Contributors include: Ian Buchanan, Claire Colebrook, Manuel DeLanda, Isabelle Garo, Eugene W. Holland, Ralf Krause, Gregg Lambert, Philippe Mengue, Paul Patton, Jason Read, Marc Rölli, Nicholas Thoburn and Janell Watson

In a world where our lives are increasingly mediated by technologies it is surprising that more attention is not paid to the work of Gilles Deleuze. This is especially strange given Deleuze's often explicit focus and reliance on the machine and the technological. This volume offers readers a collective and determined effort to explore not only the usefulness of key ideas of Deleuze in thinking about our new digital and biotechnological future but, also aims to take seriously a style of thinking that negotiates between philosophy, science and art.This exciting collection of essays will be of relevance not only to scholars and students interested in the work of Deleuze but, also, to those interested in coming to terms with what might seem an increasing dominance of technology in day to day living.Contributors to this volume include: William Bogard, Abigail Bray, Ian Buchanan, Verena Conley, Ian Cook, Tauel Harper, Timothy Murray, Saul Newman, Luciana Parisi, Patricia Pisters, Mark Poster, Horst Ruthrof, David Savat, Bent Meier Sørensen and Eugene Thacker.

This exciting collection of work introduces a major shift in debates on sexuality: a shift away from discourse, identity and signification, to a radical new conception of bodily materialism. Moving away from the established path known as queer theory, itsuggests an alternative to Butler's matter/representation binary. It thus dares to askhow to think sexuality and sex outside the discursive and linguistic context that hascome to dominate contemporary research in social sciences and humanities.Deleuze and Queer Theory is a provocative and often militant collection that explores a diverse range of themes including: the revisiting of the term 'queer'; a rethinking of the sex-gender distinction as being implied in Queer Theory; an exploration of queer temporalities; the non/re-reading of the homosexual body/desire and the becoming-queer of the Deleuze/Guattari philosophy. It will be essential reading for anyone interested not just in Deleuze's and Guattari's philosophy, but also in the fields of sexuality, gender and feminist theory.

This exciting collection of work introduces a major shift in debates on sexuality: a shift away from discourse, identity and signification, to a radical new conception of bodily materialism. Moving away from the established path known as queer theory, itsuggests an alternative to Butler's matter/representation binary. It thus dares to askhow to think sexuality and sex outside the discursive and linguistic context that hascome to dominate contemporary research in social sciences and humanities.Deleuze and Queer Theory is a provocative and often militant collection that explores a diverse range of themes including: the revisiting of the term 'queer'; a rethinking of the sex-gender distinction as being implied in Queer Theory; an exploration of queer temporalities; the non/re-reading of the homosexual body/desire and the becoming-queer of the Deleuze/Guattari philosophy. It will be essential reading for anyone interested not just in Deleuze's and Guattari's philosophy, but also in the fields of sexuality, gender and feminist theory.

Was performance important to Deleuze? Is Deleuze important to performance; to its practical, as well as theoretical, research? What are the implications of Deleuze's philosophy of difference, process and becoming, for Performance Studies, a field in which many continue to privilege the notion of performance as representation, as anchored by its imitation of an identity: 'the world', 'the play', 'the self'? Deleuze and Performance is a collection of new essays dedicated to Deleuze's writing on theatre and to the productivity of his philosophy for (re)thinking performance. This book provides rigorous analyses of Deleuze's writings on theatre practitioners such as Artaud, Beckett and Carmelo Bene, as well as offering innovative readings of historical and contemporary performance including performance art, dance, new media performance, theatre and opera, which use Deleuze's concepts in exciting new ways. Can philosophy follow Deleuze in overcoming the antitheatrical tradition embedded in its history, perhaps even reconsidering what it means to think in the light of the embodied insights of performance's practitioners? Experts from the fields of Performance Studies and Deleuze Studies come together in this volume and strive to examine these and other issues in a manner that will be challenging, yet accessible to students and established scholars alike.

Was performance important to Deleuze? Is Deleuze important to performance; to its practical, as well as theoretical, research? What are the implications of Deleuze's philosophy of difference, process and becoming, for Performance Studies, a field in which many continue to privilege the notion of performance as representation, as anchored by its imitation of an identity: 'the world', 'the play', 'the self'? Deleuze and Performance is a collection of new essays dedicated to Deleuze's writing on theatre and to the productivity of his philosophy for (re)thinking performance. This book provides rigorous analyses of Deleuze's writings on theatre practitioners such as Artaud, Beckett and Carmelo Bene, as well as offering innovative readings of historical and contemporary performance including performance art, dance, new media performance, theatre and opera, which use Deleuze's concepts in exciting new ways. Can philosophy follow Deleuze in overcoming the antitheatrical tradition embedded in its history, perhaps even reconsidering what it means to think in the light of the embodied insights of performance's practitioners? Experts from the fields of Performance Studies and Deleuze Studies come together in this volume and strive to examine these and other issues in a manner that will be challenging, yet accessible to students and established scholars alike.

Despite the fact that time, evolution, becoming and genealogy are central concepts in Deleuze's work there has been no sustained study of his philosophy in relation to the question of history. This book aims to open up Deleuze's relevance to those working in history, the history of ideas, science studies, evolutionary psychology, history of philosophy and interdisciplinary projects inflected by historical problems. The essays in this volume (all by internationally recognised Deleuze scholars) cover all aspects of Deleuze's philosophy and its relation to history, ranging from the application of Deleuze's philosophy to historical method, Deleuze's own use of the history of philosophy, his interpretations of other historical thinkers (such as Hume and Nietzsche) and the complex theories of time and evolution in his work. Contributors include: Paul Patton, Manuel DeLanda, John Protevi, Ian Buchanan, Tim Flanagan, James Williams, Eve Bischoff, Jay Lampert.

This is the first collection of essays bringing together Deleuzian philosophy and postcolonial theory. Bignall and Patton assemble some of the world's leading figures in these fields - including Reda Bensmaïa, Timothy Bewes, Rey Chow, Philip Leonard, Nick Nesbitt, John K. Noyes, Patricia Pisters, Marcelo Svirsky and Simon Tormey - to explore rich linkages between two previously unrelated areas of study. They deal with colonial and postcolonial social, cultural and political issues in Asia, Africa, the Americas, Australia and Palestine. Topics include colonial government, nation building and ethics in the contemporary context of globalisation and decolonisation; issues relating to resistance, transformation and agency; and questions of 'representation' and discursive power as practiced through postcolonial art, cinema and literature. This book constitutes a timely intervention to debates in poststructuralist, postcolonial and postmodern studies. It will be of interest to students in cultural studies, cinema and film studies, languages and literature, political and postcolonial studies, critical theory, social and political philosophy.

Michel Foucault once suggested that the twentieth-century would be known as 'Deleuzian'; certainly, in the field of contemporary art, this prediction appears to have been accurate. But what, we might ask, is at stake in this take up of Deleuze and Guattari's thought? What are its limits and its possibilities? Deleuze and Contemporary Art addresses these questions in presenting a series of experimental and explorative inflections on the 'and' of the book's title.From those who explicitly address the political and the expanded 'aesthetic paradigm' of art practice today, to those more concerned with specific scenes and encounters or who rethink the question of technology in relation to art, this collection contains work at the cutting edge of this new area of enquiry. Containing essays by philosophers and artists, as well as writers from outside the Anglo-American world, this collection is an exercise in transversality - an intervention into the field of Deleuze and Guattari Studies and contemporary art.Contributors include Gustavo Chirolla Ospina, Suely Rolnik, Gerald Raunig, Stephen Zepke, Eric Alliez, Maurizio Lazzarato, Jussi Parikka, Johnny Golding, David Burrows, Robert Garnett, Simon O'Sullivan, Edgar Schmitz, Claudia Mongini, Elisabeth von Samsonow, Barbara Bolt, Neil Chapman and Ola Stahl.Stephen Zepke is an independent researcher. Simon O'Sullivan is a Senior Lecturer in Visual Cultures at Goldsmiths, University of London. They co-edited Deleuze, Guattari and the Production of the New (2008).

Michel Foucault once suggested that the twentieth-century would be known as 'Deleuzian'; certainly, in the field of contemporary art, this prediction appears to have been accurate. But what, we might ask, is at stake in this take up of Deleuze and Guattari's thought? What are its limits and its possibilities? Deleuze and Contemporary Art addresses these questions in presenting a series of experimental and explorative inflections on the 'and' of the book's title.From those who explicitly address the political and the expanded 'aesthetic paradigm' of art practice today, to those more concerned with specific scenes and encounters or who rethink the question of technology in relation to art, this collection contains work at the cutting edge of this new area of enquiry. Containing essays by philosophers and artists, as well as writers from outside the Anglo-American world, this collection is an exercise in transversality - an intervention into the field of Deleuze and Guattari Studies and contemporary art.Contributors include Gustavo Chirolla Ospina, Suely Rolnik, Gerald Raunig, Stephen Zepke, Eric Alliez, Maurizio Lazzarato, Jussi Parikka, Johnny Golding, David Burrows, Robert Garnett, Simon O'Sullivan, Edgar Schmitz, Claudia Mongini, Elisabeth von Samsonow, Barbara Bolt, Neil Chapman and Ola Stahl.Stephen Zepke is an independent researcher. Simon O'Sullivan is a Senior Lecturer in Visual Cultures at Goldsmiths, University of London. They co-edited Deleuze, Guattari and the Production of the New (2008).

Deleuze and the Body puts the philosophy of Gilles Deleuze to work to trace the multiple lines of thought and affect that inhabit the ideas and attitudes to the body. It analyses how bodies are formed in certain relationships: to power, to creativity and to affectivity. The contributors use a variety of contemporary cultural, scientific and philosophical lines of enquiry to produce a truly multidisciplinary view of the Deleuzian body which makes us look afresh at art, movement, and literature.

Gilles Deleuze is perhaps best known for his influential works in philosophical interpretation, (Nietzsche and Philosophy, Expression in Philosophy: Spinoza); epistemology (The Logic of Sense); metaphysics (Difference and Repetition); and political economy (Capitalism and Schizophrenia). Because he never devoted an individual work to the subject of ethics, some scholars have assumed that Deleuze did not write about it, which explains in part why so few have directly addressed the ethical dimension of Deleuze's philosophy. Concepts such as ethics, values, and normativity however play a crucial - if subtle and easily overlooked - role in Deleuze's overall philosophical project. The essays in this collection explore, uncover, and trace the ethical dimension of Deleuzian philosophy along diverse trajectories and, in so doing, endeavour to reclaim that philosophy as moral philosophy.

Deleuze and Film explores how different films from around the world 'think' about topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Greatly expanding on the range of films discussed in Deleuze's 'Cinema' books, the contributors look at Asian films including 'Godzilla', American film noir, European art films like 'Red Road', documentaries including the animated 'Waltz with Bashir' and Hollywood CGI Blockbusters such as 'Hellboy'.

'Deleuze and Film' explores how different films from around the world 'think' about topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Greatly expanding on the range of films discussed in Deleuze's 'Cinema' books, the contributors look at Asian films including 'Godzilla', American film noir, European art films like 'Red Road', documentaries including the animated 'Waltz with Bashir' and Hollywood CGI Blockbusters such as 'Hellboy'.

Exploring central aspects of the role of sexuality in Deleuze's philosophyFor Deleuze, sexuality is a force that can capture as well as liberate life. Its flows tend to be repressed and contained in specific forms at the same time as they retain revolutionary potential. There is immense power in the thousand sexes of desiring-machines and sexuality is seen as a source of becoming. This book gathers prominent Deleuze scholars to explore the restricting and liberating forces of sexuality in relation to a spread of central themes in Deleuze's philosophy, including politics, psychoanalysis, and friendship as well as specific topics such as the body-machine, disability, feminism, and erotics.Key features* the first and only book-length study on sex in Deleuze

These 13 essays address the broad territory of educational theory and philosophy of education. Moving from the formal to post-formal mode of education, the contributors explore education as an experimental and experiential process of becoming grounded in life that represents the becoming-Other of Deleuze’s thought. Contributors including Ronald Bogue and James Williams address contemporary debates on the conceptualisation of teaching and learning; ethics, social experience, and educational futures; subjectivity and creativity; pedagogy; as well as literacies, mathematics, arts, and science education.

Deleuzian thinking is having a significant impact on research practices in the Social Sciences, particularly because it breaks down the false divide between theory and practice. This book brings together international academics from a range of Social Science and Humanities disciplines to reflect on how Deleuze's philosophy is opening up and shaping methodologies and practices of empirical research.

Deleuze and Guattari had extremely original things to say about race, and the politics of phenotype and origin is never far from any engaged consideration of how the world works. In these 16 essays, an international and multidisciplinary team of scholars inaugurates the Deleuzian study of race through a wide-ranging and evocative array of case studies.

Whether we are dealing with products or scenarios, packaging or experiences, territories or digital platforms, design is never a thing but a process of change, invention and speculation that always has material, tangible implications that affect behaviours and lives. Drawing on a range of contributors, case studies and examples, this book examines ways in which we can think about design through Deleuze, and how Deleuze’s thought can be experimented upon and re-designed to produce new concepts. This book taps into the emerging networks between philosophy as an act of inventing concepts and design as the process of inventing the world.

The first volume to place Deleuze and Guattari's philosophy in the context of contemporary fascismBrings Deleuze to contemporary fascism, as opposed to earlier publications on Deleuze which dealt with historical fascismUses case studies that are grounded in space and time, within contemporary Spain, Italy and GreecePresents fascism as more than just a political theoryAddressing patriarchal fascism demonstrates that fascism is sexualized and genderized, which is highly relevant in the age of #metoo, Black Lives Matter and rising populismCritiques patriarchal fascism in an affirmative manner, offering insights for intervention and searching for new openingsA range of international contributors uncover and reflect upon the anti- and non-fascist ethics situated in Deleuze and Guattari's philosophical framework and that of the scholarship that followed after. The 'new philosophy' that Deleuze and Guattari propose to us is engaged and situated and it asks us to map urgent issues, not by opposing ourselves to it, but by mapping how it is part of the everyday, and of ourselves. The global rise of fascism today demands a rigid and careful analysis. The concepts and themes that Deleuze (and Guattari) handed to us in their extensive oeuvre can be of immense help in capturing its micropolitics and macropolitics. All of the contributions in this volume have a keen eye on the practices of fascism today, meaning that they all show us, very much in line with Deleuze's thinking, how fascism works. The book is organized in three parts. The first part (21st century fascisms) focuses on the global threats technologies and algorithmic realities; the second part (situated fascisms) holds analyses of fascisms at work in different parts of the contemporary world; the third part deals with patriarchal fascism and offers concrete case-studies of sexualized and genderized modes of oppression.