Deleuze and Film

Inbunden, Engelska, 2012

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Beskrivning

'Deleuze and Film' explores how different films from around the world 'think' about topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Greatly expanding on the range of films discussed in Deleuze's 'Cinema' books, the contributors look at Asian films including 'Godzilla', American film noir, European art films like 'Red Road', documentaries including the animated 'Waltz with Bashir' and Hollywood CGI Blockbusters such as 'Hellboy'.

Produktinformation

Utgivningsdatum:2012-04-04
Mått:156 x 234 x 19 mm
Vikt:518 g
Format:Inbunden
Språk:Engelska
Serie:Deleuze Connections
Antal sidor:248
Förlag:Edinburgh University Press
ISBN:9780748641215

Utforska kategorier

Filosofiska discipliner inom Filosofi och religion
Film inom Kultur

Mer om författaren

David Martin-Jones is Professor of Film Studies at the University of Glasgow William Brown is a Senior Lecturer in Film at the University of Roehampton, London. He is the author of various books, including Non-Cinema: Global Digital Filmmaking and the Multitude (Bloomsbury, 2018) and Supercinema: Film-Philosophy for the Digital Age (Berghahn, 2013). He is also a maker of micro-budget films, including En Attendant Godard (2009), Selfie (2014) and This is Cinema (2019).

Recensioner i media

Deleuze and Film presents a rich collection of essays that takes Deleuze's work on cinema out of its dominant Eurocentric corpus. Taking us on an inspiring world tour of film analysis and creative conceptual thinking, this book testifies to the continuing productive generosity of Deleuze's film-philosophy, and includes a dynamic range and depth of film scholarship.

Innehållsförteckning

Acknowledgements; Introduction: Deleuze's World Tour of Cinema, David Martin-Jones and William Brown; 1. An Imprint of Godzilla: Deleuze, the Action-Image and Universal History, David Deamer; 2. Philosophy, Politics and Homage in Tears of the Black Tiger, Damian Sutton; 3. Time-Images in Traces of Love: Repackaging South Korea's Traumatic National History for Tourism, David Martin-Jones; 4. The Rebirth of the World: Cinema According to Baz Luhrmann, Richard Rushton; 5. 'There as many paths to the time-image as there are films in the world': Deleuze and The Lizard, William Brown; 6. In Search of Lost Reality: Waltzing with Bashir, Markos Hadjioannou; 7. The Schizoanalysis of European Surveillance Films, Serazer Pekerman; 8. Fictions of the Imagination: Habit, Genre and the Powers of the False, Amy Herzog; 9. Feminine Energies, or the Outside of Noir, Elena del Río; 10. The Daemons of Unplumbed Space: Mixing the Planes in Hellboy, Anna Powell; 11. Digitalising Deleuze: The Curious Case of the Digital Human Assemblage, or What Can a Digital Body Do?, David H. Fleming; 12. The Surface of the Object: Quasi-Interfaces and Immanent Virtuality, Seung-hoon Jeong; Notes on Contributors; Index.