Turner as Draughtsman

Andrew Wilton is a leading Turner scholar. He was the first Curator of the Turner Collection in the Clore Gallery, at what is now Tate Britain, and has been responsible for many books and exhibitions about the artist, and about British painting in the eighteenth and nineteenth centuries. He was Keeper of the British Collection at the Tate 1989-98, and is currently Visiting Research Fellow there, working on the drawings in the Turner Bequest.

'This book is a masterpiece. If nothing else this exceptional book lifts Turner out of the straight-jackets imposed hitherto by sundry art historians, critics and other experts, to a level free of myth and other posthumous shades. Here is the man himself, an incorrigible genius, forever experimenting, forever at work'.' www.artnewsletter.com 'This is a highly original study, resting on an intimate knowledge of the visual materials, which Wilton often characterizes with great vividness and verve ... his style is free of academic jargon ... The theme of this book is thoroughly worthwhile and its material is rich and up-to-date.' John Gage, University of Cambridge, UK ’...47 good black-and-white illustrations...Wilton writes with the erudition and knowledge of an experienced observer who is adept at casting a critical eye on both traditional and recent scholarship. At the same time, his skill at explaining the nuances of Turner’s genius should give this book a wide appeal. Extensive endnotes and full bibliography...Recommended.’ Choice ’... an important contribution to our overall understanding of Turner's work... nuanced and perceptive study...’ Victorian Studies

• Contents: Introduction: could Turner draw?; Turner's history of drawing; The rudiments of draughtsmanship; Early influences; A mature shorthand; Line and colour; Drawing and painting; Turner's humanity; Conclusion; Bibliography; Index.