Tanya Kevorkian is Associate Professor of History at Millersville University, USA.

Prize: Winner of the 2008 William H. Scheide Prize of the American Bach Society Shortlisted for the AMS Lewis Lockwood Award 2008. ’Through personal accounts, Kevorkian paints a detailed and intimate picture of religious activity across the strata of civic society. The story of Leipzig's public religious culture to 1750 emerges as one of great diversity and flux in a period of relative peace and economic prosperity.... Readers from social, political, and religious history should not be put off by the prominence of music in the title, and indeed, this review. ...a valuable social history. Music, in Kevorkian's book, as it was in Leipzig society, is but one thread in the rich fabric of public pious culture.’ H-German ’In sum, Kevorkian has done important research in specific areas such as pewholding, consistory and city council records, and Pietist correspondence that enrich our understanding of religious affairs in Leipzig in the late seventeenth and early eighteenth centuries... it is a significant addition to the scholarly literature in the field.’ Journal of the American Musicological Society ’... this book provides a highly stimulating historical resource that will undoubtedly inflect many musical studies of Bach and his predecessors over the coming years.’ Early Music ’A valuable contribution to Ashgate's growing catalogue of interdisciplinary studies... Baroque Piety provides new insight into how we consider the religious arena in early modern Europe.’ Renaissance Quarterly ’Music forms only one strand of Kevorkian’s interdisciplinary study, yet by considering Bach’s work within the religious life of Leipzig, she offers a model of how music can be integrated within social history. ... [Kevorkian's] book is not only a sure-footed account of the religious sphere in which Bach worked, it should also stimulate new directions in research on eighteenth-century German music.’ Eighteenth-Century Music ’Having a broad sweep of Kevorkian

• Contents: Introduction; Part I Congregants' Everyday Practices: The experience of the service; Seating the religious public: church pews and society. Part II The Producers: The clergy, the city council, and Leipzig inhabitants; Elites in and beyond Leipzig: the Dresden court and the consistories; Leipzig's cantors: status, politics and the adiaphora. Part III The Pietist Alternative: Sociability and religious protest: the collegia pietatatis of 1689-1690; The Pietist shadow network. Part IV The Construction Boom and Beyond: Social change and religious life; Conclusion; Bibliography; Index.

Tanya Kevorkian is Associate Professor of History at Millersville University, USA.

Prize: Winner of the 2008 William H. Scheide Prize of the American Bach Society Shortlisted for the AMS Lewis Lockwood Award 2008. ’Through personal accounts, Kevorkian paints a detailed and intimate picture of religious activity across the strata of civic society. The story of Leipzig's public religious culture to 1750 emerges as one of great diversity and flux in a period of relative peace and economic prosperity.... Readers from social, political, and religious history should not be put off by the prominence of music in the title, and indeed, this review. ...a valuable social history. Music, in Kevorkian's book, as it was in Leipzig society, is but one thread in the rich fabric of public pious culture.’ H-German ’In sum, Kevorkian has done important research in specific areas such as pewholding, consistory and city council records, and Pietist correspondence that enrich our understanding of religious affairs in Leipzig in the late seventeenth and early eighteenth centuries... it is a significant addition to the scholarly literature in the field.’ Journal of the American Musicological Society ’... this book provides a highly stimulating historical resource that will undoubtedly inflect many musical studies of Bach and his predecessors over the coming years.’ Early Music ’A valuable contribution to Ashgate's growing catalogue of interdisciplinary studies... Baroque Piety provides new insight into how we consider the religious arena in early modern Europe.’ Renaissance Quarterly ’Music forms only one strand of Kevorkian’s interdisciplinary study, yet by considering Bach’s work within the religious life of Leipzig, she offers a model of how music can be integrated within social history. ... [Kevorkian's] book is not only a sure-footed account of the religious sphere in which Bach worked, it should also stimulate new directions in research on eighteenth-century German music.’ Eighteenth-Century Music ’Having a broad sweep of Kevorkian

• Contents: Introduction; Part I Congregants' Everyday Practices: The experience of the service; Seating the religious public: church pews and society. Part II The Producers: The clergy, the city council, and Leipzig inhabitants; Elites in and beyond Leipzig: the Dresden court and the consistories; Leipzig's cantors: status, politics and the adiaphora. Part III The Pietist Alternative: Sociability and religious protest: the collegia pietatatis of 1689-1690; The Pietist shadow network. Part IV The Construction Boom and Beyond: Social change and religious life; Conclusion; Bibliography; Index.

Tanya Kevorkian is Associate Professor of History at Millersville University, USA.

Prize: Winner of the 2008 William H. Scheide Prize of the American Bach Society Shortlisted for the AMS Lewis Lockwood Award 2008. ’Through personal accounts, Kevorkian paints a detailed and intimate picture of religious activity across the strata of civic society. The story of Leipzig's public religious culture to 1750 emerges as one of great diversity and flux in a period of relative peace and economic prosperity.... Readers from social, political, and religious history should not be put off by the prominence of music in the title, and indeed, this review. ...a valuable social history. Music, in Kevorkian's book, as it was in Leipzig society, is but one thread in the rich fabric of public pious culture.’ H-German ’In sum, Kevorkian has done important research in specific areas such as pewholding, consistory and city council records, and Pietist correspondence that enrich our understanding of religious affairs in Leipzig in the late seventeenth and early eighteenth centuries... it is a significant addition to the scholarly literature in the field.’ Journal of the American Musicological Society ’... this book provides a highly stimulating historical resource that will undoubtedly inflect many musical studies of Bach and his predecessors over the coming years.’ Early Music ’A valuable contribution to Ashgate's growing catalogue of interdisciplinary studies... Baroque Piety provides new insight into how we consider the religious arena in early modern Europe.’ Renaissance Quarterly ’Music forms only one strand of Kevorkian’s interdisciplinary study, yet by considering Bach’s work within the religious life of Leipzig, she offers a model of how music can be integrated within social history. ... [Kevorkian's] book is not only a sure-footed account of the religious sphere in which Bach worked, it should also stimulate new directions in research on eighteenth-century German music.’ Eighteenth-Century Music ’Having a broad sweep of Kevorkian

• Contents: Introduction; Part I Congregants' Everyday Practices: The experience of the service; Seating the religious public: church pews and society. Part II The Producers: The clergy, the city council, and Leipzig inhabitants; Elites in and beyond Leipzig: the Dresden court and the consistories; Leipzig's cantors: status, politics and the adiaphora. Part III The Pietist Alternative: Sociability and religious protest: the collegia pietatatis of 1689-1690; The Pietist shadow network. Part IV The Construction Boom and Beyond: Social change and religious life; Conclusion; Bibliography; Index.