Daniel Mann is Lecturer and Leverhulme Early Career Fellow at the Film Studies Department at King's College London, UK. He has published various articles on visual media and is a filmmaker with awards from film festivals including the Berlin Film Festival, Rotterdam, Cinema du Reel, Centre Pompidou and the ICA in London. He received his PhD from Goldsmiths, University of London, UK.

"Drawing on a unique and extensive archival and open-source research the book follows Palestinians exposing violations on their smartphone cameras and Israeli soldiers mimicking the practice with their own devices for both propaganda and operational reasons. Here media becomes itself a terrain of conflict and the means by which it unfolds. A compelling read on every page, the book brings together Mann's sensibility as a filmmaker to narrative and visual form and his scholarly attention to theoretical and historical context".

• List of FiguresAcknowledgementsIntroduction 1. Domestic Inspectors:The First Gulf War and the Militarization of the Home2. The Death of a Cameraman: The Second Intifada and the Demise of the MilitaryFilm Units3. The Split Wall: Homes to return to and homes to destroy4. Saving Face: Between Uniformity and Isolation5. The Selective Enforcement of the Visual6. The Regime of the Self: Between the one and the manyConclusion Bibliography Index

Daniel Mann is Lecturer and Leverhulme Early Career Fellow at the Film Studies Department at King's College London, UK. He has published various articles on visual media and is a filmmaker with awards from film festivals including the Berlin Film Festival, Rotterdam, Cinema du Reel, Centre Pompidou and the ICA in London. He received his PhD from Goldsmiths, University of London, UK.

"Drawing on a unique and extensive archival and open-source research the book follows Palestinians exposing violations on their smartphone cameras and Israeli soldiers mimicking the practice with their own devices for both propaganda and operational reasons. Here media becomes itself a terrain of conflict and the means by which it unfolds. A compelling read on every page, the book brings together Mann's sensibility as a filmmaker to narrative and visual form and his scholarly attention to theoretical and historical context".

• List of FiguresAcknowledgementsIntroduction 1. Domestic Inspectors:The First Gulf War and the Militarization of the Home2. The Death of a Cameraman: The Second Intifada and the Demise of the MilitaryFilm Units3. The Split Wall: Homes to return to and homes to destroy4. Saving Face: Between Uniformity and Isolation5. The Selective Enforcement of the Visual6. The Regime of the Self: Between the one and the manyConclusion Bibliography Index

Daniel Mann is Lecturer and Leverhulme Early Career Fellow at the Film Studies Department at King's College London, UK. He has published various articles on visual media and is a filmmaker with awards from film festivals including the Berlin Film Festival, Rotterdam, Cinema du Reel, Centre Pompidou and the ICA in London. He received his PhD from Goldsmiths, University of London, UK.

"Drawing on a unique and extensive archival and open-source research the book follows Palestinians exposing violations on their smartphone cameras and Israeli soldiers mimicking the practice with their own devices for both propaganda and operational reasons. Here media becomes itself a terrain of conflict and the means by which it unfolds. A compelling read on every page, the book brings together Mann's sensibility as a filmmaker to narrative and visual form and his scholarly attention to theoretical and historical context".

• List of FiguresAcknowledgementsIntroduction 1. Domestic Inspectors:The First Gulf War and the Militarization of the Home2. The Death of a Cameraman: The Second Intifada and the Demise of the MilitaryFilm Units3. The Split Wall: Homes to return to and homes to destroy4. Saving Face: Between Uniformity and Isolation5. The Selective Enforcement of the Visual6. The Regime of the Self: Between the one and the manyConclusion Bibliography Index