Stefani Engelstein is Associate Professor of German at the University of Missouri.

"…Engelstein's study succeeds in inspiring readers to revisit these great literary works … humanities graduate students and faculty with a focus on the natural sciences will find it fascinating." — German Studies Review"Engelstein draws upon the developing disciplines of natural science (including philosophy), medical illustration, and aesthetics and traces the process that created the norm for the human form." — Studies in English Literature"Engagingly written and impressively grounded in primary sources, the study offers startlingly fresh readings even of works that have inspired abundant scholarship." — CHOICE "Stefani Engelstein's Anxious Anatomy presents a selection of European fantasies about the meanings of bodies and their fragility. Careful research in the medical and cultural discourses frames her readings of literary texts in ways that provide startling and original insights into the creative reframing of what the body was taken to mean in the nineteenth-century Western literary fantasy—where many of our stereotypes of what our own body is and can become originate. Brilliantly illustrated; extraordinarily accessible." — Sander L. Gilman, Director of the Health Sciences Humanities Program, Emory University"Anxious Anatomy contributes forcefully to a growing critical interest in the history of the human body and its political implications. Participating directly in the materialist shift that is reshaping criticism in studies of Romantic literature, the book urges a reassessment of naturalist and literary discourse from the perspective of the anatomies they help construct." — Paul Youngquist, author of Monstrosities: Bodies and British Romanticism"This is an erudite, engaging, and also very entertaining book. It makes a very convincing case that literature and science functioned as separate but interdependent fields." — Carl Niekerk, University of Illinois at Urbana-Champaign"Engelstein's study of anatomy and the human form moves masterfully between science and literature, without reducing one discipline to the other. Engelstein is one of the rare critics who can comfortably and lucidly explain the history of biology to a literary audience. Her arguments resonate well beyond the immediate confines of the Romantic era." — Daniel Purdy, author of The Tyranny of Elegance: Consumer Cosmopolitanism in the Era of Goethe

• List of IllustrationsAcknowledgmentsIntroduction: Resurrecting the BodyPart 1: Replicability 1. Formative DrivesGoethe’s Monstrous OttoMonkeys, Humans, and Other MammalsReproductive EyesMetamorphologyElective Affinities, or, Chosen CorrespondencesPart 2: Integrity 2. "Natural" Reproduction and Reproducing NatureWilliam Blake’s BodiesDeveloping EmbryologyRegenerative Monsters: The PolypusProlific Devourers in BlakeScience and Conscience 3. Modular BodiesWar WoundsKleist’s Aesthetic AppendagesBodies in MotionDisarming KnowledgeDisarticulationPart 3: Purposiveness 4. Autonomous or Automata?Mutilations and MultiplicationHoffmann’s CyborgsInstrumentality or Bits and Pieces 5. Just AnimalsAnimal Instinct and Mary ShelleyBeauty and the Beast: Female Sexuality and Male MaterialityFraming JustineThe Pursuit of HappinessPart 4: Legibility 6. Visual EpistemologyReading RaceColoring in AustenConclusion NotesWorks CitedIndex

Stefani Engelstein is Associate Professor of German at the University of Missouri.

"…Engelstein's study succeeds in inspiring readers to revisit these great literary works … humanities graduate students and faculty with a focus on the natural sciences will find it fascinating." — German Studies Review"Engelstein draws upon the developing disciplines of natural science (including philosophy), medical illustration, and aesthetics and traces the process that created the norm for the human form." — Studies in English Literature"Engagingly written and impressively grounded in primary sources, the study offers startlingly fresh readings even of works that have inspired abundant scholarship." — CHOICE "Stefani Engelstein's Anxious Anatomy presents a selection of European fantasies about the meanings of bodies and their fragility. Careful research in the medical and cultural discourses frames her readings of literary texts in ways that provide startling and original insights into the creative reframing of what the body was taken to mean in the nineteenth-century Western literary fantasy—where many of our stereotypes of what our own body is and can become originate. Brilliantly illustrated; extraordinarily accessible." — Sander L. Gilman, Director of the Health Sciences Humanities Program, Emory University"Anxious Anatomy contributes forcefully to a growing critical interest in the history of the human body and its political implications. Participating directly in the materialist shift that is reshaping criticism in studies of Romantic literature, the book urges a reassessment of naturalist and literary discourse from the perspective of the anatomies they help construct." — Paul Youngquist, author of Monstrosities: Bodies and British Romanticism"This is an erudite, engaging, and also very entertaining book. It makes a very convincing case that literature and science functioned as separate but interdependent fields." — Carl Niekerk, University of Illinois at Urbana-Champaign"Engelstein's study of anatomy and the human form moves masterfully between science and literature, without reducing one discipline to the other. Engelstein is one of the rare critics who can comfortably and lucidly explain the history of biology to a literary audience. Her arguments resonate well beyond the immediate confines of the Romantic era." — Daniel Purdy, author of The Tyranny of Elegance: Consumer Cosmopolitanism in the Era of Goethe

• List of IllustrationsAcknowledgmentsIntroduction: Resurrecting the BodyPart 1: Replicability 1. Formative DrivesGoethe’s Monstrous OttoMonkeys, Humans, and Other MammalsReproductive EyesMetamorphologyElective Affinities, or, Chosen CorrespondencesPart 2: Integrity 2. "Natural" Reproduction and Reproducing NatureWilliam Blake’s BodiesDeveloping EmbryologyRegenerative Monsters: The PolypusProlific Devourers in BlakeScience and Conscience 3. Modular BodiesWar WoundsKleist’s Aesthetic AppendagesBodies in MotionDisarming KnowledgeDisarticulationPart 3: Purposiveness 4. Autonomous or Automata?Mutilations and MultiplicationHoffmann’s CyborgsInstrumentality or Bits and Pieces 5. Just AnimalsAnimal Instinct and Mary ShelleyBeauty and the Beast: Female Sexuality and Male MaterialityFraming JustineThe Pursuit of HappinessPart 4: Legibility 6. Visual EpistemologyReading RaceColoring in AustenConclusion NotesWorks CitedIndex