Freddie Rokem, author of the prizewinning Performing History: Theatrical Representations of the Past in Contemporary Theatre, is the Emanuel Herzikowitz Professor for 19th and 20th-Century Art at Tel Aviv University.

"This book, by theater historian and preformance theorist Freddie Rokem, makes a significant contribution to both fields . . . Rokem has crafted an enaging and vigorous study of the relationship between theater and philosophy that does as Horace recommended theater do, instruct and delight."—Monica Prendergast, Comparative Literature Studies "Philosophers and Thespians is a cultural-studies discourse on human life as a journey. Rokem's book embraces wide-ranging cultural contexts that complement his philosophy of history. In contrast to the proponents of new historicism, Rokem supplements his subjective narration with substantive intertextual and historical research. The practical and detailed applications of the concept of performativity make this book a valuable companion to graduate cultural studies and philosophy programs."—Anna Kawalec, Philosophy in Review "This is an exemplary book of both comparison and drama. It describes four historical encounters between thespian-like philosophers and philosophically inclined thespians . . . Philosophers and thespians share in thinking and doing, in word and action. Rokem's method of writing and thinking—a method of eyewitnessing and commentary—intends to match and indeed does match his subject matter. The match makes this a most worthwhile book to read and to review."—Lydia Goehr, Comparative Drama "Rokem plays out interaction between Bertolt Brecht and Walter Benjamin as theatricalized philosophical thinking. The volume's second part, 'Constellations,' ponders 'performative agendas' embedded in narratives, wistful imaginings in which constellations of dramatic form take shape from points of thought."—P.D. Nelsen, Choice "This book's central—and brilliant—idea is to treat the relation between philosophy and theater not as an abstract, disciplinary one, but as an encounter between philosophers and theater people. By portraying actual and fictional encounters between philosophers, playwrights, and directors, Rokem reminds us that theater history has always been entangled with philosophy and that philosophy ignores the theater at its own peril."—Martin Puchner, Columbia University

Freddie Rokem, author of the prizewinning Performing History: Theatrical Representations of the Past in Contemporary Theatre, is the Emanuel Herzikowitz Professor for 19th and 20th-Century Art at Tel Aviv University.

"This book, by theater historian and preformance theorist Freddie Rokem, makes a significant contribution to both fields . . . Rokem has crafted an enaging and vigorous study of the relationship between theater and philosophy that does as Horace recommended theater do, instruct and delight."—Monica Prendergast, Comparative Literature Studies "Philosophers and Thespians is a cultural-studies discourse on human life as a journey. Rokem's book embraces wide-ranging cultural contexts that complement his philosophy of history. In contrast to the proponents of new historicism, Rokem supplements his subjective narration with substantive intertextual and historical research. The practical and detailed applications of the concept of performativity make this book a valuable companion to graduate cultural studies and philosophy programs."—Anna Kawalec, Philosophy in Review "This is an exemplary book of both comparison and drama. It describes four historical encounters between thespian-like philosophers and philosophically inclined thespians . . . Philosophers and thespians share in thinking and doing, in word and action. Rokem's method of writing and thinking—a method of eyewitnessing and commentary—intends to match and indeed does match his subject matter. The match makes this a most worthwhile book to read and to review."—Lydia Goehr, Comparative Drama "Rokem plays out interaction between Bertolt Brecht and Walter Benjamin as theatricalized philosophical thinking. The volume's second part, 'Constellations,' ponders 'performative agendas' embedded in narratives, wistful imaginings in which constellations of dramatic form take shape from points of thought."—P.D. Nelsen, Choice "This book's central—and brilliant—idea is to treat the relation between philosophy and theater not as an abstract, disciplinary one, but as an encounter between philosophers and theater people. By portraying actual and fictional encounters between philosophers, playwrights, and directors, Rokem reminds us that theater history has always been entangled with philosophy and that philosophy ignores the theater at its own peril."—Martin Puchner, Columbia University