Thomas Hilder is an ethnomusicologist with a focus on music of the Nordic countries and a special interest in the politics of transnationalism, postcolonialism, and gender. His research on the Sámi has been published in Ethnomusicology Forum, and he is lead editor of the forthcoming book Music, Indigeneity, Digital Media. He currently works as a postdoctoral researcher at the Center for World Music, University of Hildesheim, Germany.

Thomas R. Hidler provides a critical analysis of the political, cultural, and social transformations in the non-Western, Nordic, Sámi indigenous community. . . .This book is well-written and organized cohesively, as one chapter leads seamlessly into another. It will be a valuable addition to the fields of European studies, ethnomusicology, and identity studies.

• AcknowledgmentsChapter 1: Sámi Musical Performance: An IntroductionChapter 2: Performing SápmiChapter 3: Reconceptualizing TimeChapter 4: Voicing NatureChapter 5: Transmitting CultureChapter 6: Aspiring CosmopolitanismEpilogueGlossaryNotesBibliographyIndex

Thomas Hilder is an ethnomusicologist with a focus on music of the Nordic countries and a special interest in the politics of transnationalism, postcolonialism, and gender. His research on the Sámi has been published in Ethnomusicology Forum, and he is lead editor of the forthcoming book Music, Indigeneity, Digital Media. He currently works as a postdoctoral researcher at the Center for World Music, University of Hildesheim, Germany.

Thomas R. Hidler provides a critical analysis of the political, cultural, and social transformations in the non-Western, Nordic, Sámi indigenous community. . . .This book is well-written and organized cohesively, as one chapter leads seamlessly into another. It will be a valuable addition to the fields of European studies, ethnomusicology, and identity studies.

• AcknowledgmentsChapter 1: Sámi Musical Performance: An IntroductionChapter 2: Performing SápmiChapter 3: Reconceptualizing TimeChapter 4: Voicing NatureChapter 5: Transmitting CultureChapter 6: Aspiring CosmopolitanismEpilogueGlossaryNotesBibliographyIndex

Thomas Hilder is an ethnomusicologist with a focus on music of the Nordic countries and a special interest in the politics of transnationalism, postcolonialism, and gender. His research on the Sámi has been published in Ethnomusicology Forum, and he is lead editor of the forthcoming book Music, Indigeneity, Digital Media. He currently works as a postdoctoral researcher at the Center for World Music, University of Hildesheim, Germany.

Thomas R. Hidler provides a critical analysis of the political, cultural, and social transformations in the non-Western, Nordic, Sámi indigenous community. . . .This book is well-written and organized cohesively, as one chapter leads seamlessly into another. It will be a valuable addition to the fields of European studies, ethnomusicology, and identity studies.

• AcknowledgmentsChapter 1: Sámi Musical Performance: An IntroductionChapter 2: Performing SápmiChapter 3: Reconceptualizing TimeChapter 4: Voicing NatureChapter 5: Transmitting CultureChapter 6: Aspiring CosmopolitanismEpilogueGlossaryNotesBibliographyIndex