Clarice Lispector (1920–1977), the greatest Brazilian writer of the twentieth century, has been called “astounding” (Rachel Kushner), “a penetrating genius” (Donna Seaman, Booklist), and “one of the twentieth century’s most mysterious writers” (Orhan Pamuk). Magdalena Edwards is a writer, translator, and actor. Her work has appeared in the Boston Review, the Paris Review Daily, the Los Angeles Review of Books, and the Millions. General editor of the new translations of Clarice Lispector’s complete works at New Directions, Benjamin Moser is the author of Why This World: The Biography of Clarice Lispector; Sontag: Her Life and Work, which was awarded the Pulitzer Prize; and The Upside-Down World: Meetings with the Dutch Masters.

"Lispector’s signature narrative style, which borders on stream-of-consciousness, is the vehicle for Virginia’s existential dilemmas and her observations about a world from which she often seems removed. The Chandelier includes all the earmarks of Lispector’s other work, too: a deep anguish, a search for the heart of human existence, and the unbearable weight of a solitude that is imperative to ultimate freedom."

Clarice Lispector (1920–1977), the greatest Brazilian writer of the twentieth century, has been called “astounding” (Rachel Kushner), “a penetrating genius” (Donna Seaman, Booklist), and “one of the twentieth century’s most mysterious writers” (Orhan Pamuk). Magdalena Edwards is a writer, translator, and actor. Her work has appeared in the Boston Review, the Paris Review Daily, the Los Angeles Review of Books, and the Millions. General editor of the new translations of Clarice Lispector’s complete works at New Directions, Benjamin Moser is the author of Why This World: The Biography of Clarice Lispector; Sontag: Her Life and Work, which was awarded the Pulitzer Prize; and The Upside-Down World: Meetings with the Dutch Masters.

"Lispector’s signature narrative style, which borders on stream-of-consciousness, is the vehicle for Virginia’s existential dilemmas and her observations about a world from which she often seems removed. The Chandelier includes all the earmarks of Lispector’s other work, too: a deep anguish, a search for the heart of human existence, and the unbearable weight of a solitude that is imperative to ultimate freedom."