Shikha Jhingan is associate professor of cinema studies at Jawaharlal Nehru University in New Delhi. Her research focuses on voice, music, and sound in cinema. Her work brings a sound studies perspective to Bollywood films and their intermedial footprints. She has published in journals such as BioScope: South Asian Screen Studies, Feminist Media Histories, South Asian History and Culture, and Studies in South Asian Film and Media and in several book anthologies.

The Female Playback in Bombay Cinema maps a dazzling itinerary of the female voice from radio, gramophone, and playback through to audiocassette, television reality shows, and YouTube uploads. Shikha Jhingan pursues rigorous film, musical, and sound analysis with an alertness to the wider intermedial imprint of the voice. A landmark for the field. Ravi Vasudevan, codirector of Sarai, Centre for the Study of Developing Societies Building on the author's wealth of research across the long history of the recorded female singing voice in Bombay cinema, this groundbreaking book sets the scene for a long-overdue shift of scholarly focus from the visual to the aural. Jhingan surveys her field with authority, care, and passion. The book itself sings. Rosie Thomas, author of Bombay Before BollywoodThe Female Playback in Bombay Cinema shows how the sonic attributes and affective force of the female voice in Bombay cinema have been shaped by media assemblages, from the early days of playback to the televised reality shows and digital platforms of the 2020s. Jhingan's sensitive analysis of the shifting relationships between the visual and the aural, body and voice, makes an important contribution to cinema and sound studies within South Asia and beyond. Amanda Weidman, author of Brought to Life by the Voice: Playback Singing and Cultural Politics in South IndiaShikha Jhingan's book maps out the complex and contested destabilization and emergence of new norms for the female playback singing voice from the 1940s to the present, discussing changing relationships between voice, body, technology, and listening practices. Neepa Majumdar, director of graduate studies for the Film and Media Studies Program, University of Pittsburgh

Shikha Jhingan is associate professor of cinema studies at Jawaharlal Nehru University in New Delhi. Her research focuses on voice, music, and sound in cinema. Her work brings a sound studies perspective to Bollywood films and their intermedial footprints. She has published in journals such as BioScope: South Asian Screen Studies, Feminist Media Histories, South Asian History and Culture, and Studies in South Asian Film and Media and in several book anthologies.

The Female Playback in Bombay Cinema maps a dazzling itinerary of the female voice from radio, gramophone, and playback through to audiocassette, television reality shows, and YouTube uploads. Shikha Jhingan pursues rigorous film, musical, and sound analysis with an alertness to the wider intermedial imprint of the voice. A landmark for the field. Ravi Vasudevan, codirector of Sarai, Centre for the Study of Developing Societies Building on the author's wealth of research across the long history of the recorded female singing voice in Bombay cinema, this groundbreaking book sets the scene for a long-overdue shift of scholarly focus from the visual to the aural. Jhingan surveys her field with authority, care, and passion. The book itself sings. Rosie Thomas, author of Bombay Before BollywoodThe Female Playback in Bombay Cinema shows how the sonic attributes and affective force of the female voice in Bombay cinema have been shaped by media assemblages, from the early days of playback to the televised reality shows and digital platforms of the 2020s. Jhingan's sensitive analysis of the shifting relationships between the visual and the aural, body and voice, makes an important contribution to cinema and sound studies within South Asia and beyond. Amanda Weidman, author of Brought to Life by the Voice: Playback Singing and Cultural Politics in South IndiaShikha Jhingan's book maps out the complex and contested destabilization and emergence of new norms for the female playback singing voice from the 1940s to the present, discussing changing relationships between voice, body, technology, and listening practices. Neepa Majumdar, director of graduate studies for the Film and Media Studies Program, University of Pittsburgh