Andrew Hamilton is Lecturer in Philosophy at the University of Durham, UK.

'A gifted philosopher, music critic and jazz performer, Andy Hamilton has produced a book which leaves neither the philosophy nor the music out. He guides us deftly through the aesthetics of Kant and Adorno without neglecting the reality of music as sound and rhythm, improvisation and composition, showing in an unusually open-minded, lively way - and in philosophical depth - how aesthetic experience is universal and human.' Professor John Skorupski, St Andrews University, UK

• 1. Aesthetics and music in ancient Greece; 2. The concept of music; 3. The aesthetic of form, the aesthetic of expression, and "Absolute Music": Aesthetics of music in the late 18th and 19th centuries 4. The sound of music; 5. Rhythm and time; 6. Adorno and modernism: Music as autonomous and "social fact" 7. Improvisation and composition.

Andrew Hamilton is Lecturer in Philosophy at the University of Durham, UK.

'A gifted philosopher, music critic and jazz performer, Andy Hamilton has produced a book which leaves neither the philosophy nor the music out. He guides us deftly through the aesthetics of Kant and Adorno without neglecting the reality of music as sound and rhythm, improvisation and composition, showing in an unusually open-minded, lively way - and in philosophical depth - how aesthetic experience is universal and human.' Professor John Skorupski, St Andrews University, UK

• 1. Aesthetics and music in ancient Greece; 2. The concept of music; 3. The aesthetic of form, the aesthetic of expression, and "Absolute Music": Aesthetics of music in the late 18th and 19th centuries 4. The sound of music; 5. Rhythm and time; 6. Adorno and modernism: Music as autonomous and "social fact" 7. Improvisation and composition.

Andrew Hamilton is Lecturer in Philosophy at the University of Durham, UK.

'A gifted philosopher, music critic and jazz performer, Andy Hamilton has produced a book which leaves neither the philosophy nor the music out. He guides us deftly through the aesthetics of Kant and Adorno without neglecting the reality of music as sound and rhythm, improvisation and composition, showing in an unusually open-minded, lively way - and in philosophical depth - how aesthetic experience is universal and human.' Professor John Skorupski, St Andrews University, UK

• 1. Aesthetics and music in ancient Greece; 2. The concept of music; 3. The aesthetic of form, the aesthetic of expression, and "Absolute Music": Aesthetics of music in the late 18th and 19th centuries 4. The sound of music; 5. Rhythm and time; 6. Adorno and modernism: Music as autonomous and "social fact" 7. Improvisation and composition.