Edited by Sean A. Pager and Adam Candeub, Michigan State University College of Law, US

• Contents:Introduction: Navigating in the Dark When Bits Have No BordersSean A. Pager and Adam Candeub1. The Challenge(s) of CyberlawDavid G. Post2. Copyright, Culture and the CloudDaniel J. Gervais3. Addressing ‘Libel Tourism’Lili Levi4. YouTube from Afghanistan to Zimbabwe: Tyrannize Locally, Censor GloballyHannibal Travis5. Balkanizing the InternetKevin W. Saunders6. Timid Liberalism: A Critique of the Process-Oriented Norms for Internet BlockingMilton Mueller7. Internet Creativity, Communicative Freedom and a Constitutional Rights Theory Response to ‘Code is Law’Christoph B. Graber8. Diminished, Enduring, and Emergent Diversity Policy Concerns in an Evolving Media EnvironmentPhilip M. Napoli9. Cultural Protectionism 2.0: Updating Cultural Policy Tools for the Digital AgeMira Burri10. Copyright, Complexity, and Cultural Diversity: A Skeptic’s ViewMichal Shur-Ofry11. The Nigerian Film Industry and Lessons Regarding Cultural Diversity from the Home-Market Effects Model of International Trade in FilmsMark F. Schultz12. Digital Content Production in Nigeria and Brazil: A Case for Cultural Optimism?Sean A. Pager13. Decolonizing Networked Technology: Learning from the Street DanceLarisa Mann14. Balancing Act: The Creation and Circulation of Indigenous Knowledge and Culture Inside and Outside the Legal FrameKimberley Christen15. Localism as a Production Imperative: An Alternative Framework for Promoting Intangible Cultural HeritageJon M. Garon16. Cross-Country Comparison of Audience Tastes in Hollywood Movies: Cultural Distance and Genre PreferencesW. Wayne Fu17. Protecting and Promoting National Cultures in a World Where Bits Want to Flow FreelySang Yup Lee and Steven S. Wildman Index

Edited by Sean A. Pager and Adam Candeub, Michigan State University College of Law, US

• Contents:Introduction: Navigating in the Dark When Bits Have No BordersSean A. Pager and Adam Candeub1. The Challenge(s) of CyberlawDavid G. Post2. Copyright, Culture and the CloudDaniel J. Gervais3. Addressing ‘Libel Tourism’Lili Levi4. YouTube from Afghanistan to Zimbabwe: Tyrannize Locally, Censor GloballyHannibal Travis5. Balkanizing the InternetKevin W. Saunders6. Timid Liberalism: A Critique of the Process-Oriented Norms for Internet BlockingMilton Mueller7. Internet Creativity, Communicative Freedom and a Constitutional Rights Theory Response to ‘Code is Law’Christoph B. Graber8. Diminished, Enduring, and Emergent Diversity Policy Concerns in an Evolving Media EnvironmentPhilip M. Napoli9. Cultural Protectionism 2.0: Updating Cultural Policy Tools for the Digital AgeMira Burri10. Copyright, Complexity, and Cultural Diversity: A Skeptic’s ViewMichal Shur-Ofry11. The Nigerian Film Industry and Lessons Regarding Cultural Diversity from the Home-Market Effects Model of International Trade in FilmsMark F. Schultz12. Digital Content Production in Nigeria and Brazil: A Case for Cultural Optimism?Sean A. Pager13. Decolonizing Networked Technology: Learning from the Street DanceLarisa Mann14. Balancing Act: The Creation and Circulation of Indigenous Knowledge and Culture Inside and Outside the Legal FrameKimberley Christen15. Localism as a Production Imperative: An Alternative Framework for Promoting Intangible Cultural HeritageJon M. Garon16. Cross-Country Comparison of Audience Tastes in Hollywood Movies: Cultural Distance and Genre PreferencesW. Wayne Fu17. Protecting and Promoting National Cultures in a World Where Bits Want to Flow FreelySang Yup Lee and Steven S. Wildman Index

Edited by Sean A. Pager and Adam Candeub, Michigan State University College of Law, US

• Contents:Introduction: Navigating in the Dark When Bits Have No BordersSean A. Pager and Adam Candeub1. The Challenge(s) of CyberlawDavid G. Post2. Copyright, Culture and the CloudDaniel J. Gervais3. Addressing ‘Libel Tourism’Lili Levi4. YouTube from Afghanistan to Zimbabwe: Tyrannize Locally, Censor GloballyHannibal Travis5. Balkanizing the InternetKevin W. Saunders6. Timid Liberalism: A Critique of the Process-Oriented Norms for Internet BlockingMilton Mueller7. Internet Creativity, Communicative Freedom and a Constitutional Rights Theory Response to ‘Code is Law’Christoph B. Graber8. Diminished, Enduring, and Emergent Diversity Policy Concerns in an Evolving Media EnvironmentPhilip M. Napoli9. Cultural Protectionism 2.0: Updating Cultural Policy Tools for the Digital AgeMira Burri10. Copyright, Complexity, and Cultural Diversity: A Skeptic’s ViewMichal Shur-Ofry11. The Nigerian Film Industry and Lessons Regarding Cultural Diversity from the Home-Market Effects Model of International Trade in FilmsMark F. Schultz12. Digital Content Production in Nigeria and Brazil: A Case for Cultural Optimism?Sean A. Pager13. Decolonizing Networked Technology: Learning from the Street DanceLarisa Mann14. Balancing Act: The Creation and Circulation of Indigenous Knowledge and Culture Inside and Outside the Legal FrameKimberley Christen15. Localism as a Production Imperative: An Alternative Framework for Promoting Intangible Cultural HeritageJon M. Garon16. Cross-Country Comparison of Audience Tastes in Hollywood Movies: Cultural Distance and Genre PreferencesW. Wayne Fu17. Protecting and Promoting National Cultures in a World Where Bits Want to Flow FreelySang Yup Lee and Steven S. Wildman Index