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Steve Nicholson - Censorship of British Drama 1900-1968 Volume 4, Inbunden

Inbunden, Engelska, 2015

Censorship of British Drama 1900-1968 Volume 4

The Sixties

Av Steve Nicholson

Del i serien Exeter Performance Studies

1022 kr

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Beskrivning
Winner of the Society for Theatre Research Book Prize – 2016This is the final volume in a new paperback edition of Steve Nicholson’s definitive four-volume survey of British theatre censorship from 1900-1968, based on previously undocumented material, covering the period 1960-1968. This brings to its conclusion the first comprehensive research on the Lord Chamberlain's Correspondence Archives for the 20th century. The 1960s was a significant decade in social and political spheres in Britain, especially in the theatre. As certainties shifted and social divisions widened, a new generation of theatre makers arrived, ready to sweep away yesterday’s conventions and challenge the establishment. Analysis exposes the political and cultural implications of a powerful elite exerting pressure in an attempt to preserve the veneer of a polite, unquestioning society.This new edition includes a contextualising timeline for those readers who are unfamiliar with the period, and a new preface.DOI: https://doi.org/10.47788/TGOJ9339
Produktinformation
  • Utgivningsdatum: 2015-07-29
  • Mått: 156 x 234 x 31 mm
  • Vikt: 798 g
  • Format: Inbunden
  • Språk: Engelska
  • Serie: Exeter Performance Studies
  • Antal sidor: 366
  • Förlag: University of Exeter
  • ISBN: 9780859898461
  • Utmärkelser: Winner of Society for Theatre Research Book Prize 2016
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Mer om författaren

Steve Nicholson is Emeritus Professor of 20th-Century and Contemporary Theatre, and Director of Drama, in the School of English at the University of Sheffield. He is a series editor for Exeter Performance Studies and the author of British Theatre and the Red Peril: The Portrayal of Communism, 1917-1945, also published by UEP.

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Nicholson’s skillful deployment of meticulous archival research is combined with an effective sense of the overall picture of theatre and performance in the 1960s and concludes with a persuasive caution against complacency about the situation after the end of pre-censorship.

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