Katherine Gillen is associate professor of English at Texas A&M University–San Antonio. She is the author of Chaste Value: Economic Crisis, Female Chastity, and the Production of Social Difference on Shakespeare’s Stage. Adrianna M. Santos is an assistant professor of English at Texas A&M University–San Antonio where she acts as cocoordinator of the Mexican American, Latinx, and Borderlands Studies interdisciplinary minor. Kathryn Vomero Santos is assistant professor of English and codirector of the Humanities Collective at Trinity University. She currently serves as Performance Reviews Editor for Shakespeare Bulletin.

"The Bard in the Borderlands: An Anthology of Shakespeare Appropriations en La Frontera, Volume 1 features a wide range of plays that deftly re-imagine Shakespeare works from Borderlands perspectives. Unique, ground-breaking, exceptional, thought-provoking, and inherently fascinating, The Bard in the Borderlands is a distinctive, ground-breaking, and unreservedly recommended as an addition to personal, professional, community, college, and university library Shakespeare studies collections. Of special appeal and value for readers with an interest in Hispanic American Dramas & Plays."

• General Introduction: Tracing the Traditions of Borderlands Shakespeare, by Katherine Gillen, Adrianna M. Santos, and Kathryn Vomero SantosIntroduction to Volume I, by Katherine Gillen, Adrianna M. Santos, and Kathryn Vomero SantosPlaytexts and Introductions1. The Language of Flowers by Edit Villarreal2. Kino and Teresa by James Lujan3. The Tragic Corrido of Romeo and Lupe by Seres Jaime Magaña4. Hamlet, El Príncipe de Denmark by Tara Moses5. Ofélio by Joshua Inocéncio6. ¡O Romeo! by Olga Sanchez SaltveitGlossaryBibliography

Katherine Gillen is associate professor of English at Texas A&M University–San Antonio. She is the author of Chaste Value: Economic Crisis, Female Chastity, and the Production of Social Difference on Shakespeare’s Stage. Adrianna M. Santos is an assistant professor of English at Texas A&M University–San Antonio where she acts as cocoordinator of the Mexican American, Latinx, and Borderlands Studies interdisciplinary minor. Kathryn Vomero Santos is assistant professor of English and codirector of the Humanities Collective at Trinity University. She currently serves as Performance Reviews Editor for Shakespeare Bulletin.

"The Bard in the Borderlands: An Anthology of Shakespeare Appropriations en La Frontera, Volume 1 features a wide range of plays that deftly re-imagine Shakespeare works from Borderlands perspectives. Unique, ground-breaking, exceptional, thought-provoking, and inherently fascinating, The Bard in the Borderlands is a distinctive, ground-breaking, and unreservedly recommended as an addition to personal, professional, community, college, and university library Shakespeare studies collections. Of special appeal and value for readers with an interest in Hispanic American Dramas & Plays."

• General Introduction: Tracing the Traditions of Borderlands Shakespeare, by Katherine Gillen, Adrianna M. Santos, and Kathryn Vomero SantosIntroduction to Volume I, by Katherine Gillen, Adrianna M. Santos, and Kathryn Vomero SantosPlaytexts and Introductions1. The Language of Flowers by Edit Villarreal2. Kino and Teresa by James Lujan3. The Tragic Corrido of Romeo and Lupe by Seres Jaime Magaña4. Hamlet, El Príncipe de Denmark by Tara Moses5. Ofélio by Joshua Inocéncio6. ¡O Romeo! by Olga Sanchez SaltveitGlossaryBibliography

Katherine Gillen is associate professor of English at Texas A&M University–San Antonio. She is the author of Chaste Value: Economic Crisis, Female Chastity, and the Production of Social Difference on Shakespeare’s Stage. Adrianna M. Santos is an assistant professor of English at Texas A&M University–San Antonio where she acts as cocoordinator of the Mexican American, Latinx, and Borderlands Studies interdisciplinary minor. Kathryn Vomero Santos is assistant professor of English and codirector of the Humanities Collective at Trinity University. She currently serves as Performance Reviews Editor for Shakespeare Bulletin.

"The Bard in the Borderlands: An Anthology of Shakespeare Appropriations en La Frontera, Volume 1 features a wide range of plays that deftly re-imagine Shakespeare works from Borderlands perspectives. Unique, ground-breaking, exceptional, thought-provoking, and inherently fascinating, The Bard in the Borderlands is a distinctive, ground-breaking, and unreservedly recommended as an addition to personal, professional, community, college, and university library Shakespeare studies collections. Of special appeal and value for readers with an interest in Hispanic American Dramas & Plays."

• General Introduction: Tracing the Traditions of Borderlands Shakespeare, by Katherine Gillen, Adrianna M. Santos, and Kathryn Vomero SantosIntroduction to Volume I, by Katherine Gillen, Adrianna M. Santos, and Kathryn Vomero SantosPlaytexts and Introductions1. The Language of Flowers by Edit Villarreal2. Kino and Teresa by James Lujan3. The Tragic Corrido of Romeo and Lupe by Seres Jaime Magaña4. Hamlet, El Príncipe de Denmark by Tara Moses5. Ofélio by Joshua Inocéncio6. ¡O Romeo! by Olga Sanchez SaltveitGlossaryBibliography