Performing Turtle Island

Indigenous Theatre on the World Stage

AvJesse Rae Archibald-Barber,Kathleen Irwin

Inbunden, Engelska, 2019

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Beskrivning

This book investigates theatre as a tool for community engagement, education, and resistance. Understanding Indigenous cultures as critical sources of knowledge and meaning, each essay addresses issues that remind us that the way to reconciliation between Canadians and Indigenous peoples is neither straightforward nor easily achieved. Comprised of multidisciplinary and diverse perspectives, Performing Turtle Island considers performance as both a means to self-empowerment and self-determination, and a way of placing Indigenous performance in dialogue with other nations, both on the lands of Turtle Island and on the world stage.

Produktinformation

Utgivningsdatum:2019-10-19
Mått:153 x 229 x 26 mm
Vikt:560 g
Format:Inbunden
Språk:Engelska
Antal sidor:272
Förlag:University of Regina Press
ISBN:9780889776760

Utforska kategorier

Socialhistoria och kulturhistoria inom Historia och arkeologi
Övriga konstformer inom Kultur
Etnicitet inom Samhälle och politik

Mer om författaren

Jesse Rae Archibald-Barber is from oskana kâ-asastêki and is an associate professor of Indigenous literatures at First Nations University of Canada in Regina. He is the editor of kisiskâciwan: Indigenous Voices from Where the River Flows Swiftly and the writer and producer of the Making Treaty 4 performance project. Kathleen Irwin is Associate Dean of Graduate Studies and Research in the Faculty of Media, Art, and Performance at the University of Regina. Moira J. Day is a professor of drama at the University of Saskatchewan, where she also serves as an adjunct member of Women's and Gender Studies, and the Classical, Medieval and Renaissance Studies Unit. She lives in Edmonton.

Recensioner i media

"A valuable and timely collection." -- Alan D Filewod, author of Committing Theatre Following the Final Report on Truth and Reconciliation

Innehållsförteckning

Introduction: Perspectives on Current Practiceby Jesse Rae Archibald-Barber, Kathleen Irwin, Moira J. DayPART I: CRITICAL SELF-REPRESENTATION IN PRODUCTION AND TRAINING1. Stranger in a Strange Land: Views from an Indigenous Lensby Michael Greyeyes2. Making a Movie: How to Carry an Elephant up a Mountainby Armand Garnet Ruffo3. Decolonizing Counterpoints: Indigenous Perspectives and Representations in Classical Music and Opera by Spy Dénommé-Welch and Catherine Magowan 4. Making Our Own Bundle: Philosophical Reflections on Indigenous Theatre Educationby Carol Greyeyes5. Conversation with Daniel David Moses, August 2016by Annie Smith and Daniel David MosesPART II: PERFORMANCE IN DIALOGUE WITH THE TEXT6. Performing the Bingo Game in Tomson Highway’s The Rez Sistersby Jesse Rae Archibald-Barber 7. A Prayer for Rita Joeby Yvette Nolan8. Cradling Space: Towards an Indigenous Dramaturgy on Turtle Islandby Dione Joseph 9. Standing with Sky Woman: A Conversation on Cultural Fluencyby Kahente Horn-Miller10. Resurgence, Recognition, and Remaining Settled Through Changes at UpFront ’91by Megan DaviesCODA: THE DREAM OF AN IMPOSSIBLE THEATRE 11. Red People, Red Magic by Floyd P. FavelAcknowledgements Contributors Index