This book documents a year-long exhibition entitled Knots + Surfaces, at Dia Center for the Arts from January 2001 through January 2002, in which Diana Thater presented a large-scale, multiprojection video installation specifically designed to interact with the open architectural space of Dia's third-floor gallery. A charged environment, combining layered projections with a wall of clustered monitors, becomes a metaphorical charting of multidimensional space. Referring to a recent mathematical hypothesis that correlates a complex, six-dimesional spatial model to a map of a honey bee's dance, Thater expands her abiding concern with the intersection of nature and culture. Along with an introduction to both her work and the exhibition by Lynne Cooke, the book will include an essay on Thater's work by Akira Lippit.

This book documents a year-long exhibition entitled Knots + Surfaces, at Dia Center for the Arts from January 2001 through January 2002, in which Diana Thater presented a large-scale, multiprojection video installation specifically designed to interact with the open architectural space of Dia's third-floor gallery. A charged environment, combining layered projections with a wall of clustered monitors, becomes a metaphorical charting of multidimensional space. Referring to a recent mathematical hypothesis that correlates a complex, six-dimesional spatial model to a map of a honey bee's dance, Thater expands her abiding concern with the intersection of nature and culture. Along with an introduction to both her work and the exhibition by Lynne Cooke, the book will include an essay on Thater's work by Akira Lippit.