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    Celluloid Ceiling

    Women Film Directors Breaking Through

    AvBeti Ellerson,Maria Williams-Hawkins

    Häftad, Engelska, 2014

    208 kr

    Beställningsvara. Skickas inom 11-20 vardagar. Fri frakt över 249 kr.

    Beskrivning

    Now Kathryn Bigelow has made history as the first woman to win an Oscar for directing, is this a new era for women filmmakers? The figures suggest otherwise. Seeking to redress the imbalance between male and female film directors, Celluloid Ceiling explores inspiring new work appearing in the USA, the UK and globally. Highlighting emerging women directors alongside ground-breaking pioneers, this is a one-stop guide to the leading women film directors in the 21st century and those who inspired them. From Oscar-winning action director Kathryn Bigelow to emerging strong voices from Saudi Arabia, Pakistan and Laos, particular attention is paid to women making films in traditionally male-dominated areas such as action, sci-fi and fantasy and to works with a new take on the violence and pornography of the horror genre. This book shows that the changes overturning current business and artistic processes are opening up new opportunities for women film directors who are determined make the most of these. The contributors represent women making film Africa, Latin America, Europe, USA, Asia and India, with new voices in Japanese and Middle Eastern cinema, the women directors working in TV, as well as the first woman director Alice Guy Blache, the rise of the independent and the horror aficionados the Soska Sisters, Celluloid Ceiling includes numerous interviews and b/w photographs.

    Produktinformation

    • Utgivningsdatum:2014-04-20
    • Mått:146 x 198 x 25 mm
    • Vikt:312 g
    • Format:Häftad
    • Språk:Engelska
    • Antal sidor:384
    • Förlag:Aurora Metro Publications
    • ISBN:9780956632906

    Utforska kategorier

    • Genusvetenskap inom Samhälle och politik
    • Film inom Kultur

    Mer om författaren

    EditorsGABRIELLE KELLY, screenwriter and producer, is also a media educator and story expert. She has worked in Hollywood on both studio and indie films and on productions from Russia, Brazil, China and Europe. Her films include: All the Queen's Men, Stag, D.A.R.Y.L. for Paramount/Columbia, and her script of indie feature All Ages Night is set in the music scene of LA. She developed and edited the industry bible, The Movie Business; a Legal Guide with entertainment lawyer Kelly Crabb and was given the Female Maverick Tribute by Female Eye Film Festival in 2014. CHERYL ROBSON is a producer of several short independent films, most recently Rock n Roll Island. She worked at the BBC for several years and then taught filmmaking at the University of Westminster, before setting up a theatre company. She also created a publishing company where she has edited over fifty books and published over 150 international writers. As a writer, she has won the Croydon Warehouse International Playwriting Competition and as an editor, received a Special Jury Prize for Peace with author Robin Soans, for The Arab-Israeli Cookbook.

    Recensioner i media

    "The level of public consciousness about the barriers faced by female filmmakers is higher than it has ever been. Despite this, the discussion more often than not centres around North America and to a lesser extent, Europe, Australia and New Zealand (and I am guilty as charged). This is perfectly understandable, but clearly women do make films outside of these countries, and it can be illuminating to consider how their experiences reflect or differ from those with which we are more familiar. To this end, the arrival of a new book, "Celluloid Ceiling," could not be more timely. Edited by Gabrielle Kelly and Cheryl Robson, it takes a purposefully global overview of the status quo and in doing so provides some fascinating stories and insights, reminding us of what is lost when we limit the discussion to Anglophone directors." - Matthew Hammett Knott - indiewire

    Innehållsförteckning

    • INTRODUCTION Gabrielle Kelly and Cheryl RobsonAFRICA. African Women Directors: 'Francophone African Women Filmmakers:40 years of cinema, Paris (1972-2012)'Beti Ellerson2. Speak Up! Who's Speaking?: 27African Female Filmmakers Speak forThemselvesMaria Williams-HawkinsAMERICAS3. The home, the body and otherness: 54Canadian representations of identity andfeminism in Mary Harron's American Psycho,Sarah Polley's Away From Her and the SoskaSisters' American MaryKaren Oughton4. Female Filmmakers in Latin America 77Ana Maria Bahiana5. USA: Flouting the System: Lois Weber, 92Dorothy Arzner and Ida LupinoJacqui Miller6. From Hollywood to Indiewood to Chinawood: 106Women Film Directors in the USGabrielle Kelly7. US: Women Film Directors of the Indie 127WorldNathan Shaw8. Oscar-worthy Women Directors 140Patricia Di Risio9. Interview with Kathryn Bigelow 155Ana Maria BahianaASIA10. Moving Up: 160Women Directors and South-east Asian CinemaAnchalee Chaiworaporn11. Films from an Unknown Woman: 179Remediating the absence of gender politics inthe films of women directors in China, Taiwanand Hong KongPieter Aquilia12. Women Filmmakers of South Korea 203Anchalee Chaiworaporn13. 'Why are you making such a big deal just 210because I am a woman?' Women Directors ofPopular Indian CinemaCoonoor Kripalani14. Cats and Dogs and Wild Berries: 233New Voices in Japanese CinemaAdam Bingham15. To Direct Patriarchy: Women Film Directors 249in PakistanIram Parveen BilalAUSTRALIA & NEW ZEALAND16. Brilliant Careers: Three Waves of 255Australian, New Zealand and IndigenousWomen Film DirectorsPieter AquiliaEUROPE17. Alice Guy-Blache, True Pioneer 272Tania Field18. A Century of Madchen: Femmes 280and Frauen in Fascist, New Wave, andContemporary European CinemaHeidi Honeycutt19. Hidden Histories on Film: 309Female Directors from South Eastern EuropeDina Iordanova20. Iron and Reel: Russian Women Directors 316Through the Soviet Era and BeyondKarlanna Lewis21. Where's Britannia? 329Melody BridgesMIDDLE EAST22. Coming Forth (Day) by Day: Arab Female 349Filmmakers Making StridesRonan Doyle23. In Their Own Words: Interviews with 355Contemporary Women Directors from theMiddle EastElhum Shakerifar24. Voices of Israeli Women Filmmakers 366Amy KronishSUMMARY 380Gabrielle Kelly