Tatau

SEAN MALLON is of Samoan and Irish descent and is Senior Curator Pacific Cultures at the Museum of New Zealand Te Papa Tongarewa. He is the author of Samoan Art and Artists (2002) and co-edited Pacific Art Niu Sila: The Pacific dimension of contemporary New Zealand arts (2002) Tatau: Samoan tattoo, New Zealand art, global culture (2010) and Tangata o le Moana: the story of New Zealand and the people of the Pacific (2012). His exhibitions include Paperskin: the art of tapa cloth (with Maud Page) (2009); Tangata o le Moana (2007), Voyagers: discovering the Pacific and Tatau/Tattoo (2002). He has been a council member of The Polynesian Society since 2008.SEBASTIEN GALLIOTT studied ethnology at the University of Provence and EHESS (Paris), France's foremost research school in social sciences. His research focuses on Samoan traditional tattooing and the contemporary practice of this ritual. Since 2001, he has made several visits to Samoa, Tonga and Fiji in order to do field research. His articles include "Samoan tattoos leave indelible global imprint", Voices: Unesco in Asia and the Pacific, 27 July- September 2011, pp. 10-11. Sebastien is also a self-taught photographer and filmmaker. During a one-year residence in Samoa in 2005, he took hundreds of pictures and hours of film and exhibited a selection of those photographs in France (Marseille, Correns). He has given guest lectures on tattooing at Te Papa and at conferences in Samoa and Europe.

'It is a visual feast, celebrating the tactile pleasure of a book in the hand, and should be acknowledged as a milestone in contemporary publishing ... a book that will expand and enrich the knowledge of readers throughout Aotearoa, the Pacific and beyond' - Ockham New Zealand Book Awards; 'Lavishly illustrated and beautifully produced, it's no surprise this stunning book has been shortlisted for the Illustrated Non-Fiction Award in the 2019 Ockham Book Awards. Tracing the singular history of Samoan tattooing practices during the last 3000 years, this book is the first comprehensive study that looks at the cultural and practical history of Samoan tattooing.' - New Zealand Herald; 'Exhaustively researched, and enriched with interviews and striking documentary photography, it is a fitting tribute to a vital 3000-year-old tradition.' - New Zealand Geographic; 'An extraordinary, scholarly and richly illustrated word that traces Samoan tattooing from its pre-European beginnings and ponders the contemporary state of the ancient art.' - NZ Listener, selected for Best Books of the Year list, November 2018; '... this history takes a more-is-more approach, with a staggering amount of information, both visual and verbal ... Everything is meticulously and tastefully managed right down to the intricately conceived and designed dust jacket.' - North & South.

• Foreword: Sean Mallon 10 Foreword: Sébastien Galliot 12 Introduction 14CHAPTER 1: Tatau: Ancient Traces 19CHAPTER 2:Tatau: European encounters and observations, 1722–1900 33Greg Semu portfolio 177CHAPTER 3:Tatau: Persistence and change,1900–2000 97Greg Semu portfolio 177CHAPTER 4: Tatau as a ritual institution, 2000–2010 178John Agcaoili portfolio 225CHAPTER 5:Tatau and its globalisation, 2000–2017 241Postscript 298Acknowledgements 302Glossary 304Bibliography 308Image credits 319About the contributors 320Index 322