Timothy M. Foster holds a PhD in Spanish from Vanderbilt University and specializes in early modern Spanish literature. He has published on metafiction, Spanish influence in the Southwest and Great Plains, and the Camino de Santiago pilgrimage. He teaches Spanish in Oskaloosa, Iowa.

• 1. Songs in the Key of Spain: Vihuela and the Ideology of Musical Humanism 2. Cervantes Off-Key: Irony and Imperialism in the Novelas ejemplares 3. Pre-Columbian Providentialism: Musical Origins in Andean Imagination 4. The King’s Polyphony and the Composing of the Americas 5. Four-Part Harmony for the Four-Part Empire: Calderón’s Musical Metaphors at the Court of Philip IV 6. Immaculate Composition: Religion, Race, and Propaganda

Timothy M. Foster holds a PhD in Spanish from Vanderbilt University and specializes in early modern Spanish literature. He has published on metafiction, Spanish influence in the Southwest and Great Plains, and the Camino de Santiago pilgrimage. He teaches Spanish in Oskaloosa, Iowa.

• 1. Songs in the Key of Spain: Vihuela and the Ideology of Musical Humanism 2. Cervantes Off-Key: Irony and Imperialism in the Novelas ejemplares 3. Pre-Columbian Providentialism: Musical Origins in Andean Imagination 4. The King’s Polyphony and the Composing of the Americas 5. Four-Part Harmony for the Four-Part Empire: Calderón’s Musical Metaphors at the Court of Philip IV 6. Immaculate Composition: Religion, Race, and Propaganda

Timothy M. Foster holds a PhD in Spanish from Vanderbilt University and specializes in early modern Spanish literature. He has published on metafiction, Spanish influence in the Southwest and Great Plains, and the Camino de Santiago pilgrimage. He teaches Spanish in Oskaloosa, Iowa.

• 1. Songs in the Key of Spain: Vihuela and the Ideology of Musical Humanism 2. Cervantes Off-Key: Irony and Imperialism in the Novelas ejemplares 3. Pre-Columbian Providentialism: Musical Origins in Andean Imagination 4. The King’s Polyphony and the Composing of the Americas 5. Four-Part Harmony for the Four-Part Empire: Calderón’s Musical Metaphors at the Court of Philip IV 6. Immaculate Composition: Religion, Race, and Propaganda