Architecture in the Indian Subcontinent

Christopher Tadgell studied art history at the Courtauld Institute in London and in 1974 was awarded his PhD for a thesis on the Neoclassical architectural theorist, Ange-Jacques Gabriel. He subsequently taught in London and at the Kent Institute of Art and Design in Canterbury, with interludes as F.L. Morgan Professor of Architectural Design at the University of Louisville and as a Member of the Institute for Advanced Study at Princeton.Now extensively revised and updated, his History of Architecture in India (London 1989) has been the definitive one-volume account of the architecture of the subcontinent for more than thirty years, while many publications on French architecture include most recently The Louvre and Versailles: The Evolution of the Proto-Typical Palace in the Age of Absolutism (Abingdon 2020) and the standard account in Baroque and Rococo Architecture and Decoration (ed. Blunt, London 1978). His seven-volume series Architecture in Context is an unmatched survey of the seminal architectural traditions from the earliest times to the end of the 20th century. He has contributed many articles on Indian and French architecture to The Grove Dictionary of Art and other major reference books, including the 2019 revision of Sir Banister Fletcher’s Global History of Architecture.

"Tadgell’s latest book is a valuable resource for both novices and scholars interested in ancient Indian architecture. His thorough research, clear narrative, and rich visual aids make this book a significant contribution to the field. The book’s ability to tie together religious practices, political influences, and architectural styles throughout India’s history is commendable."Oriana Fernandez, Building Design"Christopher Tadgell’s Architecture in the Indian Subcontinent: From the Mauryas to the Mughals offers a rare and ambitious survey of Indian architecture spanning five millennia, across distinctive and over-lapping regions, dynasties, and cultural affiliations."Heeryoon Shin, Journal of the Society of Architectural Historians

• PROLOGUE: EARLY INDIA PART 1: 4TH CENTURY BCE-4TH CENTURY CE INTRODUCTION: FIRST EMPIRES 1.1 STUPA AND MONASTERY IN THE EARLY IMPERIAL ERA 1.1.1 ASHOKAN FOUNDATIONS 1.2 THE TRANSFORMATION OF BUDDHISM 1.2.1 MANIFESTAT ION OF TRANSFORMATION: ART AND ARCHITECTURE 1.3 THE ADVENT OF HINDUISM AND THE ESOTERIC 1.3.1 THEOLOGY AND THE INVENTION OF THE TEMPLE 1.3.2 UNITY IN VARIETY OF SYMBOLIC FORM PART 2: 4TH-13TH CENTURY CE BUDDHISM ECLIPSED; HINDUS ASCENDANT 2.1 THE EARLY TEMPLE: EXCAVATION AND BUILDING 2.2 DECCANI ECLECTICISM AND THE DRAVIDIAN MERU 2.2.1 EARLY CHALUKYAN DERIVATIONS 2.2.2 EARLY PALLAVAN REPRESENTATION 2.2.3 RETURN TO ELLORA FOR THE APOGEE OF ECUMENICAL EXCAVATION 2.2.4 THE CHOLAS AND THEIR NEIGHBOURS 2.3 ASCENT TO NAGARA MERUS: LATINA, SHEKHARI AND BHUMIJA 2.3.1 PRATIHARA FOUNDATIONS 2.3.2 SHEKHARI PROLIFERATION 2.3.3 APOTHEOSIS OF LATINAIN OR ISSA 2.3.4 THE BHUMIJA OF THE PARAMARAS AND THEIR NEIGHBOURS 2.4 VE SARA: SYNTHESES AND ABSTRACTION IN KARNATIKA 2.4.1 LATER CHALUKYAN CROSS-FERTILISATION 2.4.2 HOYSALA SYNTHESIS PART 3: 13TH-18TH CENTURY ISLAM ASCENDANT : HINDUS AND JAINS DEFENSIVE 3.1 ISLAM IN INDIA AND THE PATTERN OF MUSLIM PATRONAGE 3.2 AFGHANS , TURKS AND THEIR DELHI SULTANATE 3.3 REGIONAL GRAVITY 3.3.1 RIVALS TO THE SULTANATE IN THE SOUTH 3.3.2 SUCCESSORS TO THE SULTANATE IN THE NORTH 3.4 THE MUGHALS : ADVENT 3.5 RETURN TO THE DECCAN: QUTBSHAHIS AND ADILSHAHIS 3.6 THE MUGHALS : APOGEE EPILOGUE: HINDUSTANI SYNCRETISM