Pamela Bianchi is a lecturer in art history and exhibition design at the École Nationale Supérieure d’Architecture de Paris-Belleville (Paris), specialising in the relationship between art and architecture.

• PART 1. Introduction1. Reason for a ResearchPamela BianchiPART 2. Public Spaces2. Trading Spaces: the display practices of an early modern auction in EdinburghAntonia Laurence-Allen3. The Discourse of the SalonIsabelle Piquet4. Royal Spectacles & Social Networks: Early 18th-Century Salon Exhibition PracticesMandy Paige-LovingoodPART 3. Domestic Spaces5. Exhibition Design, Display Strategies, and Aesthetic Promenades to the Court of GonzagaPamela Bianchi6. ‘A Treasure of Riches and Curiosities’ Politics of Display at the Garde-meuble de la Couronne, 1680-1789Barbara Lasic7. The Display of Metalwork in North European Domestic Spaces in the Fifteenth and Sixteenth CenturiesHila ManorPART 4. Religious and Political Spaces8. Displaying Art in a Sacred Space: The Artworks for the Triunfo of St. Ferdinand in Seville Cathedral (1671)Carmen González-Román9. The Ephemeral Façade of Cardinal de Solis’s Palace: Aesthetics and Politics in 18th Century RomeGinevra Odone

Pamela Bianchi is a lecturer in art history and exhibition design at the École Nationale Supérieure d’Architecture de Paris-Belleville (Paris), specialising in the relationship between art and architecture.

• PART 1. Introduction1. Reason for a ResearchPamela BianchiPART 2. Public Spaces2. Trading Spaces: the display practices of an early modern auction in EdinburghAntonia Laurence-Allen3. The Discourse of the SalonIsabelle Piquet4. Royal Spectacles & Social Networks: Early 18th-Century Salon Exhibition PracticesMandy Paige-LovingoodPART 3. Domestic Spaces5. Exhibition Design, Display Strategies, and Aesthetic Promenades to the Court of GonzagaPamela Bianchi6. ‘A Treasure of Riches and Curiosities’ Politics of Display at the Garde-meuble de la Couronne, 1680-1789Barbara Lasic7. The Display of Metalwork in North European Domestic Spaces in the Fifteenth and Sixteenth CenturiesHila ManorPART 4. Religious and Political Spaces8. Displaying Art in a Sacred Space: The Artworks for the Triunfo of St. Ferdinand in Seville Cathedral (1671)Carmen González-Román9. The Ephemeral Façade of Cardinal de Solis’s Palace: Aesthetics and Politics in 18th Century RomeGinevra Odone

Pamela Bianchi is a lecturer in art history and exhibition design at the École Nationale Supérieure d’Architecture de Paris-Belleville (Paris), specialising in the relationship between art and architecture.

• PART 1. Introduction1. Reason for a ResearchPamela BianchiPART 2. Public Spaces2. Trading Spaces: the display practices of an early modern auction in EdinburghAntonia Laurence-Allen3. The Discourse of the SalonIsabelle Piquet4. Royal Spectacles & Social Networks: Early 18th-Century Salon Exhibition PracticesMandy Paige-LovingoodPART 3. Domestic Spaces5. Exhibition Design, Display Strategies, and Aesthetic Promenades to the Court of GonzagaPamela Bianchi6. ‘A Treasure of Riches and Curiosities’ Politics of Display at the Garde-meuble de la Couronne, 1680-1789Barbara Lasic7. The Display of Metalwork in North European Domestic Spaces in the Fifteenth and Sixteenth CenturiesHila ManorPART 4. Religious and Political Spaces8. Displaying Art in a Sacred Space: The Artworks for the Triunfo of St. Ferdinand in Seville Cathedral (1671)Carmen González-Román9. The Ephemeral Façade of Cardinal de Solis’s Palace: Aesthetics and Politics in 18th Century RomeGinevra Odone