Contagion, Hygiene, and the European Avant-Garde

David Hopkins is an Emeritus Professor and Professional Research Fellow in Art History at the University of Glasgow.Disa Persson is a doctoral researcher in Art History at the University of Glasgow.

"A sparkling collection of essays which adds reflections on the motifs and rhetorics of contagion to the concept and history of the European artistic avant-gardes. As such it’s a valuable contribution to the deepening of our understanding of these formations."David Cottington, Kingston University, London"This is a welcome and all too timely volume, taking up the significance of the avant-garde’s ‘rhetorics of contagion,’ the idea of ‘art-as-infection,’ and relays between visuality and virality in the long histories of hygienic discourses and practices."Allison Morehead, Queen’s University, Canada

• Table of contentsIntroduction 1. Contexts: Modernity, Hygiene, and Contagion Part I Hygiene and Materialities of the Modern Metropolis 2. Degas and the Matter of Contagion: dirt, skin, touch and the cosmetic arts 3. ‘I sometimes think that the price of liberty is not so much eternal vigilance as eternal dirt’: George Orwell, Grubbiness, and Hygiene Part II The Avant-Garde and Illness 4. Exposing ‘The Venereal Peril’: Fournier’s Syphilography, Munch’s Heredo-syphilitic, La Syphilis Arabe and Picasso’s Prostitutes 5. Marcel Duchamp’s Paris Air: The ‘Spanish Flu’, Black Humour and Dada Contagion 6. Spittle, Dust and Flies: Documents and Tuberculosis in the Visual Culture of Interwar France Part III Contagion as Metaphor 7. Wage Labour as Contagion: Surrealist Sewing Machines and Liberatory Eroticism 8. Avant-Garde Hygiene and Contagion: Artaud’s Ecology in the Chemical Century