Chris Anderton is Associate Professor in Cultural Economy at Southampton Solent University, Southampton, U.K. He has written/edited five books and published numerous chapters and journal articles on music business, music festivals, music fandom, music genre, media narratives of music, and progressive rock. He guest-edited a special edition of Rock Music Studies that focused on progressive rock (2019), and is currently co-editing The Intellect Handbook of Global Music Industries. He is also the editor of The Anthem Impact in Music Business, Technology and Culture book series.Lori Burns is Professor of Music at the University of Ottawa, Canada. Her interdisciplinary research, funded by the Social Sciences and Humanities Research Council of Canada, merges musical analysis and cultural theory to explore representations of gender and sexuality in the lyrical, musical, and visual texts of popular music. She has published articles in edited collections and leading journals. Her 2002 monograph, Disruptive Divas: Feminism, Identity, and Popular Music, won the Pauline Alderman Award in 2005. She is co-editor of The Pop Palimpsest with Serge Lacasse (2018), The Bloomsbury Handbook to Popular Music Video Analysis with Stan Hawkins (2019), and Analyzing Recorded Music with William Moylan and Mike Alleyne (2022). Two additional edited collections are forthcoming: The Routledge Handbook of Metal Music Composition with Ciro Scotto and The Routledge Handbook to the Popular Music Cover Song with Mike Alleyne.

This expansive and ambitious volume avoids the allusions and gaps often found in prior scholarship that spans the humanities and social sciences. Rather than vaguely allude to overlaps between progressive rock and metal, this volume’s contributors systematically investigate the notable overlaps that emerge as musicians (and fans) of both genres draw upon literature in deliberate and varied fashion. Thus, the contributors delve into the literary source materials used by prog and metal musicians; they interrogate the manner in which those sources are adapted; and they take seriously the reception and resonance of the elements that result from this interplay between music and literature. The contributors also fill a notable gap. They not only focus on the usual bands (e.g., Yes, Tool), nations (e.g., the UK and US), and literary sources (e.g., Tolkien, science fiction) found in progressive rock and metal, they also present in expert fashion the geographical sprawl (e.g., from bands and audiences in South America to those in Asia) and literary diversity (e.g., from Aristotle to anime) that mark both musical genres. This expansive volume offers much-needed correctives and illuminating advances, and hence, it will serve as an important resource for scholars in multiple disciplines.Timothy J. DowdEmory University, USAThis an outstanding collection of chapters that explore the intersections between progressive rock, metal and the literary imagination. Each contribution here is a must-read and the editors have done an incredible job framing theHandbook.Karl Spracklen, PhD, AcSSLeeds Beckett University, UKChris Anderton and Lori Burns have compiled an immense collection of chapters that are wide-ranging and far-reaching in their historical, geographical and disciplinary diversity. Exploring the myriad ways in which aspects of songs, albums, album art and live performances intersect with storytelling and storyworlds, Progressive Rock, Metal and the Literary Imagination offers scholars, listeners and fans a fresh perspective on these two titanic genres.Nick Braae Waikato Institute of Technology, New ZealandThere are many book-length studies of progressive rock and metal, but none have tackled directly how prog and metal musicians engage with storytelling and literary themes—an indispensable defining characteristic of both genres. For The Routledge Handbook on Progressive Rock, Metal, and the Literary Imagination, Chris Anderton and Lori Burns have assembled an impressive array of contributions from among the leading scholars in the field, providing a wealth of analytical frameworks and perspectives that shed new light on this rich and fascinating repertoire.Mark SpicerCity University of New York, USA

• List of Contributors List of Figures List of Tables AcknowledgmentsIntroduction: Reflections on The Literary Imagination in Progressive Rock and Metal Chris Anderton and Lori Burns Part I. Theoretical Frameworks 1. More Erudite than Your Average Rock Band: Progressive Rock and Literature Andy Bennett 2. Cross-pollinations: Progressive Rock and Science Fiction Chris Anderton 3. So Hard to Find in My Cosmic Mind: Hippie Spirituality and Jon Anderson’s Lyrics John Covach 4. “Everything in the lower world has its root in higher worlds”: Rock and Religion in Jon Anderson’s Chagall Songs Jonathan C. Friedman 5. Poets and Prophets: The Lyricists of Early Progressive Rock from Self-Creation to Parody Leonardo Masi 6. The Origin of Progressive Metal Lyrics in Black Sabbath’s Music Nolan Stolz 7. The Dystopian Impulse in Prog: Cross-cutting Thread/ts in Dystopian Concept Albums Marcel Bouvrie Part II. Literary Adaptations 8. Time Travel Through Tolkien Sarah Hill and Jon Gower 9. Into the Storm – Blind Guardian’s Nightfall in Middle Earth and the Tolkien Reception in German Metal music Martin Ringsmut 10. Storytelling Strategies in Camel’s Music Inspired by The Snow Goose Ryan Blakeley 11. Musical Evocations of the Uncanny in David Bedford’s The Rime of the Ancient Mariner Kevin Holm-Hudson 12. Royal Hunt’s Adaptation of Ray Bradbury’s Fahrenheit 451 and the Interplay Between Narrativity and Western Art Music Aleksandar Golovin 13. Neo-progressive Rock and Children’s Literature: Stories of Innocence and Experience in Marillion’s Misplaced Childhood and Pendragon’s The Masquerade Overture Marion Brachet 14. Kamelot’s Adaptation of Goethe’s Faust: Tragic Subjectivities in Power Metal Lori Burns Part III. Mythologies and Folklores 15. Singing Minstrels, Recorders, and The Carnivalesque: Gentle Giant’s Medievalist Imagination Richard Worth 16. “We are The Varangian Guard”: Musical Rhetoric and Literary Reference in Turisas’s Varangian Way Albums Milan K. Schaller 17. “Enuma Elish is Re-written”: A Quantitative Survey of Mesopotamian Mythology’s Reception in Metal Lyrics János Fejes 18. Keeper of the Seven Keys: Fantastical Themes of Ironic Ambivalence at the Birth of Power Metal Grigorios Mathioudakis 19. “Legend Never Dies”: Mythology and Canon of Literature in Symphony X’s Underworld Andrzej Mądro 20. Recovery, Escape, and Consolation: Uriah Heep’s The Magician’s Birthday as Fairy-Story Joshua B. Tuttle 21. “A Maze with Very Minimal Guiding Light, Thematically Slithering Between Worlds”: Black Metal, Progressive Rock, and Ambivalent Constellations of Imagination in Remmirath’s Shambhala Vril Saucers Owen Coggins Part IV. Storyworlds 22. Narrative Worldmaking as Social Commentary in Pink Floyd’s Animals Alexander C. Harden 23. Invisible Nonsense: Zero the Hero’s Journey in Gong’s Radio Gnome Invisible Trilogy Jay Keister 24. The Edge of this Airfield: Ballardian Liminal Spaces in the Music of Trevor Horn Jacob Holm-Lupo 25. Finding Progressive Rock in JoJo’s Bizarre Adventure Ivan Tan 26. Dream Theater’s The Astonishing: The Unification of the Literary and the Musical Ciro Scotto 27. Storytelling, Narrative, and Coherence in Avatar’s Feathers and Flesh – In His Own Words (2017) Elise Girard-Despraulex 28. The Hauntology of Story, Gameplay, Images, and Music: Hajo Müller, Steven Wilson, Jess Cope, and Ovosonico’s Last Day of June Patrick Armstrong and Lori Burns Part V. Subjectivities and Identities 29. The New Jerusalem: Genesis and Englishness David Pattie 30. Us & Them: Dystopias, Resistance, and Literary Influences in Roger Waters’ Work (1968–2019) Philippe Gonin 31. Las Alturas de Machu Picchu: Los Jaivas, Progressive Rock, and the Unmooring of Latin American Identity Israel Holas Allimant and Sergio Holas Véliz 32. “La Libre Creación”: Exploring Narrativity in the Progressive Rock of Northwest Spain during the Spanish Transition to Democracy Eduardo Garcia Salueña 33. Resonating Authenticities: Chinese Progressive Rock Lyrics as Socio-Political Critique and Cultural Expression Mengyao Jiang 34. Ambiguity, Identity, and Memory in Japanese Progressive Rock Akitsugu Kawamoto 35. The Tool Album as Gesamtkunstwerk Nicole Biamonte and Jerry Cain Index

Chris Anderton is Associate Professor in Cultural Economy at Southampton Solent University, Southampton, U.K. He has written/edited five books and published numerous chapters and journal articles on music business, music festivals, music fandom, music genre, media narratives of music, and progressive rock. He guest-edited a special edition of Rock Music Studies that focused on progressive rock (2019), and is currently co-editing The Intellect Handbook of Global Music Industries. He is also the editor of The Anthem Impact in Music Business, Technology and Culture book series.Lori Burns is Professor of Music at the University of Ottawa, Canada. Her interdisciplinary research, funded by the Social Sciences and Humanities Research Council of Canada, merges musical analysis and cultural theory to explore representations of gender and sexuality in the lyrical, musical, and visual texts of popular music. She has published articles in edited collections and leading journals. Her 2002 monograph, Disruptive Divas: Feminism, Identity, and Popular Music, won the Pauline Alderman Award in 2005. She is co-editor of The Pop Palimpsest with Serge Lacasse (2018), The Bloomsbury Handbook to Popular Music Video Analysis with Stan Hawkins (2019), and Analyzing Recorded Music with William Moylan and Mike Alleyne (2022). Two additional edited collections are forthcoming: The Routledge Handbook of Metal Music Composition with Ciro Scotto and The Routledge Handbook to the Popular Music Cover Song with Mike Alleyne.

This expansive and ambitious volume avoids the allusions and gaps often found in prior scholarship that spans the humanities and social sciences. Rather than vaguely allude to overlaps between progressive rock and metal, this volume’s contributors systematically investigate the notable overlaps that emerge as musicians (and fans) of both genres draw upon literature in deliberate and varied fashion. Thus, the contributors delve into the literary source materials used by prog and metal musicians; they interrogate the manner in which those sources are adapted; and they take seriously the reception and resonance of the elements that result from this interplay between music and literature. The contributors also fill a notable gap. They not only focus on the usual bands (e.g., Yes, Tool), nations (e.g., the UK and US), and literary sources (e.g., Tolkien, science fiction) found in progressive rock and metal, they also present in expert fashion the geographical sprawl (e.g., from bands and audiences in South America to those in Asia) and literary diversity (e.g., from Aristotle to anime) that mark both musical genres. This expansive volume offers much-needed correctives and illuminating advances, and hence, it will serve as an important resource for scholars in multiple disciplines.Timothy J. DowdEmory University, USAThis an outstanding collection of chapters that explore the intersections between progressive rock, metal and the literary imagination. Each contribution here is a must-read and the editors have done an incredible job framing theHandbook.Karl Spracklen, PhD, AcSSLeeds Beckett University, UKChris Anderton and Lori Burns have compiled an immense collection of chapters that are wide-ranging and far-reaching in their historical, geographical and disciplinary diversity. Exploring the myriad ways in which aspects of songs, albums, album art and live performances intersect with storytelling and storyworlds, Progressive Rock, Metal and the Literary Imagination offers scholars, listeners and fans a fresh perspective on these two titanic genres.Nick Braae Waikato Institute of Technology, New ZealandThere are many book-length studies of progressive rock and metal, but none have tackled directly how prog and metal musicians engage with storytelling and literary themes—an indispensable defining characteristic of both genres. For The Routledge Handbook on Progressive Rock, Metal, and the Literary Imagination, Chris Anderton and Lori Burns have assembled an impressive array of contributions from among the leading scholars in the field, providing a wealth of analytical frameworks and perspectives that shed new light on this rich and fascinating repertoire.Mark SpicerCity University of New York, USA

• List of Contributors List of Figures List of Tables AcknowledgmentsIntroduction: Reflections on The Literary Imagination in Progressive Rock and Metal Chris Anderton and Lori Burns Part I. Theoretical Frameworks 1. More Erudite than Your Average Rock Band: Progressive Rock and Literature Andy Bennett 2. Cross-pollinations: Progressive Rock and Science Fiction Chris Anderton 3. So Hard to Find in My Cosmic Mind: Hippie Spirituality and Jon Anderson’s Lyrics John Covach 4. “Everything in the lower world has its root in higher worlds”: Rock and Religion in Jon Anderson’s Chagall Songs Jonathan C. Friedman 5. Poets and Prophets: The Lyricists of Early Progressive Rock from Self-Creation to Parody Leonardo Masi 6. The Origin of Progressive Metal Lyrics in Black Sabbath’s Music Nolan Stolz 7. The Dystopian Impulse in Prog: Cross-cutting Thread/ts in Dystopian Concept Albums Marcel Bouvrie Part II. Literary Adaptations 8. Time Travel Through Tolkien Sarah Hill and Jon Gower 9. Into the Storm – Blind Guardian’s Nightfall in Middle Earth and the Tolkien Reception in German Metal music Martin Ringsmut 10. Storytelling Strategies in Camel’s Music Inspired by The Snow Goose Ryan Blakeley 11. Musical Evocations of the Uncanny in David Bedford’s The Rime of the Ancient Mariner Kevin Holm-Hudson 12. Royal Hunt’s Adaptation of Ray Bradbury’s Fahrenheit 451 and the Interplay Between Narrativity and Western Art Music Aleksandar Golovin 13. Neo-progressive Rock and Children’s Literature: Stories of Innocence and Experience in Marillion’s Misplaced Childhood and Pendragon’s The Masquerade Overture Marion Brachet 14. Kamelot’s Adaptation of Goethe’s Faust: Tragic Subjectivities in Power Metal Lori Burns Part III. Mythologies and Folklores 15. Singing Minstrels, Recorders, and The Carnivalesque: Gentle Giant’s Medievalist Imagination Richard Worth 16. “We are The Varangian Guard”: Musical Rhetoric and Literary Reference in Turisas’s Varangian Way Albums Milan K. Schaller 17. “Enuma Elish is Re-written”: A Quantitative Survey of Mesopotamian Mythology’s Reception in Metal Lyrics János Fejes 18. Keeper of the Seven Keys: Fantastical Themes of Ironic Ambivalence at the Birth of Power Metal Grigorios Mathioudakis 19. “Legend Never Dies”: Mythology and Canon of Literature in Symphony X’s Underworld Andrzej Mądro 20. Recovery, Escape, and Consolation: Uriah Heep’s The Magician’s Birthday as Fairy-Story Joshua B. Tuttle 21. “A Maze with Very Minimal Guiding Light, Thematically Slithering Between Worlds”: Black Metal, Progressive Rock, and Ambivalent Constellations of Imagination in Remmirath’s Shambhala Vril Saucers Owen Coggins Part IV. Storyworlds 22. Narrative Worldmaking as Social Commentary in Pink Floyd’s Animals Alexander C. Harden 23. Invisible Nonsense: Zero the Hero’s Journey in Gong’s Radio Gnome Invisible Trilogy Jay Keister 24. The Edge of this Airfield: Ballardian Liminal Spaces in the Music of Trevor Horn Jacob Holm-Lupo 25. Finding Progressive Rock in JoJo’s Bizarre Adventure Ivan Tan 26. Dream Theater’s The Astonishing: The Unification of the Literary and the Musical Ciro Scotto 27. Storytelling, Narrative, and Coherence in Avatar’s Feathers and Flesh – In His Own Words (2017) Elise Girard-Despraulex 28. The Hauntology of Story, Gameplay, Images, and Music: Hajo Müller, Steven Wilson, Jess Cope, and Ovosonico’s Last Day of June Patrick Armstrong and Lori Burns Part V. Subjectivities and Identities 29. The New Jerusalem: Genesis and Englishness David Pattie 30. Us & Them: Dystopias, Resistance, and Literary Influences in Roger Waters’ Work (1968–2019) Philippe Gonin 31. Las Alturas de Machu Picchu: Los Jaivas, Progressive Rock, and the Unmooring of Latin American Identity Israel Holas Allimant and Sergio Holas Véliz 32. “La Libre Creación”: Exploring Narrativity in the Progressive Rock of Northwest Spain during the Spanish Transition to Democracy Eduardo Garcia Salueña 33. Resonating Authenticities: Chinese Progressive Rock Lyrics as Socio-Political Critique and Cultural Expression Mengyao Jiang 34. Ambiguity, Identity, and Memory in Japanese Progressive Rock Akitsugu Kawamoto 35. The Tool Album as Gesamtkunstwerk Nicole Biamonte and Jerry Cain Index

Chris Anderton is Associate Professor in Cultural Economy at Southampton Solent University, Southampton, U.K. He has written/edited five books and published numerous chapters and journal articles on music business, music festivals, music fandom, music genre, media narratives of music, and progressive rock. He guest-edited a special edition of Rock Music Studies that focused on progressive rock (2019), and is currently co-editing The Intellect Handbook of Global Music Industries. He is also the editor of The Anthem Impact in Music Business, Technology and Culture book series.Lori Burns is Professor of Music at the University of Ottawa, Canada. Her interdisciplinary research, funded by the Social Sciences and Humanities Research Council of Canada, merges musical analysis and cultural theory to explore representations of gender and sexuality in the lyrical, musical, and visual texts of popular music. She has published articles in edited collections and leading journals. Her 2002 monograph, Disruptive Divas: Feminism, Identity, and Popular Music, won the Pauline Alderman Award in 2005. She is co-editor of The Pop Palimpsest with Serge Lacasse (2018), The Bloomsbury Handbook to Popular Music Video Analysis with Stan Hawkins (2019), and Analyzing Recorded Music with William Moylan and Mike Alleyne (2022). Two additional edited collections are forthcoming: The Routledge Handbook of Metal Music Composition with Ciro Scotto and The Routledge Handbook to the Popular Music Cover Song with Mike Alleyne.

This expansive and ambitious volume avoids the allusions and gaps often found in prior scholarship that spans the humanities and social sciences. Rather than vaguely allude to overlaps between progressive rock and metal, this volume’s contributors systematically investigate the notable overlaps that emerge as musicians (and fans) of both genres draw upon literature in deliberate and varied fashion. Thus, the contributors delve into the literary source materials used by prog and metal musicians; they interrogate the manner in which those sources are adapted; and they take seriously the reception and resonance of the elements that result from this interplay between music and literature. The contributors also fill a notable gap. They not only focus on the usual bands (e.g., Yes, Tool), nations (e.g., the UK and US), and literary sources (e.g., Tolkien, science fiction) found in progressive rock and metal, they also present in expert fashion the geographical sprawl (e.g., from bands and audiences in South America to those in Asia) and literary diversity (e.g., from Aristotle to anime) that mark both musical genres. This expansive volume offers much-needed correctives and illuminating advances, and hence, it will serve as an important resource for scholars in multiple disciplines.Timothy J. DowdEmory University, USAThis an outstanding collection of chapters that explore the intersections between progressive rock, metal and the literary imagination. Each contribution here is a must-read and the editors have done an incredible job framing theHandbook.Karl Spracklen, PhD, AcSSLeeds Beckett University, UKChris Anderton and Lori Burns have compiled an immense collection of chapters that are wide-ranging and far-reaching in their historical, geographical and disciplinary diversity. Exploring the myriad ways in which aspects of songs, albums, album art and live performances intersect with storytelling and storyworlds, Progressive Rock, Metal and the Literary Imagination offers scholars, listeners and fans a fresh perspective on these two titanic genres.Nick Braae Waikato Institute of Technology, New ZealandThere are many book-length studies of progressive rock and metal, but none have tackled directly how prog and metal musicians engage with storytelling and literary themes—an indispensable defining characteristic of both genres. For The Routledge Handbook on Progressive Rock, Metal, and the Literary Imagination, Chris Anderton and Lori Burns have assembled an impressive array of contributions from among the leading scholars in the field, providing a wealth of analytical frameworks and perspectives that shed new light on this rich and fascinating repertoire.Mark SpicerCity University of New York, USA

• List of Contributors List of Figures List of Tables AcknowledgmentsIntroduction: Reflections on The Literary Imagination in Progressive Rock and Metal Chris Anderton and Lori Burns Part I. Theoretical Frameworks 1. More Erudite than Your Average Rock Band: Progressive Rock and Literature Andy Bennett 2. Cross-pollinations: Progressive Rock and Science Fiction Chris Anderton 3. So Hard to Find in My Cosmic Mind: Hippie Spirituality and Jon Anderson’s Lyrics John Covach 4. “Everything in the lower world has its root in higher worlds”: Rock and Religion in Jon Anderson’s Chagall Songs Jonathan C. Friedman 5. Poets and Prophets: The Lyricists of Early Progressive Rock from Self-Creation to Parody Leonardo Masi 6. The Origin of Progressive Metal Lyrics in Black Sabbath’s Music Nolan Stolz 7. The Dystopian Impulse in Prog: Cross-cutting Thread/ts in Dystopian Concept Albums Marcel Bouvrie Part II. Literary Adaptations 8. Time Travel Through Tolkien Sarah Hill and Jon Gower 9. Into the Storm – Blind Guardian’s Nightfall in Middle Earth and the Tolkien Reception in German Metal music Martin Ringsmut 10. Storytelling Strategies in Camel’s Music Inspired by The Snow Goose Ryan Blakeley 11. Musical Evocations of the Uncanny in David Bedford’s The Rime of the Ancient Mariner Kevin Holm-Hudson 12. Royal Hunt’s Adaptation of Ray Bradbury’s Fahrenheit 451 and the Interplay Between Narrativity and Western Art Music Aleksandar Golovin 13. Neo-progressive Rock and Children’s Literature: Stories of Innocence and Experience in Marillion’s Misplaced Childhood and Pendragon’s The Masquerade Overture Marion Brachet 14. Kamelot’s Adaptation of Goethe’s Faust: Tragic Subjectivities in Power Metal Lori Burns Part III. Mythologies and Folklores 15. Singing Minstrels, Recorders, and The Carnivalesque: Gentle Giant’s Medievalist Imagination Richard Worth 16. “We are The Varangian Guard”: Musical Rhetoric and Literary Reference in Turisas’s Varangian Way Albums Milan K. Schaller 17. “Enuma Elish is Re-written”: A Quantitative Survey of Mesopotamian Mythology’s Reception in Metal Lyrics János Fejes 18. Keeper of the Seven Keys: Fantastical Themes of Ironic Ambivalence at the Birth of Power Metal Grigorios Mathioudakis 19. “Legend Never Dies”: Mythology and Canon of Literature in Symphony X’s Underworld Andrzej Mądro 20. Recovery, Escape, and Consolation: Uriah Heep’s The Magician’s Birthday as Fairy-Story Joshua B. Tuttle 21. “A Maze with Very Minimal Guiding Light, Thematically Slithering Between Worlds”: Black Metal, Progressive Rock, and Ambivalent Constellations of Imagination in Remmirath’s Shambhala Vril Saucers Owen Coggins Part IV. Storyworlds 22. Narrative Worldmaking as Social Commentary in Pink Floyd’s Animals Alexander C. Harden 23. Invisible Nonsense: Zero the Hero’s Journey in Gong’s Radio Gnome Invisible Trilogy Jay Keister 24. The Edge of this Airfield: Ballardian Liminal Spaces in the Music of Trevor Horn Jacob Holm-Lupo 25. Finding Progressive Rock in JoJo’s Bizarre Adventure Ivan Tan 26. Dream Theater’s The Astonishing: The Unification of the Literary and the Musical Ciro Scotto 27. Storytelling, Narrative, and Coherence in Avatar’s Feathers and Flesh – In His Own Words (2017) Elise Girard-Despraulex 28. The Hauntology of Story, Gameplay, Images, and Music: Hajo Müller, Steven Wilson, Jess Cope, and Ovosonico’s Last Day of June Patrick Armstrong and Lori Burns Part V. Subjectivities and Identities 29. The New Jerusalem: Genesis and Englishness David Pattie 30. Us & Them: Dystopias, Resistance, and Literary Influences in Roger Waters’ Work (1968–2019) Philippe Gonin 31. Las Alturas de Machu Picchu: Los Jaivas, Progressive Rock, and the Unmooring of Latin American Identity Israel Holas Allimant and Sergio Holas Véliz 32. “La Libre Creación”: Exploring Narrativity in the Progressive Rock of Northwest Spain during the Spanish Transition to Democracy Eduardo Garcia Salueña 33. Resonating Authenticities: Chinese Progressive Rock Lyrics as Socio-Political Critique and Cultural Expression Mengyao Jiang 34. Ambiguity, Identity, and Memory in Japanese Progressive Rock Akitsugu Kawamoto 35. The Tool Album as Gesamtkunstwerk Nicole Biamonte and Jerry Cain Index