Josie Schoel is a professor at the Department of English at Endicott College, specializing in early modern British literature and culture. Her work, which has appeared in SEL: Studies in English Literature: 1500‒1900 and Dynamic Matter: Transforming Renaissance Objects, explores cosmetic materiality and emerging notions of cultural difference and racial meaning.

• AcknowledgementsIntroduction: “scorched no more.”: Performing WhitenessChapter 1: “Bought, Borrowed, and Sold Complexions": Cosmetics and Anglo-Ottoman TrafficChapter 2: “Fair Figures”: The Portraits of Elizabeth IChapter 3: “Dappled Ladies”: Maculation as Racial CodingChapter 4: “Strange Shoppes of Drugges": The Apothecary and Marketing of WhitenessChapter 5: “Lyke unto a Lyvely Thing”: The White Effigial Body.Chapter 6: “A noble confection”: Ben Jonson’s Masque of Gypsies MetamorphosedEpilogueBibliographyIndex

Josie Schoel is a professor at the Department of English at Endicott College, specializing in early modern British literature and culture. Her work, which has appeared in SEL: Studies in English Literature: 1500‒1900 and Dynamic Matter: Transforming Renaissance Objects, explores cosmetic materiality and emerging notions of cultural difference and racial meaning.

• AcknowledgementsIntroduction: “scorched no more.”: Performing WhitenessChapter 1: “Bought, Borrowed, and Sold Complexions": Cosmetics and Anglo-Ottoman TrafficChapter 2: “Fair Figures”: The Portraits of Elizabeth IChapter 3: “Dappled Ladies”: Maculation as Racial CodingChapter 4: “Strange Shoppes of Drugges": The Apothecary and Marketing of WhitenessChapter 5: “Lyke unto a Lyvely Thing”: The White Effigial Body.Chapter 6: “A noble confection”: Ben Jonson’s Masque of Gypsies MetamorphosedEpilogueBibliographyIndex

Josie Schoel is a professor at the Department of English at Endicott College, specializing in early modern British literature and culture. Her work, which has appeared in SEL: Studies in English Literature: 1500‒1900 and Dynamic Matter: Transforming Renaissance Objects, explores cosmetic materiality and emerging notions of cultural difference and racial meaning.

• AcknowledgementsIntroduction: “scorched no more.”: Performing WhitenessChapter 1: “Bought, Borrowed, and Sold Complexions": Cosmetics and Anglo-Ottoman TrafficChapter 2: “Fair Figures”: The Portraits of Elizabeth IChapter 3: “Dappled Ladies”: Maculation as Racial CodingChapter 4: “Strange Shoppes of Drugges": The Apothecary and Marketing of WhitenessChapter 5: “Lyke unto a Lyvely Thing”: The White Effigial Body.Chapter 6: “A noble confection”: Ben Jonson’s Masque of Gypsies MetamorphosedEpilogueBibliographyIndex