Work of Karlheinz Stockhausen Volume 1

• Utgivningsdatum: 2026-07-31
• Mått: 156 x 234 x 22 mm
• Vikt: 620 g
• Format: Inbunden
• Språk: Engelska
• Serie: Ashgate Studies in Theory and Analysis of Music After 1900
• Antal sidor: 302
• Förlag: Taylor & Francis Ltd
• ISBN: 9781032547121

• Musikvetenskap
• Klassisk musik, konstmusik och orkestermusik
• Tonsättare och låtskrivare
• Musiker, sångare och grupper

Flo Menezes is Full Professor at the São Paulo State University (Unesp), Brazil. He studied composing at the University of São Paulo as well as the Studio fur Elektronische Musik in Cologne, Germany. He specialized at Centro di Sonologia Computazionale of Padua, Italy, completed his doctorate in Belgium in 1992 on Luciano Berio, under the supervision of Henri Pousseur, and postdoctoral fellow at the Paul Sacher Foundation. At Stockhausen’s invitation, he taught analysis at the Kürten Courses in Germany. As a composer, his works have been performed by leading ensembles and orchestras around the world and he has received many awards for composition, including the Prix Ars Electronica, Austria (1995) and Giga-Hertz-Preis of Karlsruhe/Freiburg, Germany (2007), with Pierre Boulez and Wolfgang Rihm on the jury.

‘Anyone interested in the evolution of post-World War II music, particularly in terms of musical structure and thought, will find profound insight in the detailed analysis of the music of German composer Karlheinz Stockhausen.Spanning three volumes, the analysis covers distinct phases of Stockhausen's work, from structural serialism, intuitive music, and moment-form, to his later development of formula-composition, culminating in the monumental work Licht, Stockhausen’s seven-day opera cycle. Flo Menezes, who personally knew several key composers of the second half of the 20th century, including Luciano Berio, Henry Pousseur, and Pierre Boulez, taught analysis classes at the Stockhausen Summer School in Kürten, Germany. Menezes even surprised Stockhausen by revealing structural insights in Studie 2 that the composer himself had not been aware of.Although Menezes’ writings primarily focus on Stockhausen's work, readers will find it to be a profound treatise on composition in the second half of the twentieth century.’Hans Tutschku, Fanny P. Mason Professor of Music, Harvard University

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