Roberto Barbanti is Emeritus Professor in the Department of Visual Arts at Université Paris 8 and a member of the Arts des images et art contemporain research unit. He co-founded and co-edited the journal Sonorités (2006–2017) and is an advisory board member for the publisher Eterotopia France. His research areas cover ecosophy, sound ecology, and contemporary art. His publications include: Les limites du vivant (co-edited with Lorraine Verner, 2016), Dall’immaginario all’acustinario. Prolegomeni a un’ecosofia sonora (2020), and Les sonorités du monde. De l’écologie sonore à l’écosophie sonore (2023).Isabelle Ginot is Professor of Dance Studies at Université Paris 8 and co-founder of the association Association d’individus en mouvements engagés. Her two main areas of research intersect with issues of vulnerability and difference in dance. The first addresses dance performance analysis and criticism, and focuses on artists with disabilities who perform on stage. The second analyses practices, especially practices (workshops, performances, participatory art) with "non-dancers" who have disabilities, are ageing, or are affected by social discrimination and exclusion. From 2010 to 2019, she chaired the research group Soma&Po, developing research and practices on the political and social uses of somatic practices. Currently, she runs a practice-based seminar entitled "Mouvements engagés" (Engaged moves), a peer-led workshop that shares dance practices in French care institutions. Lastly, she investigates alternative formats for academic research, involving the participation of artists, activists, and non-scholar actors.Makis Solomos was born in Greece and lives in France. He is Professor of Musicology at Université Paris 8 and Director of the research unit MUSIDANSE. He has published many books and articles about new music. His main areas of research are the focus on sound, the notion of musical space, new musical technics and technologies, the mutations of listening, and the ecology of sound. His book From Music to Sound: The Emergence of Sound in 20th- and 21st-Century Music (Routledge, 2019) deals with an important change in today’s music. His latest book Towards an Ecology of Sound: Environmental, Mental and Social Ecologies in Music, Sound Art and Artivisms (Routledge, 2023) addresses an expanded notion of ecology, mixing environmental issues and socio-political questions. He is also one of the main Xenakis specialists, to whom he has devoted many publications. For Xenakis’s centenary (2022), he co-organized the "Xenakis22: Centenary International Symposium" and he is the editor of Révolutions Xenakis (Éditions de l’Œil – Philharmonie de Paris, 2022).Cécile Sorin is currently Professor in the Department of Cinema at Université Paris 8. After having published books on practices of parody and pastiche in cinema (Pratiques de la parodie et du pastiche au cinéma, 2010) and Pasolinian pastiche (Pasolini, pastiche et mélange, 2017), she is currently examining processes of subjectivation in Pasolinian cinema and contemporary French cinema. Her recent work reassesses Pasolini’s work through the prism of ecopoetics. In addition, she is co-editor of the "Esthétiques hors cadre" series from Presses Universitaires de Vincennes.

• Preface Roberto Barbanti, Isabelle Ginot, Makis Solomos and Cecile Sorin Introduction Roberto Barbanti, Isabelle Ginot, Makis Solomos and Cecile Sorin 1. Acoustic Ecology Kostas Paparrigopoulos2. Aesthetic Subjectivation Roberto Barbanti 3. Aisthesis Carmen Pardo Salgado 4. Alienation Eric Lecerf5. Animal Baptiste Morizot6. Anthropocene and Aesthetics (The) Matthieu Duperrex 7. Architecture Philippe Chiambaretta8. Art and Milieu (Works of) Yann Aucompte 9. Art in Common Estelle Zhong Mengual10. Biodiversity: An Aesthetic Emergency Joanne Clavel 11. Cinema Damien Marguet 12. Co-creation: Collective, Participatory, and Immersive Art Alice Gervais-Ragu 13. CollapsonautsYves Citton and Jacopo Rasmi14. Contemporary DanceJoanne Clavel 15. Decoloniality Nathalie Coutelet16. Degrowth Kostas Paparrigopoulos and Makis Solomos 17. Digital Creation Anne-Laure George-Molland and Jean-Francois Jego18. Documentary Arts Soko Phay 19. Ecocriticism and Ecocinema Cecile Sorin 20. Ecofeminism Frederick Duhautpas 21. Ecofeminist Territories Tiziana Villani22. Ecosomatics Marie Bardet, Joanne Clavel and Isabelle Ginot23. Garden (The) Gilles Clement 24. Geography and Aesthetic Production of Ecological Issues Joanne Clavel, Clara Breteau and Nathalie Blanc25. Graphic Design Yann Aucompte 26. I for Iconoemic Giusy Checola 27. Landscapes, Territory, and UrbanismAlberto Magnaghi 28. Learning and Experience Anastasya Chernigina and Antoine Freychet29. Literature and the Commons Remi Astruc and Thierry Tremblay30. Literature(s) Aline Berge31. Memory and Choreographic Works Isabelle Launay 32. Music Carmen Pardo Salgado and Makis Solomos33. Musical Performance and Wet Markets Pavlos Antoniadis 34. Performance Helene Singer 35. Pest Plants Lorraine Verner 36. Photography Michel Poivert37. Place Augustin Berque 38. Plastic Arts Lorraine Verner39. Recycling Gala Hernandez Lopez 40. Site SpecificityLorraine Verner41. Socially-Engaged ArtIsabelle Ginot 42. Sound and Sound Milieus Makis Solomos 43. Sound Art Susana Jimenez Carmona, Carmer Pardo Salgado and Matthieu Saladin44. Technology and Economy of Means Agostino DiScipio 45. Territory Ludovic Duhem46. TheatreEliane Beaufils and Julie Sermon 47. Transitory Urbanism Fabrice Rochelandet 48. Visual Claire Fagnart 49. Walking Art Antoine Freychet and Anastasia CherniginaBibliography

Roberto Barbanti is Emeritus Professor in the Department of Visual Arts at Université Paris 8 and a member of the Arts des images et art contemporain research unit. He co-founded and co-edited the journal Sonorités (2006–2017) and is an advisory board member for the publisher Eterotopia France. His research areas cover ecosophy, sound ecology, and contemporary art. His publications include: Les limites du vivant (co-edited with Lorraine Verner, 2016), Dall’immaginario all’acustinario. Prolegomeni a un’ecosofia sonora (2020), and Les sonorités du monde. De l’écologie sonore à l’écosophie sonore (2023).Isabelle Ginot is Professor of Dance Studies at Université Paris 8 and co-founder of the association Association d’individus en mouvements engagés. Her two main areas of research intersect with issues of vulnerability and difference in dance. The first addresses dance performance analysis and criticism, and focuses on artists with disabilities who perform on stage. The second analyses practices, especially practices (workshops, performances, participatory art) with "non-dancers" who have disabilities, are ageing, or are affected by social discrimination and exclusion. From 2010 to 2019, she chaired the research group Soma&Po, developing research and practices on the political and social uses of somatic practices. Currently, she runs a practice-based seminar entitled "Mouvements engagés" (Engaged moves), a peer-led workshop that shares dance practices in French care institutions. Lastly, she investigates alternative formats for academic research, involving the participation of artists, activists, and non-scholar actors.Makis Solomos was born in Greece and lives in France. He is Professor of Musicology at Université Paris 8 and Director of the research unit MUSIDANSE. He has published many books and articles about new music. His main areas of research are the focus on sound, the notion of musical space, new musical technics and technologies, the mutations of listening, and the ecology of sound. His book From Music to Sound: The Emergence of Sound in 20th- and 21st-Century Music (Routledge, 2019) deals with an important change in today’s music. His latest book Towards an Ecology of Sound: Environmental, Mental and Social Ecologies in Music, Sound Art and Artivisms (Routledge, 2023) addresses an expanded notion of ecology, mixing environmental issues and socio-political questions. He is also one of the main Xenakis specialists, to whom he has devoted many publications. For Xenakis’s centenary (2022), he co-organized the "Xenakis22: Centenary International Symposium" and he is the editor of Révolutions Xenakis (Éditions de l’Œil – Philharmonie de Paris, 2022).Cécile Sorin is currently Professor in the Department of Cinema at Université Paris 8. After having published books on practices of parody and pastiche in cinema (Pratiques de la parodie et du pastiche au cinéma, 2010) and Pasolinian pastiche (Pasolini, pastiche et mélange, 2017), she is currently examining processes of subjectivation in Pasolinian cinema and contemporary French cinema. Her recent work reassesses Pasolini’s work through the prism of ecopoetics. In addition, she is co-editor of the "Esthétiques hors cadre" series from Presses Universitaires de Vincennes.

• Preface Roberto Barbanti, Isabelle Ginot, Makis Solomos and Cecile Sorin Introduction Roberto Barbanti, Isabelle Ginot, Makis Solomos and Cecile Sorin 1. Acoustic Ecology Kostas Paparrigopoulos2. Aesthetic Subjectivation Roberto Barbanti 3. Aisthesis Carmen Pardo Salgado 4. Alienation Eric Lecerf5. Animal Baptiste Morizot6. Anthropocene and Aesthetics (The) Matthieu Duperrex 7. Architecture Philippe Chiambaretta8. Art and Milieu (Works of) Yann Aucompte 9. Art in Common Estelle Zhong Mengual10. Biodiversity: An Aesthetic Emergency Joanne Clavel 11. Cinema Damien Marguet 12. Co-creation: Collective, Participatory, and Immersive Art Alice Gervais-Ragu 13. CollapsonautsYves Citton and Jacopo Rasmi14. Contemporary DanceJoanne Clavel 15. Decoloniality Nathalie Coutelet16. Degrowth Kostas Paparrigopoulos and Makis Solomos 17. Digital Creation Anne-Laure George-Molland and Jean-Francois Jego18. Documentary Arts Soko Phay 19. Ecocriticism and Ecocinema Cecile Sorin 20. Ecofeminism Frederick Duhautpas 21. Ecofeminist Territories Tiziana Villani22. Ecosomatics Marie Bardet, Joanne Clavel and Isabelle Ginot23. Garden (The) Gilles Clement 24. Geography and Aesthetic Production of Ecological Issues Joanne Clavel, Clara Breteau and Nathalie Blanc25. Graphic Design Yann Aucompte 26. I for Iconoemic Giusy Checola 27. Landscapes, Territory, and UrbanismAlberto Magnaghi 28. Learning and Experience Anastasya Chernigina and Antoine Freychet29. Literature and the Commons Remi Astruc and Thierry Tremblay30. Literature(s) Aline Berge31. Memory and Choreographic Works Isabelle Launay 32. Music Carmen Pardo Salgado and Makis Solomos33. Musical Performance and Wet Markets Pavlos Antoniadis 34. Performance Helene Singer 35. Pest Plants Lorraine Verner 36. Photography Michel Poivert37. Place Augustin Berque 38. Plastic Arts Lorraine Verner39. Recycling Gala Hernandez Lopez 40. Site SpecificityLorraine Verner41. Socially-Engaged ArtIsabelle Ginot 42. Sound and Sound Milieus Makis Solomos 43. Sound Art Susana Jimenez Carmona, Carmer Pardo Salgado and Matthieu Saladin44. Technology and Economy of Means Agostino DiScipio 45. Territory Ludovic Duhem46. TheatreEliane Beaufils and Julie Sermon 47. Transitory Urbanism Fabrice Rochelandet 48. Visual Claire Fagnart 49. Walking Art Antoine Freychet and Anastasia CherniginaBibliography