Priya Joseph teaches at Srishti Manipal Institute of Art, Design and Technology, MAHE, Bengaluru, India, and is an architect by training. Her work transects architectural history, urban ecologies, art and design in the urban, and material culture. She has published widely on architecture, and materiality, including Terracotta People (2024) and Rupturing Terracotta: Entangled Exchanges of the Hand and the Machine in South India (2022).

• List of figuresList of abbreviationsAcknowledgementsGlossaryPart 1: Reading the ArchiveChapter 1: The Humble Brick: Material for a Billion● Brick: Construction Material for a Billion● The Decolonial Lens● Hybridity● Standardisation, Mechanisation, Automation● Brick: Contemporary Challenges● Structure and Themes of the BookChapter 2: Precolonial to Colonial: History of Brick in the Indian Subcontinent● Bricks: Indus to the Nineteenth-century Colonial India● Regional Variations● Missionaries and Factories● Terracotta/Fired Earth: Colonisers Trailing the Missionaries● Terracotta Brick and Tile Industry in Mangalore● The Basel Mission Printing Press● Other Terracotta TilesChapter 3: Nineteenth-Century Conversations between the Indigenous and the Colonial● Introduction● Methods and Manuals● The Anthropology of Bricks: Brick-makers of Burma● Coloured Bricks● Well Sinkers: Manual to Mechanised● Brick, Mortar and Plasters of the Nineteenth-century India● Colonial Coercion● The Old and the New ArchivesPart 2: Drawing the ArchivesChapter 4: Why Read and Draw Buildings as Archives?● Traditional Taxonomy in Architectural History● What is an Archive?● Technique and Material as an Anchor of Architectural Analysis● Brick in Focus● The Hidden Historical Archives in the Tectonic Making of Architecture● Tracing the Intersections● A Case Study Method● Manual Measured Drawings Versus Advanced Digital Techniques● Handmade versus Machine-made● The Decolonial ShiftChapter 5: Hybridity: Materiality and Tectonic of the Chatrams of Thanjavur● Introduction● Cases in Brick● Chatrams of Thanjavur- Why are the Chatrams of Thanjavur Important? ● Sculptural and Assembled Derivation in Architecture● Muktambal (1801) and Yamunambal Chatrams, Thanjavur (1761)- Typology - Details in Brick● Vennar (1779), Kalyana Mahal (1832) and Shreyas Chatrams (1837)- Details in Brick- Column, Openings and Walls in Brick● HybridityChapter 6: Brick Tectonics of a Church, a School and a Market● Rosary Church of Shettihalli, 1810–1880- Brick Ruins and the Story of Technology- Typology and Drawings- Elements of Architecture● Tracing Hybridity Through Drawing● The Red Kirk at Bengaluru, 1864● Fort School, Bengaluru, 1907- Typology and Drawings- Elements of Architecture- Material Technique and Columns● New Material and Traditional Skills● Devaraja Market, Mysore, Karnataka, 1900- Typology and Drawings- Elements of Architecture● Roofs with SteelChapter 7: Future: Contemporary Architecture with Bricks and Adobe● Standardisation: A Consequence of Nineteenth-century Mass Production● Twentieth-century Experiments in Brick● Contemporary Brick Architecture in South Asia● Brick in the Forefront ● ConclusionIndex

Priya Joseph teaches at Srishti Manipal Institute of Art, Design and Technology, MAHE, Bengaluru, India, and is an architect by training. Her work transects architectural history, urban ecologies, art and design in the urban, and material culture. She has published widely on architecture, and materiality, including Terracotta People (2024) and Rupturing Terracotta: Entangled Exchanges of the Hand and the Machine in South India (2022).

• List of figuresList of abbreviationsAcknowledgementsGlossaryPart 1: Reading the ArchiveChapter 1: The Humble Brick: Material for a Billion● Brick: Construction Material for a Billion● The Decolonial Lens● Hybridity● Standardisation, Mechanisation, Automation● Brick: Contemporary Challenges● Structure and Themes of the BookChapter 2: Precolonial to Colonial: History of Brick in the Indian Subcontinent● Bricks: Indus to the Nineteenth-century Colonial India● Regional Variations● Missionaries and Factories● Terracotta/Fired Earth: Colonisers Trailing the Missionaries● Terracotta Brick and Tile Industry in Mangalore● The Basel Mission Printing Press● Other Terracotta TilesChapter 3: Nineteenth-Century Conversations between the Indigenous and the Colonial● Introduction● Methods and Manuals● The Anthropology of Bricks: Brick-makers of Burma● Coloured Bricks● Well Sinkers: Manual to Mechanised● Brick, Mortar and Plasters of the Nineteenth-century India● Colonial Coercion● The Old and the New ArchivesPart 2: Drawing the ArchivesChapter 4: Why Read and Draw Buildings as Archives?● Traditional Taxonomy in Architectural History● What is an Archive?● Technique and Material as an Anchor of Architectural Analysis● Brick in Focus● The Hidden Historical Archives in the Tectonic Making of Architecture● Tracing the Intersections● A Case Study Method● Manual Measured Drawings Versus Advanced Digital Techniques● Handmade versus Machine-made● The Decolonial ShiftChapter 5: Hybridity: Materiality and Tectonic of the Chatrams of Thanjavur● Introduction● Cases in Brick● Chatrams of Thanjavur- Why are the Chatrams of Thanjavur Important? ● Sculptural and Assembled Derivation in Architecture● Muktambal (1801) and Yamunambal Chatrams, Thanjavur (1761)- Typology - Details in Brick● Vennar (1779), Kalyana Mahal (1832) and Shreyas Chatrams (1837)- Details in Brick- Column, Openings and Walls in Brick● HybridityChapter 6: Brick Tectonics of a Church, a School and a Market● Rosary Church of Shettihalli, 1810–1880- Brick Ruins and the Story of Technology- Typology and Drawings- Elements of Architecture● Tracing Hybridity Through Drawing● The Red Kirk at Bengaluru, 1864● Fort School, Bengaluru, 1907- Typology and Drawings- Elements of Architecture- Material Technique and Columns● New Material and Traditional Skills● Devaraja Market, Mysore, Karnataka, 1900- Typology and Drawings- Elements of Architecture● Roofs with SteelChapter 7: Future: Contemporary Architecture with Bricks and Adobe● Standardisation: A Consequence of Nineteenth-century Mass Production● Twentieth-century Experiments in Brick● Contemporary Brick Architecture in South Asia● Brick in the Forefront ● ConclusionIndex