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Magdalena Perkowska - Neoliberal Ethos and Affective Counteroffensive in Central American Fiction and Film, Inbunden

Inbunden, Engelska, 2026

Neoliberal Ethos and Affective Counteroffensive in Central American Fiction and Film

Archives of Malaise

Av Magdalena Perkowska

Del i serien Routledge Studies in Latin American and Iberian Literature

2837 kr

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Neoliberal Ethos and Affective Counteroffensive in Central American Fiction and Film: Archives of Malaise examines the emergence of negative affect in Central American fiction and film over the past two decades as an aesthetic response to neoliberalism. Rather than treating neoliberalism solely as a political and economic doctrine, the book considers it as a form of rationality that promotes optimism, happiness, and entrepreneurial self-fashioning. Against these imperatives, contemporary Central American cultural works articulate experiences of anxiety, disenchantment, fear, frustration, melancholy, and despair amid growing precarity and uncertainty. Through readings of literature and film, the book argues that these negative affects are not simply representations of individual or collective distress. They register a deeper malaise produced by the contradictions of neoliberal life and constitute an ethical and political response to its demands for optimism and enthusiasm. By placing literary and cinematic representations in dialogue, author Magdalena Perkowska offers a new account of how contemporary Central American cultural production makes visible and contests the emotional dimensions of neoliberalism.
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Magdalena Perkowska is a Full Professor of Latin American Literature at Hunter College and The Graduate Center of the City University of New York. Her areas of specialization include Latin American narrative of the 20th twentieth and 21st twenty-first centuries, with emphasis on Central America, literary and cultural theory, visual and memory studies, and affect theories. She is the author of Historias híbridas: la nueva novela histórica latinoamericana (1985-2000) ante las teorías posmodernas de la historia (Iberoamericana/Vervuert, 2008) and Pliegues visuales: narrativa y fotografía en la novela latinoamericana contemporánea (Iberoamericana/Vervuert 2013). She co-edited Tiranas ficciones: poética y política de la escritura en la obra de Horacio Castellanos Moya (IILI, 2018), Escritura(s) en femenino en las literaturas centroamericanas – ¿una cuestión de género? (A Contracorriente, 2022), and two issues on Fotografía en, sobre y desde Centroamérica for the journal ISTMO, (2021/2022 and 2022/2023).

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