Return to Storytelling is a lyrical ethnographic work that presents stories from healers, community members, storytellers, witches, sceptics, and tricksters in an intentionally unnamed Central American Indigenous community. Anthropologist Karen Stocker investigates how stories of all kinds – written historical accounts, stories told within the community, and stories familiar to readers from North American backgrounds – shape people’s frameworks for interpreting both the everyday and the extraordinary. Stocker interrogates history as portrayed in sixteenth-century chronicles and upends scholarly writing styles in favour of the verbal artistry characteristic of the community as well as the Latin American magical realist genre. Thus, Return to Storytelling constitutes an inverted ethnography that prioritizes community collective memory over colonizers’ accounts, and privileges critical insight conveyed in accessible language over jargon-laden writing. At the same time, it remains grounded in sound, long-term ethnographic research and ultimately urges readers to question how they know what they know. By refusing clear distinctions between scholarly voice and storytelling, past and present, or belief and scepticism, this book invites readers to sit with ambiguity as a productive space of knowledge. It offers not only a rethinking of ethnographic practice but also a broader meditation on storytelling as a political, ethical, and imaginative force that continues to shape lives long after colonial encounters.

Return to Storytelling is a lyrical ethnographic work that presents stories from healers, community members, storytellers, witches, sceptics, and tricksters in an intentionally unnamed Central American Indigenous community. Anthropologist Karen Stocker investigates how stories of all kinds – written historical accounts, stories told within the community, and stories familiar to readers from North American backgrounds – shape people’s frameworks for interpreting both the everyday and the extraordinary. Stocker interrogates history as portrayed in sixteenth-century chronicles and upends scholarly writing styles in favour of the verbal artistry characteristic of the community as well as the Latin American magical realist genre. Thus, Return to Storytelling constitutes an inverted ethnography that prioritizes community collective memory over colonizers’ accounts, and privileges critical insight conveyed in accessible language over jargon-laden writing. At the same time, it remains grounded in sound, long-term ethnographic research and ultimately urges readers to question how they know what they know. By refusing clear distinctions between scholarly voice and storytelling, past and present, or belief and scepticism, this book invites readers to sit with ambiguity as a productive space of knowledge. It offers not only a rethinking of ethnographic practice but also a broader meditation on storytelling as a political, ethical, and imaginative force that continues to shape lives long after colonial encounters.