Karenjit Sandhu's publications include Poetic Fragments from the Irritating Archive (Guillemot Press), young girls! (the 87 Press) and Baby 19 (Intergraphia Books). Her work is featured in Judith: Women Making Visual Poetry and The Blue Notebook: Journal for Artists’ Books. Sandhu's artists’ books have been collected by the Tate Archive (London) and exhibited at The Showroom (London) and Galerie éof (Paris). Her performance work has led to collaborations with the Institute of Contemporary Arts, Barbican, Flat Time House and Christie’s (London), Arnolfini (Bristol) and Galerie Eric Dupont (Paris). She is a member of the British Art Network and has written for exhibition catalogues on contemporary British, European and South Asian art.

Karenjit Sanhu's gestalt [is] testament to the versatility of poetic form, the many ways the grid of light twists and turns to make new meaning from the debris of the present conjuncture. —Lola Olufemi for The Poetry Review

Karenjit Sandhu's publications include Poetic Fragments from the Irritating Archive (Guillemot Press), young girls! (the 87 Press) and Baby 19 (Intergraphia Books). Her work is featured in Judith: Women Making Visual Poetry and The Blue Notebook: Journal for Artists’ Books. Sandhu's artists’ books have been collected by the Tate Archive (London) and exhibited at The Showroom (London) and Galerie éof (Paris). Her performance work has led to collaborations with the Institute of Contemporary Arts, Barbican, Flat Time House and Christie’s (London), Arnolfini (Bristol) and Galerie Eric Dupont (Paris). She is a member of the British Art Network and has written for exhibition catalogues on contemporary British, European and South Asian art.

Karenjit Sanhu's gestalt [is] testament to the versatility of poetic form, the many ways the grid of light twists and turns to make new meaning from the debris of the present conjuncture. —Lola Olufemi for The Poetry Review