Charlotte McIvor is a lecturer in Drama and Theatre Studies at the National University of Ireland, Galway in the Centre for Drama, Theatre and Performance.  She is the co-editor of Staging Intercultural Ireland: Plays and Practitioner Perspectives (with Matthew Spangler) and Devised Performance in Irish Theatre: Histories and Contemporary Practice (with Siobhán O’Gorman).  She has published in Modern Drama, Irish University Review, Irish Studies Review and multiple edited volumes on contemporary theatre and performance.

• Introduction. Towards a New Interculturalism?.-  Part I. Intercultural Production Infrastructures..- Chapter 1. Playboy of the Western World and Old/New Interculturalisms.-  Chapter 2. Casting, Translation and Adaptation as Interculturalism-from-Below.-  Part II. Producing the Intercultural Subject.- Chapter 3. Performing Historical Duty.- Chapter 4.  Labour(ed) Relations: Migrant Women and Performative Labour.-  Part III. Intercultural Publics.-  Chapter 5. Community Theatre as Active Citizenship.- Chapter 6. Essences of Social Change.-  Conclusion. The “New Irish”? .

Charlotte McIvor is a lecturer in Drama and Theatre Studies at the National University of Ireland, Galway in the Centre for Drama, Theatre and Performance.  She is the co-editor of Staging Intercultural Ireland: Plays and Practitioner Perspectives (with Matthew Spangler) and Devised Performance in Irish Theatre: Histories and Contemporary Practice (with Siobhán O’Gorman).  She has published in Modern Drama, Irish University Review, Irish Studies Review and multiple edited volumes on contemporary theatre and performance.

• Introduction. Towards a New Interculturalism?.-  Part I. Intercultural Production Infrastructures..- Chapter 1. Playboy of the Western World and Old/New Interculturalisms.-  Chapter 2. Casting, Translation and Adaptation as Interculturalism-from-Below.-  Part II. Producing the Intercultural Subject.- Chapter 3. Performing Historical Duty.- Chapter 4.  Labour(ed) Relations: Migrant Women and Performative Labour.-  Part III. Intercultural Publics.-  Chapter 5. Community Theatre as Active Citizenship.- Chapter 6. Essences of Social Change.-  Conclusion. The “New Irish”? .

Charlotte McIvor is a lecturer in Drama and Theatre Studies at the National University of Ireland, Galway in the Centre for Drama, Theatre and Performance.  She is the co-editor of Staging Intercultural Ireland: Plays and Practitioner Perspectives (with Matthew Spangler) and Devised Performance in Irish Theatre: Histories and Contemporary Practice (with Siobhán O’Gorman).  She has published in Modern Drama, Irish University Review, Irish Studies Review and multiple edited volumes on contemporary theatre and performance.

• Introduction. Towards a New Interculturalism?.-  Part I. Intercultural Production Infrastructures..- Chapter 1. Playboy of the Western World and Old/New Interculturalisms.-  Chapter 2. Casting, Translation and Adaptation as Interculturalism-from-Below.-  Part II. Producing the Intercultural Subject.- Chapter 3. Performing Historical Duty.- Chapter 4.  Labour(ed) Relations: Migrant Women and Performative Labour.-  Part III. Intercultural Publics.-  Chapter 5. Community Theatre as Active Citizenship.- Chapter 6. Essences of Social Change.-  Conclusion. The “New Irish”? .